Walking the City of London

Category: Sculpture Page 6 of 43

A good time to visit St Paul’s Cathedral.

Well, of course, any time is a good time to visit this wonderful building but this year marks 80 years since the end of the Second World War. Amidst devastating destruction around the City, St Paul’s remained standing, its iconic dome rising out of the surrounding rubble.

The secret to its survival was not luck, as is commonly thought, but rather the bravery and dedication of a group called the St Paul’s Watch, whose commitment to St Paul’s saved the Cathedral from the fate of its neighbouring buildings. Until October 2025, a free outdoor exhibition Saving St Paul’s: The Watch and the Second World War will honour the St Paul’s Watch and their heroic efforts to protect the Cathedral during the Blitz …

You’ll find a super YouTube video about the Blitz and the brave volunteers of The Watch on the wesite. It’s only 15 minutes long but tells the story brilliantly: https://www.stpauls.co.uk/savingstpauls

Why not make your visit a bit of an adventure! You could start with a nice cup of coffee at the Crypt restaurant and enjoy an added bonus of seeing some interesting memorials without having to pay for entry.

In the distance, behind the Churchill Memorial Screen, you can glimpse the sarcophagus of Britain’s most famous seafarer Horatio Nelson

It was originally commissioned by Cardinal Wolsey (1473-1530) for his own use but he died in Leicester on his way to London to face treason charges brought by Henry VIII. Henry had his eye on the sarcophagus for his personal use but that didn’t happen and it remained in storage until 1805 when King George III donated it for Nelson’s funeral. Read a fuller history of the sarcophagus and see more images here.

The French Revolutionary Wars lasted from 1792 to 1802 only to be followed by the Napoleonic Wars from 1803 to 1815. In total 23 years of war with France in which Nelson played a major role. Also commemorated in the cafe are three of his fellow officers.

The Earl of St Vincent is recognised for winning the Battle of St Vincent in 1797. Nelson was his Commodore …

Nearby is this monument to two other Naval heroes who died under Nelson’s command, Edward Riou and James Robert Mosse …

Riou died in the 1801 Battle of Copenhagen. He ‘…was sitting on a gun, was encouraging his men, and had been wounded in the head by a splinter. He had expressed himself grieved at being thus obliged to retreat, and nobly observed, ‘What will Nelson think of us?’ His clerk was killed by his side; and by another shot, several marines, while hauling on the main-brace, shared the same fate. Riou then exclaimed, ‘Come, then, my boys, let us all die together!’ The words were scarcely uttered, when the fatal shot severed him in two’.

Mosse died in the Battle of Camperdown. In 1799 he was appointed Captain of HMS Monarch, also under the overall command of Admiral Nelson. Mosse took a leading role, sailing from one end of the line to the other, whilst both firing and receiving fire. He was killed soon after adopting his required position, his last orders being to ‘cut away the anchor’. Like Riou, he was buried at sea …

There is also this extraordinary monument to a soldier rather than a seafarer, Sir William Ponsonby. A winged Angel of Victory hovers over him holding a laurel wreath as a broken sword slips from his right hand …

He died at Waterloo, having advanced too far and becoming isolated when his horse got bogged down in the mud. He surrendered to the French but, suspecting a rescue attempt, they finished him off leaving him naked except for his bloodstained shirt. You can read more about his background along with the gripping story of his final battle on the Waterloo Association website.

As you leave the crypt you get a nice view of Temple Bar

Pause also to admire the five beautiful Angels by Emily Young FRBS. Young (b. 1951) is one of the country’s foremost stone sculptors and you can enjoy her work in the form of Angels I to V in the courtyard opposite the Cathedral’s main entrance. I never tire of looking at them …

Incidentally, I have written an entire blog about City Angels and Devils and you can access it here.

Then head up the steps to the Cathedral West doors for a trip back a few hundred million years.

There are fossils embedded in the red limestone …

These are orthoceras cephalopods, an ancestor to the squid that lived up to 5oo million years ago. Orthoceras could float by filling the chambers of their shells with air and moved by squirting jets of sea water. When they died their shells accumulated on the ocean floor which then was covered by sediments and subsequently over the ages transformed into stone.

Now climb further up the steps to the magnificent West Door and admire, if that’s the right word, the elegant cursive script of the 18th century ‘vandals’ who scratched their names in the stonework …

Some of it is very high up which leads me to believe the marks were made by workmen using sharp implements whilst standing on a scaffold …

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Opposite the West Door, Queen Anne stands on her pedestal and gazes imperiously towards Fleet Street. Wearing a golden crown, she has the Order of St George around her neck, a sceptre in her right hand and the orb in her left …

It was during her reign that the rebuilding of St Paul’s, after the 1666 Great Fire, was completed. The original statue was erected in 1712, an integral part of the design. It was damaged, deteriorated and was replaced with this copy in 1886.

It’s difficult not to feel sorry for Anne. Her personal life was marked by the tragedy of losing 18 children (including twins) through miscarriage, stillbirth and early death. Two of her daughters, Mary and Anne Sophia, died within days of each other, both aged under two years, of smallpox in 1687.

One little boy, William Duke of Gloucester, survived but within weeks it became clear that he was an ill child. He suffered from debilitating convulsions, struggled to walk and died in 1700 at the age of 11. Here is a touching portrait of them both …

The four allegorical ladies around the base of her statue represent England, France, Ireland and North America, as at that time Anne considered herself to be queen of them all …

With her left hand, Britannia supports a cartouche with the royal arms …

Holding a trident in her right hand she also wears Minerva’s breastplate adorned with a gorgon mask as if it were a sash. Minerva was the Roman Goddess of wisdom and the sponsor of arts, trade and strategic warfare.

France is seated with her eyes lowered and wearing a helmet with three fleurs-de-lis on the visor surmounted by a plume sweeping backwards …

Her right hand rests on a substantial truncheon and her left clasps a mural crown.

In my opinion America is the most interesting and I have written about her before …

She wears a feathered head-dress and skirt whilst her left hand grasps a metal bow. Her right hand may once have held an arrow.

What fascinates me, however, is the creature by her feet which resembles a rather angry Kermit the frog (alongside some poor chap’s severed head) …

In 1712, this is what the original sculptor Francis Bird imagined an alligator would look like. A contemporary description of the statue states …

There is an allegator creeping from beneath her feet; being an animal very common in some parts of America which lives on land and in the water.

A pretty young Ireland is seated at the back of the monument with a harp resting on her right thigh …

Anne was 37 years old when she became queen in 1702. At her coronation she was suffering from a bad attack of gout and had to be carried to the ceremony in an open sedan chair with a low back so that her six-yard train could pass to her ladies walking behind. Her medical conditions made her life very sedentary and she gradually put on a lot of weight. She died after suffering a stroke on Sunday 1st August 1714 at the age of 49.

In 1897 Queen Victoria celebrated her Diamond Jubilee and a service was held in the open air outside St Paul’s …

Due to her frailty she remained in her carriage throughout the ceremony where the clergy joined her, surrounded by dignitaries and troops from around the Empire …

You can just see, in the bottom left hand corner, the railings that surround Anne’s statue.

Its position is clearer in this photograph …

At one point when the celebrations were being planned it was suggested that Queen Anne’s statue be moved but Victoria was horrified …

‘Move Queen Anne? Most certainly not’ Victoria declared, ‘Why it might some day be suggested that my statue should be removed, which I should much dislike!’

Finally, you’ll find a sinister reminder of the Blitz if you walk around to the east side of the Cathedral. Shrapnel scars from the bombing …

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Alison Aye and Kemi Athene Pennicott at the Barbican Library.

Once again I’m back at the Barbican Library for an extraordinary exhibition with very different but fascinating themes.

Alison Aye’s first work, entitled Exile Textiles, was started 31st March 2020 and finished on 29th September that year. It illustrates a horrendous period of her life as she cared for her mother, who had terminal cancer, and her father who suffered a stroke. She also lost her job during this period which, of course, coincided with the Covid lockdown. Also included are later pieces from Exile Textiles II: The New Normal and Exile Textile III: The Prequel.

Before you glance at my images I urge you to have a look at Alison’s blog which explains the works in more detail. I promise you it’s not all doom and gloom – it’s very funny in places. For example, do you remember YOU HAVE NO AUTHORITY HERE JACKIE WEAVER! Or Barbara Windsor as Peggy Mitchell yelling ‘Get outta my pub!’ Or Dominic Cummings allegedly calling Carrie Symonds, now Mrs Johnson, ‘Princess Nut Nuts’. I certainly do – and they are all referenced here.

Here is Alison’s blog, it’s entitled EXILE TEXTILES AN EXPLANATION

Alison has the following to say about the other work on display, Civilisation:

‘In ‘Civilisation’, I’m questioning the bias of my early art education, which came mainly from Lord-Sir-Baron-Kenneth-Clark, born into a wealthy ‘textiles family’, and his popular television BBC programme/book, ‘Civilisation’. I’ve made stitched collages from said book (published by BBC/John Murray, this edition 1971), combined with discarded gallery (mainly Tate) magazines. Lord-Sir-Baron-Kenneth omitted female artists from his account, which is what started me off on these collages, but as the project progressed I have annoyingly fallen in love with the snobby bastard. I don’t agree with what he is saying a lot of the time, but his style of writing is superb and an utter joy to read.’

Images from Civilisation:

Alison’s history of Royal Academy submissions …

She finally made it into the Royal Academy Summer Show last year after 31 attempts …

The winning work (not on display at the Library) …

You can read more here.

Sharing the Library space with Alison is Kemi Athene Pennicott

The Library exhibition runs until 28 August.

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Daft pigeons, Queen Victoria’s waiting room and other miscellany.

As regular readers will know, every now and then I can’t find a theme that will support an entire blog and, in such cases, I just raid my image archive and see what I come up with. This is one of those days.

I walk across Gilbert Bridge almost every morning and in mid-June I noticed this pigeon squeezing itself into a corner by a pillar …

At first I thought it was unwell, but then a few days later I noticed it had a companion …

Then, over the next few weeks, they both started appearing with twigs in their beaks …

I cannot claim to be an authority on nest building (or pigeons, for that matter) but I didn’t think that location was viable and, sadly, one month later no progress had been made …

And, frankly, there was barely room for the two of them never mind a nest as well …

It was also obviously looking a tad unhygenic, but I don’t think that tends to bother pigeons.

Now they seem to have abandoned their efforts but obviously I will report back if they return. Pigeons get a very bad press, which I think is rather unfair. If you want to know more about them (and some of their gallant ancestors) click here for my blog ‘What do pigeons do all day?’

One day I found this little poem by Terry Ryan pinned up alongside a church door:

Every time I pass church
I stop and make a visit
So when I’m carried in feet first
God won’t say, “Who is it?”

Wherever we travel I head for churches and churchyards at the earliest opportunity and am usually rewarded with interesting sights. In Italian churches, it’s common to see votive limbs (or other body parts) particularly in the form of metal or wax replicas. They are placed there to express gratitude or to seek divine healing for specific ailments. I came across these in a church in Sorrento, I think they are rather beautiful …

Nearby were some extraordinarily detailed representations of the Nativity …

They were accompanied by scenes of people going about their normal business (plus some hovering angels) …

Not sure what this represents – probably a religious festival …

I think it’s so lovely in Italy when forthcoming funerals are announced on notice boards along with some details about the person …

Back in the UK, the Wedding Routemaster parked up behind St Lawrence Jewry …

The King’s Birthday flypast …

At St Giles Cripplegate, John Milton meets a double bass travelling case …

The Honourable Artillery Company on their way to provide a gun salute for President Macron’s State Visit …

A surprise in St Mary’s Church, Tenby, the man who invented the equals sign =

Nearby in St Nicholas’ Chapel is the tomb of Margaret Mercer, wife of Thomas ap Rees of Scotsborough. Margaret died in childbirth in 1610 at the age of 30, having already borne ten children. The seven children who survived her are shown beneath her effigy, while above her is a likeness of her husband in a kneeling pose. The memorial is beautifully restored and repainted to emulate its original richly decorated appearance …

I really like authentic, handwritten signage …

Here’s what it refers to …

On our way to Tenby I stopped by one of my very favourite War memorials. It’s on Platform 1 at Paddington Station …

The memorial consists of a bronze statue of a soldier, dressed in heavy winter clothing, reading a letter from home. One commentator imagined that the home-knitted scarf may have been a gift from his mother or sweetheart and I can’t help but agree. The sculptor was Charles Sargeant Jagger (1885–1934) and you can read more about the background to the sculpture here.

Since we were treating ourselves to a first class ticket we could use the Paddington lounge and it’s well worth a visit. Alongside the modern area is what was once Queen Victoria’s private waiting room …

Some of the original wall decoration remains …

There are also other items of rail memorabilia …

I believe the furnishings aspire to suggest ‘Gentlemen’s Club’!

The lounge is also on Platform 1 and is tucked away behind the memorial.

This summer, the Barbican has invited audiences to step into Feel the Sound, a new multi-sensory immersive exhibition that transforms how we think about sound. ‘Taking place across the Centre, visitors can explore how sound shapes emotions, memories, and even physical sensations. Feel the Sound challenges us to listen not just with our ears, but with our whole bodies – redefining what we hear, how we feel, and what we think we know about ourselves’.

For example, there is this display as you walk through the Centre at ground level …

As the sound background changes so does the image …

And what are these people looking at in The Well …

This is what’s happening …

And what I saw when I looked down …

And at Citypoint …

And finally, in Cardiff, just when I thought I’d seen it all …

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