Walking the City of London

Category: Sculpture Page 5 of 41

Daft pigeons, Queen Victoria’s waiting room and other miscellany.

As regular readers will know, every now and then I can’t find a theme that will support an entire blog and, in such cases, I just raid my image archive and see what I come up with. This is one of those days.

I walk across Gilbert Bridge almost every morning and in mid-June I noticed this pigeon squeezing itself into a corner by a pillar …

At first I thought it was unwell, but then a few days later I noticed it had a companion …

Then, over the next few weeks, they both started appearing with twigs in their beaks …

I cannot claim to be an authority on nest building (or pigeons, for that matter) but I didn’t think that location was viable and, sadly, one month later no progress had been made …

And, frankly, there was barely room for the two of them never mind a nest as well …

It was also obviously looking a tad unhygenic, but I don’t think that tends to bother pigeons.

Now they seem to have abandoned their efforts but obviously I will report back if they return. Pigeons get a very bad press, which I think is rather unfair. If you want to know more about them (and some of their gallant ancestors) click here for my blog ‘What do pigeons do all day?’

One day I found this little poem by Terry Ryan pinned up alongside a church door:

Every time I pass church
I stop and make a visit
So when I’m carried in feet first
God won’t say, “Who is it?”

Wherever we travel I head for churches and churchyards at the earliest opportunity and am usually rewarded with interesting sights. In Italian churches, it’s common to see votive limbs (or other body parts) particularly in the form of metal or wax replicas. They are placed there to express gratitude or to seek divine healing for specific ailments. I came across these in a church in Sorrento, I think they are rather beautiful …

Nearby were some extraordinarily detailed representations of the Nativity …

They were accompanied by scenes of people going about their normal business (plus some hovering angels) …

Not sure what this represents – probably a religious festival …

I think it’s so lovely in Italy when forthcoming funerals are announced on notice boards along with some details about the person …

Back in the UK, the Wedding Routemaster parked up behind St Lawrence Jewry …

The King’s Birthday flypast …

At St Giles Cripplegate, John Milton meets a double bass travelling case …

The Honourable Artillery Company on their way to provide a gun salute for President Macron’s State Visit …

A surprise in St Mary’s Church, Tenby, the man who invented the equals sign =

Nearby in St Nicholas’ Chapel is the tomb of Margaret Mercer, wife of Thomas ap Rees of Scotsborough. Margaret died in childbirth in 1610 at the age of 30, having already borne ten children. The seven children who survived her are shown beneath her effigy, while above her is a likeness of her husband in a kneeling pose. The memorial is beautifully restored and repainted to emulate its original richly decorated appearance …

I really like authentic, handwritten signage …

Here’s what it refers to …

On our way to Tenby I stopped by one of my very favourite War memorials. It’s on Platform 1 at Paddington Station …

The memorial consists of a bronze statue of a soldier, dressed in heavy winter clothing, reading a letter from home. One commentator imagined that the home-knitted scarf may have been a gift from his mother or sweetheart and I can’t help but agree. The sculptor was Charles Sargeant Jagger (1885–1934) and you can read more about the background to the sculpture here.

Since we were treating ourselves to a first class ticket we could use the Paddington lounge and it’s well worth a visit. Alongside the modern area is what was once Queen Victoria’s private waiting room …

Some of the original wall decoration remains …

There are also other items of rail memorabilia …

I believe the furnishings aspire to suggest ‘Gentlemen’s Club’!

The lounge is also on Platform 1 and is tucked away behind the memorial.

This summer, the Barbican has invited audiences to step into Feel the Sound, a new multi-sensory immersive exhibition that transforms how we think about sound. ‘Taking place across the Centre, visitors can explore how sound shapes emotions, memories, and even physical sensations. Feel the Sound challenges us to listen not just with our ears, but with our whole bodies – redefining what we hear, how we feel, and what we think we know about ourselves’.

For example, there is this display as you walk through the Centre at ground level …

As the sound background changes so does the image …

And what are these people looking at in The Well …

This is what’s happening …

And what I saw when I looked down …

And at Citypoint …

And finally, in Cardiff, just when I thought I’d seen it all …

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Giacometti and Huma Bhabha at the Barbican.

What was once the Searcys restaurant on the second floor is now an intimate gallery space overlooking the lake with a splendid view across to St Giles church. It is now hosting its first series of groundbreaking exhibitions entitled Encounters:Giacometti.

‘One of the most significant European sculptors of the 20th century, Giacometti is known for his distinctive, elongated sculptures which experiment with the human form. Responding to the pain and devastation caused by the Second World War, his works proposed a new perspective on humanity and the collective psyche.

Organised in collaboration with the Fondation Giacometti, the first of a series is now open with an exhibition of works by Huma Bhabha. This will be followed by Mona Hatoum in September and Lynda Benglis in February 2026. Their artworks resonate with and respond to Giacometti’s sculptures, opening up new intergenerational dialogues through the timeless themes of death, fragmentation, the domestic, memory, trauma, the erotic, horror and humour. This is the first time that their sculptures will be seen alongside Giacometti’s works’. You can read more about Huma Bhabha in this Guardian interview along with a review here.

Here are some of the images I took when I visited which will hopefully give you a flavour of the exhibition …

Giacometti The Glade, 1950

Huma Bhabha Untitled, 2022

Giacometti Large Head, 1960

Huma Bhabha Untitled, 2022

Giacometti, in the foreground, Four Women on a Base, 1950

Huma Bhabha Untitled, 2022

Nice space …

Huma Bhabha What Should it Be, 2024

Giacometti Walking Woman, 1932

Huma Bhabha Mask of Dimitrios, 2019

Giacometti Three Walking Men, 1948

Huma Bhabha Magic Carpet, 2003

Giacometti Walking Man 1, 1960

The Guardian gave the exhibition 5 Stars and so do I *****

Four of Huma Bhabha’s works are also installed in the lobby …

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‘To take a leaf out a book’ at the Barbican Library (plus, coming up, Huma Bhabha encounters Giacometti).

Becky Bolton and Louise Chappell have been working collaboratively as ‘Good Wives and Warriors’ for nearly 20 years since graduating from the Glasgow School of Art. Their work has been featured in The Guardian, New Scientist and on the BBC as well as illustrated campaigns for Ren Skincare, Tiger Beer, Absolut, Adidas, Swatch and Tic-Tac.

They are now primarily illustrating elaborate non-fiction children’s books for publishers such as Laurence King, Big Picture Press, Wide Eyed Press, Penguin and Puffin.  

‘To take a leaf out a Book’ shows the workings of their richly illustrated picture books, featuring their original hand painted illustrations and published books, full of mythical creatures, plants and animals. It’s great fun – here are some images from the exhibition which runs until 28th April.

Strawberry Squid …

Coral Reef …

Allosauros …

The Prehistotic World …

Great fun and well worth a visit (and some of the work is for sale if you’re interested).

On show outside the library are four monumantal sculptures by Huma Bhabha. These gigantic forms represent the ancient and the modern, the human and the non-human, and draw inspiration from 1980s and 1990s horror and fantasy films …

The works herald the opening of a new gallery on 8th May in the space previously occupied by the Searcy restaurant. Entitled Huma Bhabha Encounters: Giacometti, the sculptures in this show will span nearly a century of artmaking, their mediums ranging across plaster, bronze, terracotta, and found objects. Works from across Bhabha’s career will be displayed alongside iconic works by Giacometti made mostly in the aftermath of World War II.

Hope you had a nice Easter – I’m still finishing off the chocs …

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