As regular subscribers will know, every now and then I find I have a number of images I like that can’t be gathered into a particular theme but I don’t want to abandon them. So this is one of those times.
I’ll start with something that made me smile.
I have put on a bit of weight lately and now I know that, if things get a bit out of hand, I can enhance my wardrobe with a visit to the little covered market in Whitecross Street …
I think that’s a 48 inch waist.
Moon behind the Shard …
Warming light at dawn …
Dusk …
Christ’s Hospital Scholars …
On the other side of the sculpture is a poem by Samuel Taylor Coleridge (1772-1834) called On Leaving School …
I think he missed school rather more than I did!
Construction of the new HSBC offices at St Paul’s …
If you must put up a hoarding, why not include a giraffe?
This usually amuses me too …
The happy Mr Sun and the misplaced apostrophe (surely it should come before the ‘s’).
The remains of Christ Church Greyfriars …
… and its garden …
The little secluded garden at St Vedast Foster Lane …
Still on Foster Lane, I’ve often wondered about Priest’s Court. The Ian Visits blog reckons it housed Sir John Johnson’s Freewriting School, which he founded in 1695 to offer free education to eight scholars, although it only lasted 36 years …
Around the entrance you can see the original oak frame where the alley would have once had a mighty door to seal it off, for the court was private then, containing the residence of the parish priest of St Vedast …
The restaurant next door always looks after its flowers …
Well done!
On the other side of the restaurant is Rose and Crown Court …
For a really comprehensive overview of the area’s history I recommend the Ian Visits blog
Some local flowers in Wood Street and the Goldsmith’s Garden Gresham Street …
And some from the Barbican Highwalk …
And three from my balcony …
My final balcony shot – the Trooping the Colour Flypast …
By the way, last Saturday I went on what is probably one of the best, if not the best, of the numerous ‘guided’ walks that take place all the time in London. It is conducted by The Gentle Author and you can book here using the link in his latest blog: https://spitalfieldslife.com/2024/06/26/the-cries-of-london-i/
It’s not often I find myself struggling for a Blog topic but, when I do, I tend to walk either east or west in search of inspiration. Last week, however, I felt the call of the North, hopped on the Northern Line Tube and headed for Hampstead.
I’ve been reading a book lately about the history of the Underground and the part of the system I was travelling on dates from 1907. It was constructed by the Charing Cross, Euston & Hampstead Railway and linked Charing Cross to Golders Green.
Designed in the space of just four years by the talented and prolific Leslie Green the stations feature the architect’s beautiful trademark tiles.
Station platforms …
A typical corridor …
I suspect some of the above tiles are replicas, but these may be authentic since Heath Street was the original name of the Hampstead station …
The fabulous green tiles designed for ticket offices …
The striking oxblood-red tiles and arched windows typical of the exteriors of Green’s stations …
Walking up Heath Street, I encountered this spooky statue outside a Hampstead art gallery …
Whitestone Pond (where I used to go paddling as a child) …
Originally known as Horse Pond, fed solely by rain and dew, ramps were in place to allow horses to access the pond to drink and cool down after the long climb (this is the highest point in London). Later it became affectionately known as Hampstead-on-Sea when the pond was used for paddling, floating model boats and skating in winter.
An image from 1920. No, I’m not one of those kids!
The idea of an embankment along the Thames was first suggested by Sir Christopher Wren after the Great Fire of 1666 and work eventually began in 1861 under the control of Sir Joseph Bazalgette the Metropolitan Board of Works’ Chief Engineer. Its purpose was not only to ease congestion but also to house the main sewer and it was opened on 13 July 1870 by the Prince of Wales. The total area of land reclaimed was over 37 acres and about 20 acres of this were laid out as gardens and these were the objective of my walk last week.
The gardens shortly after opening …
Walking west from Blackfriars I encountered one of my favourite pieces of street sculpture …
He’s had a tough day at the office and now just wants to get home but, sadly, he’s been trying to grab that cab since 2014. Sculpted by J. Seward Johnson Jr. in 1983, it originally stood on Park Avenue and 47th Street in New York. It’s called, not surprisingly, Taxi!
A little further west are the gates to the Temple private gardens – haunt of the legal profession.
The flying horse Pegasus is the emblem of Middle Temple …
The badge of the Middle Temple consists of the Lamb of God with a flag bearing the Saint George’s Cross …
I walked past the two formidable dragons symbolising the entrance to the City of London …
Seven feet high, they were once mounted above the entrance to the Coal Exchange which was demolished between 1962 and 1963.
They were cast by London founder, Dewer, in 1849 as can be seen on the back of the shield …
Alongside the dragon on the north side of the road is a tablet commemoration Queen Victoria’s last visit to the City in March 1900 …
Time now to enter the first of the gardens and to admire the memorials erected to the great, the good and the brave.
This is the Lady Henry Somerset Children’s Fountain. She was elected president of the British Women’s Temperance Association in 1890 and during her time with them its political and social influence grew. She promoted many endeavours, including the use of birth control, as she argued that sin begins with an unwelcome child …
The formidable Lady Somerset …
What I also discovered in my research was that she outed Lord Henry as a homosexual (a crime during the 1800s), which resulted in their separation and her gaining custody over their son. As a result of publicising his sexual orientation, she was ostracised from society since in those days women were expected to turn a blind eye to every kind of their husband’s infidelity. His lordship decamped to Italy.
Sir Arthur Seymour Sullivan (1842-1900) was a composer and most famous for his collaborations with the librettist Sir William Schwenck Gilbert (1836-1911). Their collaboration resulted in fourteen Comic Operas a number of which are still frequently performed today by both amateur and professional companies to the delight of people around the world …
His memorial features a bust atop of a pedestal together with a weeping Muse of Music. The plinth also carries lines from Gilbert and Sullivan’s 1888 opera The Yeomen of the Guard: “Is life a boon? / If so, it must befall / That Death, whene’er he call, / Must call too soon”.
The lines are repeated in the bronze sculpture at the base, which depicts an open book of music, one of the masks of Comedy and Tragedy and a mandolin …
Apparently the statue has been described as ‘the most erotic in London’.
Robert Raikes, pioneer of Sunday Schools …
Although Sunday schools were not original to Robert Raikes – they were in existence many years before he started his first in 1780 – it was he who put them on the map and whose efforts gave huge momentum to the movement in Britain. Hence, when in 1880 this memorial was erected to celebrate the centenary of the Sunday school movement, the statue featured Robert Raikes. Read more about this fascinating man here.
The flower beds are wonderful …
The Henry Fawcett memorial ‘erected by his grateful countrywomen’ …
Henry Fawcett was an economist and politician who was held in high regard by the public. He was born in 1833 and educated at the University of Cambridge. At the age of 25 he was involved in a shooting accident that left him blind. However, he refused to let his affliction dampen his life and ambitions. He rose to become a Professor in Economics at Cambridge University and was elected Member of Parliament for Brighton in 1865 to 1874, and subsequently for Hackney in 1874 to 1884. In 1880 he was also appointed the position of Her Majesty’s Postmaster-General. He introduced improvements in the Post Office such as the parcel post, postal orders and sixpenny telegrams. He was also an avid supporter of women’s rights and encouraged the Post Office to employ women. He married the renowned suffragist, Millicent Fawcett, in 1867.
More lovely flowers with the memorial to Lord Cheylesmore in the background …
This statue is in tribute to Sir Wilfrid Lawson, the 2nd Baronet probably best known as a temperance campaigner and radical, anti-imperialist wing of the Liberal Party. The statue depicts Lawson, standing as if about to speak while a member of parliament …
He was an extraordinary character and you can read more about him here.
I have always been fascinated by this memorial to the Imperial Camel Corps Brigade …
Do take a few minutes to read this article about them from the 20th Century Society Journal:
The Imperial Camel Corps were formed to patrol the western desert in the First World War and fought major campaigns in Egypt, Sinai and Palestine. Their job was to protect Allied troops (evacuated after the failure at Gallipoli) from risings by the Ottomans and Senussi confederation of tribes. The Senussi were eventually forced into submission late in 1916 by starvation, and by being denied the use of wells by camel corps units and light car patrols. The Camel Corps’ most famous moment was assisting Lawrence of Arabia to capture Jerusalem in the rebellion of 1916-18, although the damper weather meant many animals became victims of sarcoptic mange. The majority of the Infantry were Australian, some of whom were already experienced camel jockeys. The corps were so successful that they were expanded from four to eighteen companies. Six companies were formed from British Cavalry, two from New Zealand Cavalry. The corps were reorganised into four large battalions to fight the Turks, assisted by an artillery unit from Hong Kong and Singapore.
Always look after your camel …
A World War One Anzac Australian Camel Corps soldier giving his camel a drink of water from a chattu vase, 1916. You can find more images here and here.
By the end of the war 346 of their formation had died in action. The reality of the ultimate sacrifice, the names behind the numbers …
The nearby York Watergate is almost 400 years old. It was built in 1626 in the grounds of York House as a mooring point for the Duke of Buckingham’s boat or the boats of guests. As a result of the building of the Embankment, the river is now over 150 yards away …
The watergate around 1850 …
More flowers – couldn’t resist taking pics …
And now to more recent conflicts. These memorials are located at the far west end of the gardens near Westminster Underground Station.
The first bit of good news is that Mrs Coot is now firmly esconced on her Barbican Lake nest – a sight that always cheers me up …
This picture was taken from Gilbert Bridge.
The City Gardeners’ hard work is coming to fruition on London Wall and elsewhere in the City …
At the roundabout …
St Mary Aldermanbury and Love Lane…
Opposite St Paul’s Underground Station …
The little pond outside St Lawrence Jewry has been refurbished as has the west front of the church and its spire …
All that’s needed now are some fish.
The little garden at St Vedast Foster Lane …
In Postman’s Park …
Commercial enterprises also make a contribution to brightening up the City …
On Gresham Street …
I have to particularly congratulate the owners and tenants of 88 Wood Street who take planting seriously, both outside …
… and inside …
So, rather cleverly, it’s difficult to tell where the border between the two is.
A few images from around the Barbican …
The entrance to the Andrewes House car park is a welcoming sight!
Earlier this week you may have noticed the abseilers at work on the Lakeside Terrace …
The completed exercise …
It’s a work called Purple Hibiscus by Ibrahim Mahama and you can read more about it here.
And finally.
You may remember that, a little while ago on 29th February, I wrote about notices that I had come across that I thought were interesting. Well, I have been keeping my eyes open and come across two more. I can only describe them as ‘doors with attitude’!
This warning couldn’t be clearer (although masochists may ignore it) …
I was so hot recently that I didn’t really want to wander far and today’s blog is the result. I hope you will find it interesting nonetheless.
I visited churchyards where, in some cases, the church they were associated with no longer exist.
First up is St Olave Silver Street, destroyed, the plaque tells us, in the ‘dreadfull fire in the year 1666‘ and never rebuilt …
Another stone commemorates the churchyard being ‘thrown back’ due to road widening in 1865 …
It’s a nice, modest little space – very green and lush at the moment …
With a little font-like pool that I rather like …
Interestingly, the church was notable as the place where the bodies of those dissected at the nearby Barber-Surgeons Hall would be buried. Prior to the Anatomy Act of 1832, only the bodies of those executed for murder could be used for dissection. The bodies would be used for anatomical study and then interred at St Olave’s.
Shakespeare once lived nearby but that building perished in the Great Fire as well …
Wilfred Dudeney’s 1954 sculpture has been here since 2009. Commissioned by the Westminster Press Group, it represents the newspaper process with a newsboy (sales), printer and editor (or proprietor), and used to stand by their offices in New Street Square. When the square was redeveloped the Goldsmiths’ Company, as the freeholders of the square, relocated the sculpture here (they had to rescue it from a demolition yard). Look closely, the printer is grasping a ‘stick’ for holding metal type, and Dudeney’s name is in ‘mirror writing’ just as it would have been when typeset the old-fashioned way …
Just across the road is St Anne and St Agnes with its pretty brickwork …
And quiet, secluded garden …
Christchurch Greyfriars Church Garden is on the site of the Franciscan Church of Greyfriars that was established in 1225. Numerous well-known people, including four queens, were buried in the old church, which was destroyed in the Great Fire of 1666. A new church, designed by Wren, was completed in 1704.
In 1940 incendiary bombs destroyed the body of the Wren church, and only the west tower now stands. In 1989 a rose garden was established that reflects the floor plan of the original church with box-edged beds representing the original position of the pews with wooden towers representing the stone columns of the former church …
These blocks of granite are relatively new additions to the site …
Information about them …
The nearby sculpture celebrates the Greryfriars School’s success in educating youngsters from a deprived background and turning them into model citizens …
Actually, I think the street ragamuffins on the right seem to be having a great time …
St Paul’s Cathedral churchyard …
St Thomas à Becket lies in agony …
And some great news, the little pond outside St Lawrence Jewry has been renovated …
I hope they put in some fish.
And finally, near St Paul’s, is this the most expensive barber in London?
Mind you, there is complimentary Japanese Whisky and Beer!
If you would like to follow me on Instagram here is the link …
If you want to have a brief experience of the St Paul’s Cathedral crypt without paying to enter the Cathedral itself just make your way down the stairs to the Crypt Cafe. The entrance is opposite the Temple Bar …
Down below you’ll encounter some extraordinary monuments to deceased heroes. This is the one to Sir William Ponsonby …
‘Created in white marble, the figure of the dying hero rests against his fallen horse. He is nude except for drapery, and a broken sword slips from the fingers of his right hand. His shield is on the ground beside him. He looks upwards at a winged female figure in a classical tunic, representing Victory, who approaches from the left. She holds a wreath above him, and he reaches for it with his left hand’ …
You can read more about his background along with the gripping story of his final battle on the Waterloo Association website.
Nearby is this monument to two Naval heroes …
Both men died in the 1801 Battle of Copenhagen.
Riou ‘ … …was sitting on a gun, was encouraging his men, and had been wounded in the head by a splinter. He had expressed himself grieved at being thus obliged to retreat, and nobly observed, ‘What will Nelson think of us?’ His clerk was killed by his side; and by another shot, several marines, while hauling on the main-brace, shared the same fate. Riou then exclaimed, ‘Come, then, my boys, let us all die together!’ The words were scarcely uttered, when the fatal shot severed him in two’.
In 1799 James Mosse was appointed Captain of HMS Monarch, also under the overall command of Admiral Nelson. Mosse took a leading role, sailing from one end of the line to the other, whilst both firing and receiving fire. He was killed soon after adopting his required position, his last orders being to ‘cut away the anchor’. Like Riou, he was buried at sea …
If you look through the gates to the main crypt area you can just see in the distance the tomb of their commander, Horatio Nelson …
Here’s a picture I took on an earlier visit …
After all that death and drama you might like some of the images of flowers I have been taking!
Good corporate neighbours on Gresham Street …
Also on the same street, the Goldsmith’s Garden (the old churchyard of St John Zachary) …
A Goldsmith’s leopard guards the entrance …
Across the road …
Opposite St Paul’s underground Station …
Near St Paul’s Cathedral …
At Aldermanbury …
The Silk Street flower bed. From planting on 22nd June …
To a splendid display today …
Finally, three things I have seen from or on the Barbican Gilbert Bridge.
Water lillies …
Pigeons who don’t like the rain …
And, the weird contribution, what may or may not be a fashion shoot …
It’s definitely a fella …
If you would like to follow me on Instagram here is the link …
If you get the chance, do visit the Guildhall Art Gallery to see The Big City exhibition. It’s superb, and admission is ‘pay what you can’. The challenge of finding the mice was keeping kids (and adults) very amused during my visit! More about that later.
Here’s my personal selection, starting with City Streets.
Cheapside 10:10 am, 10 February 1970 by Ken Howard (1932-2022)
This picture of Fleet Street in the 1930s is by an unknown artist and has a fascinating back story …
If you look at the characters in the foreground you’ll see that the picture is unfinished. Why is this? The label puts forward a suggestion …
The pedestrian crossing outside Barbican Tube station …
Queen Victoria’s Diamond Jubilee Service 22 June 1897 by Andrew Carrick Gow (1848-1920)
Suffering from severe arthritis and unable to climb the St Paul’s Cathedral steps, the Queen remained in her coach, so the short service of thanksgiving was held outside the building. Some amazing old film footage has survived and you can view it here and here.
This is a more intimate picture of City pageantry and its participants (with some splendid beards on display) …
His most celebrated commission was the official picture of the Coronation of Elizabeth II in 1953. One day, as he was painting the huge canvas, his cat brought a dead fieldmouse into his studio. As a distraction from the task in hand, Cuneo painted a portrait of it. Subsequently, a mouse became his ‘signature’ and can be found in every one of his paintings.
There are actually two mice in the first picture above and one in the second.
They are so tiny you won’t be able to find them using this blog and will have to visit the Gallery. They are very difficult to identify, especially the second one, so to help you I took the following pictures …
Good luck!
At the far end of the gallery, in a space specially designed for it, you will find at the action-packed painting by John Singleton Copley: Defeat of the Floating Batteries at Gibraltar1782 …
The painting is best viewed from the balcony above
A Spanish attack on Gibraltar was foiled when the Spanish battering ships, also known as floating batteries, were attacked by the British using shot heated up to red hot temperatures (sailors nicknamed them ‘hot potatoes’). Fire spread among the Spanish vessels and, as the battle turned in Britain’s favour, an officer called Roger Curtis set out with gunboats on a brave rescue mission which saved almost 350 people.
Look at the painstaking detail in the faces of the officers and Governor General Augustus Eliot, who is portrayed riding to the edge of the battlements to direct the rescue …
The officers were dispersed after the Gibraltar action and poor Copley had to travel all over Europe to track them down and paint them – a task that took him seven years at considerable expense. He recouped some of his cash in 1791 by exhibiting the picture in a tent in Green Park and charging people a shilling to see it.
Incidentally, just outside the entrance is the lovely little Veterans’ Garden created by the Worshipful Company of Gardeners to support the Lord Mayor’s Big Curry Lunch which takes place today (Thursday 30th March). Read all about it here …
If you would like to follow me on Instagram here is the link …
Having a camera on my phone is a great asset but also leads to me taking pics of all kinds of random subjects that don’t have a particular theme. The time then comes when I don’t have a blog theme in mind so I cop out by publishing examples of this miscellaneous collection.
This is one of those times and I hope you enjoy this occasionally quirky selection.
I’ll start with the street animals.
Cricklewood Station boasts a friendly multi-coloured cow …
A cow painted in the red and green colours of the Portugal national football team stands outside a souvenir shop in the Algarve …
Same street – different cow …
Leadenhall market porker …
Every year the Worshipful Company of Paviours bring an inflatable animal (known as a St Anthony’s pig) to the Lord Mayor’s Show …
In medieval times the London meat market at Smithfield released pigs that were unfit for slaughter into the streets to fend for themselves. They were identified by a bell around their neck and some prospered sufficiently to get fat enough to eat. Every now and then the paviours (who maintained the roads) rounded them up and delivered them to feed the poor and needy in the care of St Anthony’s Hospital.
Now, from pigs to swans.
The Vintners and Dyers Companies share in the ownership of mute swans with the monarch and it is their job to catch and ring them in a ceremony known as ‘swan upping’ done each June. This man, the Swan Marker, is in charge of the Vintners’ Swan Uppers for the event, but also wears the uniform of Barge Master, dating back to the time when the Company owned a ceremonial barge on the Thames. Here he is with a feathered companion outside the church of St James Garlickhythe …
The Barge Master badge …
Clever advertising in Portugal …
Gifts to take home from Portugal …
Gifts to take home from London …
A sunny day at the Regent’s Canal, St Pancras …
I grabbed this image since the sky and clouds were so attractive. St Stephen Walbrook (1672) was Christopher Wren’s prototype for the dome of St Paul’s Cathedral. It was the first classical dome to be built in England at the time …
Whoever decided to place this pool here in Cannon Street was a genius …
Lots of creative ideas for your pastry …
Batman and Robin street art snog …
You may be surprised to know that in the early 1950s comics they seemed to share a bed …
When observations were made about this the publishers were quick to make a statement, and I quote it here :
‘It’s necessary to point out that, no — they’re not sharing a bed, as many mistakenly think. You can distinctly make out a gap in the backboard, meaning that, though they are sleeping unusually close together for an adult guardian and his teen ward, they’re not in bed together‘.
So that’s cleared that up!
Nothing odd about a bit of nude sunlamp toning either, by the way …
Speculation as to the pair’s sexuality is discussed in The Slate article entitled, rather unfortunately, A Brief History of Dick.
I was invited for lunch at the Institute of Chartered Accountants and so got to see some of their splendid stained glass …
Another highlight of my year was seeing Tower Bridge raised. I have lived in London all my life and can’t recall witnessing this before in person rather than on TV …
And finally, another big ‘thank you’ to our wonderful City of London gardeners who work so hard all year to keep the place looking fresh and green …
If you would like to follow me on Instagram here is the link …
We are so lucky to have the fantastic team of City gardeners brightening up our environment month in and month out – especially through these times of extreme weather. There are also enlightened property owners who look after window boxes and other areas where nature can proliferate.
So here is my tribute to them with images I have taken over the last few months. Enjoy!
I’ll start with this wonderful new garden opposite the Cathedral in Cannon Street (EC4M 5TA) – perfect reflections!
Can you believe you’re in the City of London …
Pigeon bath time at the garden of St John Zachary (EC2V 7HN) …
Opposite St Paul’s Underground Station …
Where do these starlings live?
Good corporate neighbours at the junction of Wood Street and Gresham Street …
In the pretty secluded garden at Saint Vedast Foster Lane (EC2V 6HH) …
On Foster Lane …
Upper Thames Street …
On Moorgate …
In the St Mary Aldermanbury Garden (EC2P 2NQ) …
Around the Barbican …
Proud mum …
Culture Mile signage on London Wall …
My Amaryllis gets confused as to the time of year …
Cheapside gets refreshed …
Do check out the Mobile Arboretum on Cheapside next door to St Mary-le-Bow …
And at Aldgate …
There have been numerous events and celebrations in 2022 to mark the Queen’s Platinum Jubilee but one of the best must be Superbloom in the Tower of London’s moat. Twenty million seeds from twenty-nine flower species were planted earlier in the year to create a ‘floral tribute to Her Majesty’. And now the display is spectacular and will be at its best until at least September …
The garden is now open until late so visitors can see the flowers illuminated.
A fellow blogger has written about it here in a blog called A Moat of Flowers – well worth a look.
If you would like to follow me on Instagram here is the link …
To Pepys, music wasn’t just a pleasant pastime; it was also an art of great significance – something that could change lives and affect everyone who heard it. He was a keen amateur, playing various instruments and studying singing – he even designed a room in his home specially for music-making.
Here are some of the instruments that Pepys played – a fiddle, a flageolet and recorders …
And atheorbo lute …
Alan Lamb, who supervised the carvings, working on the lute. Read more about him and his team here …
Pepys attended St Paul’s School as a boy and the hind is from the school’s coat of arms …
Samuel had been a student at Magdalene College, Cambridge and bequeathed the College his vast library of over 3,000 tomes (including the six volumes of his diary). The library, which bears his name, is represented here (the Wyvern is the College crest) …
Pepys kept the diary from 1660 until 1669. The first page …
‘Blessed be God, at the end of last year I was in very good health, without any sense of my old pain but upon taking of cold. I live in Axe Yard, having my wife and servant Jane, and no more family than us three. My wife, after the absence of her terms for seven weeks, gave me hopes of her being with child, but on the last day of the year she hath them again.’
In 1655 when he was 22 he had married Elizabeth Michel shortly before her fifteenth birthday. Although he had many affairs (scrupulously recorded in his coded diary) he was left distraught by her death from typhoid fever at the age of 29 in November 1669. Her silhouette is in the garden paving …
Pepys was on the ship the Royal Charles that brought Charles II back to England at the Restoration and was also a Trinity House Master on two occasions. The carving shows the ship and a section of the Trinity House coat of arms …
The Diary – September 1660 : ‘I did send for a cup of tee (a China drink) of which I never had drank before my lady having made us drink our morning draft there of several wines, but I drank nothing but some of her coffee, which was poorly made, with a little sugar in it’. Tea and coffee are represented in the garden by tea leaves and coffee beans …
Pepys’s home meant that his local Church (‘our own church’ as he described it) became St Olave Hart Street, which is still there for us to explore today. The church is represented by an angel from the vestry ceiling and skulls from the churchyard entrance …
In 1673 he was involved with the establishment of the Royal Mathematical School at Christ’s Hospital which was to train 40 boys annually in navigation for the benefit of the Royal Navy and the English Merchant Navy, The commemorative paver is entitled ‘The science and practice of navigation’ …
He wrote of a visit to Bartholomew Fair : ‘… but above all there was at last represented the sea, with Neptune, Venus mermaids and Ayrid on a dolphin’. You’ll find a mermaid in the garden …
If you wander around the garden here are the other carvings that you will encounter.
Samuel’s monogram …
A watermark from a letter to Pepys from King James II …
Pepys was President of the Royal Society when Sir Isaac Newton published Philosophiae Principea …
A map of Pepys’s London …
The Naval Office in Seething Lane where Pepys worked …
The Pepys coat of arms …
A teasel from the arms of the Clothiers Company where Pepys was once the Master …
Pepys’s profile …
Were he to arise from his resting place next to Elizabeth in St Olave’s what would he make of all this? I’m sure he would be delighted that his ‘own church’ was still there along with the lovely bust of Elizabeth he commissioned after her death. She still looks pretty and animated as if in conversation …
And surely he would be proud of his own bust in the garden, especially as it also commemorates Beauty Retire. Being a man of insatiable curiosity, he would no doubt want to know more about the mechanics of how the garden was irrigated using rainwater harvested from the roof of the hotel next door!
When he retired as secretary of the affairs of the Admiralty of England in 1689 ’not only had he doubled the navy’s fighting strength, but he had given it what it had never possessed before and what it never again lost—a great administrative tradition of order, discipline and service’. The orator of Oxford University declared ‘To your praises, the whole ocean bears witness; truly, sir, you have encompassed Britain with wooden walls.’ Samuel might be a little disappointed that, now in the 21st century, the mention of his name brings to many peoples’ mind only his famous diary.
If you need help finding the various carvings here’s a useful little map …
Do visit the garden if you get the chance. It’s also an opportunity to visit the beautiful St Olave’s Hart Street, Sam’s ‘own church’, which is located nearby. I’ve written about it before and you can find my blogs here and here.
If you would like to follow me on Instagram here is the link …
I have written about the garden in Seething lane before since it contains carvings that commemorate the life of the great diarist and naval innovator. However, I thought it might be useful to combine all my previous efforts in two blogs and this is the first so that if you visit the garden (and I strongly recommend you do) you will have easy access to all the information.
An existing bust of Pepys has been given a new plinth and one’s eyes are drawn to the sculpture as you walk along Seething Lane …
The new plinth incorporates musical notes …
The music carved on it is the tune of Beauty Retire, a song that Pepys wrote. So if you read music you can hear Pepys’s creation as well as see his bust. He was evidently extremely proud of Beauty Retire for he holds a copy of the song in his most famous portrait by John Hayls, now in the National Portrait Gallery …
Pepys had been plagued by recurring stones since childhood and, at the age of 25, decided to tackle it once and for all and opt for surgery. He consulted a surgeon, Thomas Hollier, who worked for St Thomas’ Hospital and was one of the leading lithotomists (stone removers) of the time. The procedure was very risky, gruesome and, since anaesthetics were unknown in those days, excruciatingly painful. But Pepys survived and had the stone, ‘the size of a tennis ball’, mounted and kept it on his desk as a paperweight. It may even have been buried with him. One of the garden carvings shows a stone held in a pair of forceps.
Every year, on the anniversary of his surgery, Pepys held what he called his ‘Stone Feast’ to celebrate his continued good health and there is a carving in the garden of a table laden with food and drink …
Pepys stayed in London during the terrible time of the plague which he first wrote about on 30th April 1665 mentioning ‘great fears of the sickness’. Despite this, he bravely wrote on 25 August to Sir William Coventry ‘You, Sir, took your turn at the sword; I must not therefore grudge to take mine at the pestilence’.
As plague moved from parish to parish he described the changing face of London-life – ‘nobody but poor wretches in the streets’, ‘no boats upon the River’, ‘fires burning in the street’ to cleanse the air and ‘little noise heard day or night but tolling of bells’ that accompanied the burial of plague victims. He also writes in his diary about the desensitisation of people, including himself, to the corpses of plague fatalities, ‘I am come almost to think nothing of it.’
The pestilence is represented by a plague doctor carrying a winged hourglass and fully dressed in 17th century protective clothing. No one at the time realised that the plague could be spread by fleas carried on rats. One of the species sits cheekily at the doctor’s feet …
There is also a flea based on a drawing from Robert Hooke’s Micrographia. While visiting his bookseller on a frosty day in early January 1665 Pepys noticed a copy of the book ‘which‘, Pepys recorded in his diary, ‘is so pretty that I presently bespoke it’ …
The illustration in the book …
The Great Fire of London began on 2 September 1666 and lasted just under five days. This is a contemporary view from the west held in the Museum of London collection …
One-third of London was destroyed and about 100,000 people were made homeless. He wrote in his diary ‘I (went) down to the water-side, and there got a boat … through (the) bridge, and there saw a lamentable fire. Everybody endeavouring to remove their goods: poor people staying in their houses as long as till the very fire touched them, and then running into boats, or clambering from one pair of stairs by the water-side to another. And among other things, the poor pigeons, I perceive, were loth to leave their houses, but hovered about the windows and balconys till … some of them burned their wings and fell down.’
A boat in the foreground with the City ablaze in the distance while a piece of furniture floats nearby …
His house was in the path of the fire and on September 3rd his diary tells us that he borrowed a cart ‘to carry away all my money, and plate, and best things‘. The following day he personally carried more items to be taken away on a Thames barge, and later that evening with Sir William Pen, ‘I did dig another [hole], and put our wine in it; and I my Parmazan cheese, as well as my wine and some other things’ …
There’s a carving of a monkey who is sitting on some books and appears to have taken a bite out of a rolled up document. This refers to an entry in Pepys’s diary for Friday 18th January 1661 : ‘I took horse and guide for London; and through some rain, and a great wind in my face, I got to London at eleven o’clock. At home found all well, but the monkey loose, which did anger me, and so I did strike her till she was almost dead’. I’m not sure whether it was his pet or his wife’s, but it certainly paid a heavy price for its misbehaviour.
On 11th January 1660 he visited the Tower of London menagerie and ‘went in to see Crowly, who was now grown a very great lion and very tame’. Crowley also has a carving in the garden …
In 1679 tragedy struck when Pepys was arrested, dismissed from service and sent to the Tower of London on charges of ‘Piracy, Popery and Treachery’. The first two were outlandish and easily disproved but much more damaging and dangerous was the rumour that he had sold state secrets to the French (a crime which carried the terrifying penalty of being hanged, drawn and quartered). Using his own resources and considerable network, he tracked down the story to a lying scoundrel called John Scott. Pepys was subsequently freed and this frightening episode in his life is recorded in the garden by a carving of him incarcerated in the Tower …
He was to return to office in 1686 with the full support of the new king, James II, and set up a special ‘Navy Commission’ to clear the navy’s accounts and restore the force to its 1679 levels. This was completed six months ahead of schedule and was probably his last, and arguably greatest, achievement.
Back in 1649 Pepys had skipped school and witnessed the execution of King Charles the First outside the Banqueting House in Whitehall. There is a carving of the poor King’s head being held aloft by his executioner …
On 9th May 1662 he wrote : ‘Thence to see an Italian puppet play that is within the rayles there, which is very pretty, the best that ever I saw, and great resort of gallants. So to the Temple and by water home’. The ‘puppet play’ was probably Punch and Judy (trigger alert, they have dropped the baby!) …
Part 2 dealing with the remainder of the carvings will follow next week.
If you would like to follow me on Instagram here is the link …
Whenever I visit the Inns of Court I like to enter by one of the old gates in Fleet Street – it really is like stepping back in time, from the bustle of the City to the leafy, collegiate atmosphere of the Inns …
This lane leads south from Fleet Street and I read somewhere that Dr Johnson used to enjoy swinging round these supporting pillars when he was in an ebullient mood!
There are two nicely restored sundials nearby. This one in Pump Court reminds lawyers of their mortality …
And in Fountain Court, ‘Learn justice you who are now being instructed‘ …
The TWT refers to the Middle Temple Treasurer in 1684, William Thursby, a successful lawyer and later MP. He spoke of the study of law as ‘a rough and unpleasant study at the first, but honourable and profitable in the end … as pleasant (and safe and sure) as any profession’.
I paused to admire the lovely pair of Mulberry trees, also located in Fountain Court. Taken under an overcast sky, my images were a bit of a disappointment, so these are courtesy of Spitalfields Life…
An added bonus of a visit nowadays is that the Inner Temple Gardens are now open to the public during weekdays from 12:30 until 3:00 pm.
I walked through the pretty gates, above which Pegasus, the Inner Temple emblem, was silhouetted against the sky …
A gentle stroll around the garden produced these images …
A fine spot for a picnic …
I’m sure many people seeing these pictures would not believe that they were taken in the centre of the City …
The area still has an ecclesiastical air about it …
If you would like to follow me on Instagram here is the link …
Isn’t it nice when the sun is out! I decided it was time for another wander around the City and from the Barbican Highwalk I spotted an old friend who it seems has at last found a permanent resting place …
The Minotaur was made by Michael Ayrton. The creature in the sculpture has been described as ‘looking powerful and muscular. It stands hunched over when on his plinth, but he looks ready to take off running at any moment. It has the body of a man, with heavy muscles in his legs and chest, and two cloven feet. It has the head of a bull with two pointed horns and large, hunched shoulders. Its body is hairy, and its hair moves even though it is made of metal’ …
The myth of Theseus and the Minotaur is one of the most tragic and fascinating myths of the Greek Mythology and you can read more about it here.
Onward to Lombard Street.
I took a walk down the shadowy and rather mysterious Change Alley and came across a building that once housed the Scottish Widows insurance company along with its magnificent crest. At the centre is the mythical winged horse, Pegasus, symbol of immortality and mastery of time. A naked figure, the Greek hero Bellerophon, is shown grasping its mane. In mythology, Bellerophon captured Pegasus and rode him into battle. This explains the motto ‘Take time by the forelock’, or ‘seize the opportunity’. Presumably time could be tamed by taking out a Scottish Widows policy to make provision against the uncertainties of the future …
I next headed down King William Street.
Rising from the flames and just about to take off over the City is the legendary Phoenix bird and from 1915 until 1983 this was the headquarters of the Phoenix Assurance Company (EC4N 7DA). One can see why the Phoenix legend of rebirth and restoration appealed as the name for an insurance company …
Incidentally, have you ever paused to admire the Duke of Wellington statue at Bank junction? And do you think, like I once did, that it was there to celebrate his prowess as a military commander? Well, actually, it’s to commemorate the fact that he helped to get a road built!
It was erected to show the City’s gratitude for Wellington’s help in assisting the passage of the London Bridge Approaches Act 1827 which led to the creation of King William Street. The government donated the metal, which is bronze from captured enemy cannon melted down after the Battle of Waterloo.
A gardener labours diligently at the rear of Brewers’ Hall (EC2V 7HR) …
Philip Ward-Jackson, in his book Public Sculpture of the City of London, tells us of the Trees, Gardens and Open Spaces Committee of the Corporation which was chaired by Frederick Cleary. In his autobiography Cleary recorded that Jonzen’s figure below was intended as a tribute to the efforts of his committee but Ward-Jackson feels that ‘it might have been better described as a symbol of the ‘greening’ of the City in the post-war period’. Most appropriately, Mr Cleary has a garden named after him, and you can read about it in my earlier blog about City gardens generally.
Apparently Jonzen, on being given the subject by the Corporation …
… decided on a kneeling figure of a young man, who, having planted a bulb, was gently stroking over the earth.
There are several other works by Jonzen in the City.
This one, Beyond Tomorrow (1972), is in Basinghall Street, behind the Guildhall …
Sited opposite is this pretty glass fountain by Allen David …
It was commissioned by Mrs Gilbert Edgar, wife of Gilbert H. Edgar CBE, who was a City of London Sheriff between 1963-4. It was unveiled by the Lord Mayor of London on 10th December 1969.
Another work by Jonzen, in the Seething Lane Gardens, is of one of my favourite Londoners, Samuel Pepys. It was commissioned and erected by The Samuel Pepys Club in 1983 …
It contains musical notes, so of you can read music you can not only see Sam but also ‘hear’ his voice …
I thought the Guildhall looked nice against the blue sky …
A remarkably wart-free Oliver Cromwell looks fearsome outside the Guildhall Art Gallery with Samuel Pepys and Dick Whittington in the background (EC2V 5AE) …
Dick is on Highgate Hill and has just heard the bells of St Mary-le-Bow ring out ‘Turn again Whittington, thrice Lord Mayor of London’. He’s giving it some serious thought as his cat curls around his legs (note the tear in his leggings indicating that he has experienced hard times) …
Look closely at the elegant limestone facade of the building and you will see a great collection of bivalves – oyster shells from the Jurassic period when dinosaurs really did walk the earth …
Read more about more of the fossils on view in the City in my blog Jurassic City.
George Peabody was an American financier and philanthropist and is widely regarded as the father of modern philanthropy. Here he sits, looking pretty relaxed, at the northern end of the Royal Exchange Buildings …
Born in Baltimore he became extremely wealthy importing British dried goods and, after visiting frequently, became a permanent London resident in 1838. In retirement he devoted himself to charitable causes setting up a trust, the Peabody Donation Fund, to assist ‘the honest and industrious poor of London’. The Peabody Trustees would use the fund to provide ‘cheap, clean, well-drained and healthful dwellings for the poor’ with the first donation being made in 1862.
Peabody buildings are easily recognised by their attractive honey-coloured brickwork. This block is in Errol Street, Islington …
Immensely respected in later life, he was offered a baronetcy by Queen Victoria but declined it. After his death in 1869 his body rested for a month in Westminster Abbey after which, on the Queen’s orders, his body was returned to America for burial on the British battleship HMS Monarch.
Close to Peabody is a statue to another remarkable man – Paul Julius Reuter. The rough-cut granite sculpture by the Oxford-based sculptor Michael Black commemorates the 19th-century pioneer of communications and news delivery. It is a fitting place for the statue because the stone head faces the Royal Exchange which was the reason why Reuter set up his business in the City. He established his offices in 1851 to the east of the Royal Exchange building. The stone monument was erected by Reuters to mark the 125th anniversary of the Reuters Foundation. It was unveiled by Edmund L de Rothschild on 18 October 1976 …
The life of Reuter was most interesting. Having started his career as a humble clerk in a bank, he went on to ‘see the future’ of transmitting the news – regardless of whether it was financial or world news. If the ‘modern’ technology of telegraphy – also known then as Telegrams – was not in place, Reuter used carrier pigeons and even canisters floating in the sea to convey news as fast as possible. Such was his ambition to be the first with the news.
Sir John Soane stands on Lothbury wearing a full-length cloak and holding a bundle of drawings and a set square. The niche is decorated with the neo-Grecian motifs associated with his style. Sir John’s day job was as architect and surveyor to the Bank of England, and he held the position for 45 years. When he resigned in 1833, most of the Bank’s three-acre footprint had been remodelled in some way, and a number of spectacular set-piece facades inserted…
In the wake of the Great War, Britain’s national debt grew to such an extent that Soane’s bank was too small for the business to be transacted; unfortunately, this renovation was done by the architect Herbert Baker in a way that virtually erased Soane’s work.
Many are still angry at the destruction. Here is what the blogger at Ornamental Passions has to say:
‘The irony of placing a tribute to the architect actually on the sad ruins of his masterpiece was not lost on critics, especially as it is so close to Soane’s much loved Tivoli Corner which Baker had promised to preserve but actually totally rebuilt. He is lucky to have his back turned to an act of vandalism more brutal than anything the Luftwaffe achieved. Indeed, nothing illustrates the Nazi’s abysmal cultural values than that fact that the Bank was untouched in the blitz’. Wow!
Carrying her sword and scales, Lady Justice stands above the Ukrainian flag at the Institute of Chartered Accountants …
Around the corner, the building boasts the poshest letter box in the City …
Speak to any one of the wonderful team of City gardeners and they will tell you that one of the greatest threats to their work are smokers discarding cigarette butts in flower beds. Nicotine is poisonous to plants and is a component of many weed killers.
So the City is fighting back using humour …
The final paragraph on the accompanying sign made me laugh out loud …
If you would like to follow me on Instagram here is the link …
In this week’s blog I have just put together some of the random pictures I have been taking over the last few weeks that will hopefully create a cheerful mood.
Who wouldn’t smile on seeing this Baker Street doggie …
This time of year is, for me, a great opportunity to grab images from nature.
A corporate window box in Wood Street …
On the Barbican Estate …
An afternoon nap …
In Fortune Street Park …
A pretty piece of art …With a sad back story …
Blossom time at Aldgate …
Opposite St Paul’s Underground Station …
The Festival Gardens at St Paul’s Cathedral …
On London Wall …
Visitors to the office whilst I was writing my blog. Mrs Duck …
And her handsome partner …
‘Goodbye – I have better things to do than pose for you!’
If you would like to follow me on Instagram here is the link …
I’ve already written in some detail about the church of St Dunstan-in-the-West so I thought it would be good, given last week’s lovely weather, to visit the ruins of St Dunstan-in-the-East. Dunstan (c. 909 – 19 May 988) was an extraordinary man being successively Abbot of Glastonbury Abbey, Bishop of Worcester, Bishop of London and Archbishop of Canterbury. It’s not surprising, therefore, that in Greater London there are seven churches dedicated to him as well as seventeen roads and three educational establishments.
His work restored monastic life in England and reformed the English Church. His 11th-century biographer states that Dunstan was skilled in ‘making a picture and forming letters’, as were other clergy of his age who reached senior rank. At least one example of his work survives …
This is from the manuscript known as the Glastonbury Classbook. It’s a portrait of Christ, and the monk kneeling beside him may be a self-portrait of Dunstan.
He served as an important minister of state to several English kings and was the most popular saint in England for nearly two centuries, having gained fame for the many stories of his greatness, not least among which were those concerning his famed cunning in defeating the Devil by grabbing his nose in a pair of hot tongs …
And so to the remains of the church named after him.
The original church (dating from around 1100) was severely damaged in the Great Fire of 1666 after which it was patched up and a steeple with a needle spire added, to the design of Sir Christopher Wren, between 1695 and 1701. In 1817, structural problems were identified and these led to the church being demolished. Wren’s tower was considered safe and was retained and incorporated into the new building which was completed in 1821.
Here’s St Dunstan’s in 1910 …
The church was partly destroyed in the Blitz of 1941. Wren’s tower and steeple survived the bombs’ impact but of the rest of the church only the north and south walls remained …
Following the War it was decided not to rebuild St Dunstan’s and in 1967 the City of London Corporation chose to turn the ruins into a public garden which opened in 1971. A lawn and trees were planted in the ruins, with a low fountain in the middle of the nave which is still happily bubbling away …
It’s a lovely, serene location to visit. Here are the images I took last Friday when I had the place almost entirely to myself …
You can get an idea of the ferocity of Blitz fires from the scorch marks on some of the church’s stone walls. Incendiary bombs were dropped in conjunction with high explosives …
Three old headstones have survived with inscriptions that are partially legible along with a flatstone. I have identified them from the excellent audit of churchyard inscriptions carried out by Percy Rushen in 1911.
Here are the entries in Percy’s book :
And here are the stones. First Thomas Sanders …
Then his mum and dad, Thomas and Elizabeth …
And then the Taynton family …
This is the flatstone, and I assume that it doesn’t appear in Percy’s audit because it was originally inside the church …
The pigeons and the weather have not been kind to it but I believe it reads as follows:
‘Here lies the body of Capt. NICHOLAS BATCHELER late of this parish who departed this life December 31st 1722 (possibly 1732) aged 60 years also three children, two sons one daughter, Thomas, William and Anne.
And also Anne a granddaughter of Elizabeth Batcheler.
Also the body of Mary his wife who departed this life July the 20th 1723 aged 58 years.
Also here lyeth the body of Anne Blackall a Beloved Relation.’
I have been able to identify most of the inscription because it appears in a lovely little film about the garden which you can access here on YouTube.
I find it very satisfying bringing these old stones to life and paying a kind of respect to their subjects, even though their mortal remains are long since gone.
If you would like to follow me on Instagram here is the link …
It’s not quite Spring yet but I thought it would be nice to have a wander around the City and see what’s happening – especially in the areas managed by the wonderful team of City of London gardeners.
I started close to home since the Magnolia trees are in blossom near St Giles Church …
Very old gravestones from the former churchyard with the medieval/Roman wall in the background …
If you work at 88 Wood Street you arrive to be greeted by a nice, living, green wall …
Onward to Postman’s Park (that’s the Watts Memorial in the background) …
