St Bride’s Fleet Street is a lovely church, particularly recognisable by its ‘wedding cake’ steeple …
It was totally gutted during the war …
But beautifully restored in the 1950s in a way which closely resembled Sir Christopher Wren’s original design …
St Bride’s has a long association with the print trade and journalism, dating back to around 1500 when the printing press of Wynkyn de Worde was established near the church. This association grew with the rise of Fleet Street as a centre of journalism and the newspaper industry and the association remains strong despite the exit of the profession from the area.
If you watch TV news today, or listen to a radio report, chances are these will be from a journalist and their support staff in Ukraine, kitted out in protective gear. Those who report from war zones run a very real risk of injury or death, and those who have been lost in previous wars are commemorated in St Bride’s, including this memorial to those who lost their lives whilst covering the 2003 Iraq war …
Particularly moving is the Journalists’ Altar, commemorating those within the profession who have died, are held hostage or have an unknown fate …
Unfortunately, there are too many to display at any one time, so the photos are rotated …
As I write, at least seven journalists have been killed while covering the war in Ukraine since Russia launched its full-scale invasion on February 24. A record is kept by the Committee to Protect Journalists whose website gives full details.
There is a lot more to see at St Bride’s, including a great little museum, and I shall report back next week. I felt that this week’s blog should just be a thoughtful one.
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I’ve already written in some detail about the church of St Dunstan-in-the-West so I thought it would be good, given last week’s lovely weather, to visit the ruins of St Dunstan-in-the-East. Dunstan (c. 909 – 19 May 988) was an extraordinary man being successively Abbot of Glastonbury Abbey, Bishop of Worcester, Bishop of London and Archbishop of Canterbury. It’s not surprising, therefore, that in Greater London there are seven churches dedicated to him as well as seventeen roads and three educational establishments.
His work restored monastic life in England and reformed the English Church. His 11th-century biographer states that Dunstan was skilled in ‘making a picture and forming letters’, as were other clergy of his age who reached senior rank. At least one example of his work survives …
This is from the manuscript known as the Glastonbury Classbook. It’s a portrait of Christ, and the monk kneeling beside him may be a self-portrait of Dunstan.
He served as an important minister of state to several English kings and was the most popular saint in England for nearly two centuries, having gained fame for the many stories of his greatness, not least among which were those concerning his famed cunning in defeating the Devil by grabbing his nose in a pair of hot tongs …
And so to the remains of the church named after him.
The original church (dating from around 1100) was severely damaged in the Great Fire of 1666 after which it was patched up and a steeple with a needle spire added, to the design of Sir Christopher Wren, between 1695 and 1701. In 1817, structural problems were identified and these led to the church being demolished. Wren’s tower was considered safe and was retained and incorporated into the new building which was completed in 1821.
Here’s St Dunstan’s in 1910 …
The church was partly destroyed in the Blitz of 1941. Wren’s tower and steeple survived the bombs’ impact but of the rest of the church only the north and south walls remained …
Following the War it was decided not to rebuild St Dunstan’s and in 1967 the City of London Corporation chose to turn the ruins into a public garden which opened in 1971. A lawn and trees were planted in the ruins, with a low fountain in the middle of the nave which is still happily bubbling away …
It’s a lovely, serene location to visit. Here are the images I took last Friday when I had the place almost entirely to myself …
You can get an idea of the ferocity of Blitz fires from the scorch marks on some of the church’s stone walls. Incendiary bombs were dropped in conjunction with high explosives …
Three old headstones have survived with inscriptions that are partially legible along with a flatstone. I have identified them from the excellent audit of churchyard inscriptions carried out by Percy Rushen in 1911.
Here are the entries in Percy’s book :
And here are the stones. First Thomas Sanders …
Then his mum and dad, Thomas and Elizabeth …
And then the Taynton family …
This is the flatstone, and I assume that it doesn’t appear in Percy’s audit because it was originally inside the church …
The pigeons and the weather have not been kind to it but I believe it reads as follows:
‘Here lies the body of Capt. NICHOLAS BATCHELER late of this parish who departed this life December 31st 1722 (possibly 1732) aged 60 years also three children, two sons one daughter, Thomas, William and Anne.
And also Anne a granddaughter of Elizabeth Batcheler.
Also the body of Mary his wife who departed this life July the 20th 1723 aged 58 years.
Also here lyeth the body of Anne Blackall a Beloved Relation.’
I have been able to identify most of the inscription because it appears in a lovely little film about the garden which you can access here on YouTube.
I find it very satisfying bringing these old stones to life and paying a kind of respect to their subjects, even though their mortal remains are long since gone.
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After the Great Fire of London of 1666 St Margaret’s was rebuilt by Christopher Wren between 1683 and 1692. As some churches around St Margaret’s were demolished under the 1860 Union of Benefices Act, St Margaret’s benefited from acquiring some of the interior furnishings of these buildings. The church now houses an outstanding collection of seventeenth century fittings, many by the sculptor and wood carver Grinling Gibbons. It is one of the few Wren churches that sustained only minor damage during the Second World War.
In 1698–9 the top stage of the tower with large belfry openings and all of the spire were added and this work was probably designed by Robert Hooke. Hooke was Surveyor to the City of London and chief assistant to Christopher Wren, in which capacity he helped Wren rebuild London after the Great Fire.
The church and tower (EC2R 7HH).
The baptismal font, believed to be by Grinling Gibbons (1648–1721), came from St Olave, Old Jewry, after that church was partially demolished in 1887. The font is a carved bowl with cherub heads at each corner and the sides are decorated with Adam and Eve, the dove returning to the ark, the baptism of Jesus and the baptism of the Ethiopian eunuch by Philip.
Of the subsequent additions to the church the most splendid is the choir screen, one of only two in a Wren church, erected originally in the Church of All Hallows the Great, Thames St. in 1683-84 …
The screen, along with the tester above the pulpit, was moved to St Margaret’s in 1894 when the Church of All Hallows the Great was demolished, to allow widening of Thames Street and building of the City of London Brewery on the site.
The tester above the pulpit.
The Stuart royal arms are part of the screen which was originally donated by the German merchant Theodore Jacobson in c.1685. The eagle is supposed to refer to Herr Jacobson’s nationality …
The lovely stained glass windows celebrate St Margaret’s links with a number of City Livery Companies and Institutions. The windows were donated by either the Livery Companies or their Masters.
The Worshipful Company of Glovers of London – True hearts and warm hands …
The Worshipful Company of Tin Plate Workers alias Wire Workers’ motto is Amore Sitis Uniti, Latin for Be United in Love (rather sweet!) …
The Institute of Chartered Accountants in England and Wales. The phrase Recte Numerare means to reckon or number rightly in Latin …
The Worshipful Company of Tylers and Bricklayers : In God is all our trust,let us never be confounded. …
The Worshipful Company of Scientific Instrument Makers. The motto Sine Nobis Scientia Languet – Knowledge cannot flourish without us – reflects the fundamental role the craft has played in the achievement of science over the past centuries …
The Worshipful Company of Armourers and Brasiers. The Company’s present Coat of Arms was granted in 1709 and incorporates the former arms of the Armourers granted in 1556 with a new coat for the Brasiers. The two mottos are Make All Sure for the Armourers, and We are one for the joint Company. ‘Put on the whole armour of God’ …
There’s much more to see at St Margaret’s so I shall return.
Incidentally, if you are passing near the Royal Exchange check out Paparazzi Dogs …
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