Symbols & Secrets

Walking the City of London

Giacometti Encounters Mona Hatoum at the Barbican (and me at Daunt Books and the Guildhall Gallery!)

Mona Hatoum and Alberto Giacometti have been paired in the second of a series of exhibitions at the Barbican presenting the work of the sculptural luminary alongside that of 21st-century artists. You get a first glimpse of what’s in store as you cross Gilbert Bridge and see Hatoum’s Hot Spot glowing across the gap between the Barbican’s iconic concrete pillars …

Three of Hatoum’s works are on display in the foyer outside the library and the exhibition itself. Jonathan Jones writes in his Guardian review: ‘Mona Hatoum’s show begins with an indelible afterimage of modern war. Into a stack of welded steel boxes resembling an apartment block in a city that could be anywhere, Hatoum has melted or blasted holes imitating drone or missile strikes. Parts of interior walls and floors have been shorn away to look like apartments with their fronts blown off. This is the shell of what was once a home to many, emptied out by war, like the buildings you saw on the news last night’.

It’s called Bourj, which means ‘tower’ in Arabic …

In this blog I am just going to show some of the images I took when I visited the exhibition along with their title. I am not exaggerating when I say that this is the most disconcerting and thought-provoking experience I have ever had at a Barbican event – strongly recommended.

I suggest you read the review by Jonathan Jones before you look at my pictures since it will provide a very useful perspective. You will find the full article here. I also enjoyed reading this interview with the artist in The Observer.

Hatoum: Remains of the Day, 2016-18 …

Giacometti: Woman with Her Throat Cut, 1932 …

Giacometti: The Cage, 1950-51 …

Hatoum: Cube, 2006 …

Giacometti: The Nose, 1947 …

Hatoum: A Bigger Splash, 2009 …

Hatoum: Round and Round, 2007 …

Giacometti: Four Figurines on a Pedestal, 1950 …

Giacometti: The Cat, 1951 …

Hatoum: Incommunicado, 1993 …

Hatoum: Interior Landscape, 2008 …

Hatoum: 4 Rugs (made in Egypt), 1998-2015 …

Hatoum: Divide, 2025 …

Hatoum: Hot Spot (stand), 2018 …

I liked this reflection …

Various other items on display …

Hatoum: Over my dead body, 1988 …

There is an excellent free guide to go with the exhibition …

I’m pleased to say that the lovely people at Daunt Books Cheapside are still supporting me by displaying my book in the much-favoured position right beside the till …

Do visit if you’re searching for books to read now the evenings are closing in. The best and friendliest bookshop in the City …

The Guildhall Art Gallery sometimes describes itself as ‘The City’s best kept secret’ and this often seems to be the case when I visit. Free entry, a wonderful collection of pictures, free tours every day, and a Roman Amphitheatre for good measure – and often very few visitors. At the moment it’s hosting a superb exhibition of work by artist Evelyn De Morgan which I wrote about in my April Blog. I have also previously written about some of my favourite London scenes that are on display there.

It has a splendid little shop with some excellent books on sale …

And, of course, you can also buy my book at Daunt Books online.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Wonderful London!

I am pleased to announce that I have treated myself to the three volume set of Wonderful London edited by the poet and novelist St John Adcock (1864-1930) and published in 1929. The great man himself …

He was a Fleet Street journalist for half a century and an assiduous freelance writer. He worked initially as a law office clerk, becoming a full-time writer in 1893.

The volumes are, they say, about ‘The World’s Greatest City Described by its Best Writers and Pictured by its Finest Photographers’. Running to over 1,100 pages and over 1,200 photographs, it’s a real treat to browse through and I have chosen some of its images for this week’s blog …

How about this to start with. Wembley Stadium ‘…like an ants’ nest carelessly broken open’. And the commentary below the image, comparing the stadium with the Colosseum (‘…exceeding it in size by one half’) and the people crushed to death in the crowd on Cup Final day a reminder of ‘the decay of Roman morals’!

The Thames from Bankside. Cover the top of the picture and it could be ‘any pebble beach along the coast’ …

What I particularly like about the book is that it gives us a glimpse into the social attitudes of the time. For example, the way these London residents are described is rather patronising, as if they were display exhibits of some kind. I must say, however, that the elderly lady might not have minded being described as a ‘dame’ from Alasatia and the photographer has captured her sympathetically …

Two great images. One of Temple Bar in situ and one of the site after its removal …

‘Old Temple Bar in its rural retirement in Hertfordshire’ …

I tell the fascinating story story of Temple Bar and the chatelaine of Theobald’s Park, the wonderful, eccentric Lady Meux, in my blog Temple Bar and the banjo-playing lady.

Lady Meux in her finery, painted by James Abbott McNeill Whistler in 1881 …

Today the Bar is restored and relocated next to St Paul’s Cathedral …

How much was land around Bank Junction worth in 1929? ‘At least ten shillings a square inch’ …

Today the buildings in the foreground remain pretty much the same, but the background to them has changed a bit …

From Bank junction looking west …

St Paul’s Churchyard …

This is the first I’ve ever heard of ‘London’s last toll-gate’ in this location.

The view today. Every building on the left in the old picture was destroyed in WW2 bombing but the railings have survived though …

St Paul’s Deanery and the Williamson’s Hotel with two anonymous figures gaining immortality. Wouldn’t it be great to know just a little bit about them …

Today …

Fleet Street figures then …

… and now.

The clock (thought to be the first public clock in London to have a minute hand) …

Queen Elizabeth I (believed to be the only surviving statue of her carved in her lifetime) ….

King Lud and possibly his sons (from the old Lud Gate) …

Off to Cheapside now and the famous plane tree …

The corner shop in the 1970s …

When photographed in 2018 it sold greetings cards …

But now, thanks to the wonderful Cubitts opticians, the signage has been restored to its pre-war glory …

You can read the interesting story of the shops, the tree, the churchyard and a connection to a Wordsworth poem in my blog A shop, a tree and a poem.

St Mary-le-Bow Church Cheapside and the ‘nine foot dragon’ …

Today …

The church was totally gutted in the War but restored and re-openened formally in 1964. The dragon was repaired and lowered onto the spire by a military helicopter …

If there is one picture that I have come across so far that seems to encapsulate the great changes that have occurred in attitudes, society and commerce over the last century it would be this one, ‘ivory shown in Oriental profusion’ unloaded at the London Docks …

I couldn’t help but feel terribly sad for the beautiful animal that had to die to provide the massive tusk the men are holding.

I’ll be printing more images from Wonderful London in future blogs. You can read more about the books here in the excellent London Inheritance blog.

Incidentally, I enjoyed admiring these flowers at the corner of Moorgate and Lothbury …

And these on London Wall …

Finally, am I mad thinking that this duck looks like he’s gathering his thoughts before making a dive …

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Sculpture in the City is back!

The 14th edition of Sculpture in the City is here and I have been wandering around looking at some of the exhibits.

Here are the ones I found, along with their location and a link to a detailed description. There are also some new arrivals outside the Barbican Library.

The churchyard of St Botolph-without-Bishopsgate EC2M 3TL ..

ROOTS:PALACE by Ai Weiwei.

70 St Mary Axe EC3A 8BE …

Looping Loop by Andrew Sabin.

The Leadenhall Building (The ‘Cheesegrater’) EC3V 4AB …

DENDROPHILES by Jane and louise Wilson.

At 40 Leadenhall Street EC3A 3DH …

UNTITLED by Daniel Silver.

At 100 Bishopsgate …

Charles. Jiwon. Nethaneel. Elena. by Julian Opie.

At the corner of Bishopsgate and Wormwood Street EC2M 3XD …

Temple by Richard Mackness.

At Aldgate Square EC3N 1AF …

Kissing Gate by Maya Rose Edwards.

You can download a map and further details of the sculptures here.

On my way home on Sunday, I came across these interesting ceramics by Ebony Russell on display at 99 Bishopsgate …

You can read more about them here. Unfortunately the exhibition was scheuled to finish on August 26 but it might be worth checking to see if it has been extended.

Finally, new sculptures have been installed outside the Barbican Library …

These are works by Mona Hatoum, part of the Encounters:Giacometti series due to open on 3 September …

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

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