Walking the City of London

Category: Special Exhibitions Page 9 of 21

Giacometti Encounters Mona Hatoum at the Barbican (and me at Daunt Books and the Guildhall Gallery!)

Mona Hatoum and Alberto Giacometti have been paired in the second of a series of exhibitions at the Barbican presenting the work of the sculptural luminary alongside that of 21st-century artists. You get a first glimpse of what’s in store as you cross Gilbert Bridge and see Hatoum’s Hot Spot glowing across the gap between the Barbican’s iconic concrete pillars …

Three of Hatoum’s works are on display in the foyer outside the library and the exhibition itself. Jonathan Jones writes in his Guardian review: ‘Mona Hatoum’s show begins with an indelible afterimage of modern war. Into a stack of welded steel boxes resembling an apartment block in a city that could be anywhere, Hatoum has melted or blasted holes imitating drone or missile strikes. Parts of interior walls and floors have been shorn away to look like apartments with their fronts blown off. This is the shell of what was once a home to many, emptied out by war, like the buildings you saw on the news last night’.

It’s called Bourj, which means ‘tower’ in Arabic …

In this blog I am just going to show some of the images I took when I visited the exhibition along with their title. I am not exaggerating when I say that this is the most disconcerting and thought-provoking experience I have ever had at a Barbican event – strongly recommended.

I suggest you read the review by Jonathan Jones before you look at my pictures since it will provide a very useful perspective. You will find the full article here. I also enjoyed reading this interview with the artist in The Observer.

Hatoum: Remains of the Day, 2016-18 …

Giacometti: Woman with Her Throat Cut, 1932 …

Giacometti: The Cage, 1950-51 …

Hatoum: Cube, 2006 …

Giacometti: The Nose, 1947 …

Hatoum: A Bigger Splash, 2009 …

Hatoum: Round and Round, 2007 …

Giacometti: Four Figurines on a Pedestal, 1950 …

Giacometti: The Cat, 1951 …

Hatoum: Incommunicado, 1993 …

Hatoum: Interior Landscape, 2008 …

Hatoum: 4 Rugs (made in Egypt), 1998-2015 …

Hatoum: Divide, 2025 …

Hatoum: Hot Spot (stand), 2018 …

I liked this reflection …

Various other items on display …

Hatoum: Over my dead body, 1988 …

There is an excellent free guide to go with the exhibition …

I’m pleased to say that the lovely people at Daunt Books Cheapside are still supporting me by displaying my book in the much-favoured position right beside the till …

Do visit if you’re searching for books to read now the evenings are closing in. The best and friendliest bookshop in the City …

The Guildhall Art Gallery sometimes describes itself as ‘The City’s best kept secret’ and this often seems to be the case when I visit. Free entry, a wonderful collection of pictures, free tours every day, and a Roman Amphitheatre for good measure – and often very few visitors. At the moment it’s hosting a superb exhibition of work by artist Evelyn De Morgan which I wrote about in my April Blog. I have also previously written about some of my favourite London scenes that are on display there.

It has a splendid little shop with some excellent books on sale …

And, of course, you can also buy my book at Daunt Books online.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Sculpture in the City is back!

The 14th edition of Sculpture in the City is here and I have been wandering around looking at some of the exhibits.

Here are the ones I found, along with their location and a link to a detailed description. There are also some new arrivals outside the Barbican Library.

The churchyard of St Botolph-without-Bishopsgate EC2M 3TL ..

ROOTS:PALACE by Ai Weiwei.

70 St Mary Axe EC3A 8BE …

Looping Loop by Andrew Sabin.

The Leadenhall Building (The ‘Cheesegrater’) EC3V 4AB …

DENDROPHILES by Jane and louise Wilson.

At 40 Leadenhall Street EC3A 3DH …

UNTITLED by Daniel Silver.

At 100 Bishopsgate …

Charles. Jiwon. Nethaneel. Elena. by Julian Opie.

At the corner of Bishopsgate and Wormwood Street EC2M 3XD …

Temple by Richard Mackness.

At Aldgate Square EC3N 1AF …

Kissing Gate by Maya Rose Edwards.

You can download a map and further details of the sculptures here.

On my way home on Sunday, I came across these interesting ceramics by Ebony Russell on display at 99 Bishopsgate …

You can read more about them here. Unfortunately the exhibition was scheuled to finish on August 26 but it might be worth checking to see if it has been extended.

Finally, new sculptures have been installed outside the Barbican Library …

These are works by Mona Hatoum, part of the Encounters:Giacometti series due to open on 3 September …

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Alison Aye and Kemi Athene Pennicott at the Barbican Library.

Once again I’m back at the Barbican Library for an extraordinary exhibition with very different but fascinating themes.

Alison Aye’s first work, entitled Exile Textiles, was started 31st March 2020 and finished on 29th September that year. It illustrates a horrendous period of her life as she cared for her mother, who had terminal cancer, and her father who suffered a stroke. She also lost her job during this period which, of course, coincided with the Covid lockdown. Also included are later pieces from Exile Textiles II: The New Normal and Exile Textile III: The Prequel.

Before you glance at my images I urge you to have a look at Alison’s blog which explains the works in more detail. I promise you it’s not all doom and gloom – it’s very funny in places. For example, do you remember YOU HAVE NO AUTHORITY HERE JACKIE WEAVER! Or Barbara Windsor as Peggy Mitchell yelling ‘Get outta my pub!’ Or Dominic Cummings allegedly calling Carrie Symonds, now Mrs Johnson, ‘Princess Nut Nuts’. I certainly do – and they are all referenced here.

Here is Alison’s blog, it’s entitled EXILE TEXTILES AN EXPLANATION

Alison has the following to say about the other work on display, Civilisation:

‘In ‘Civilisation’, I’m questioning the bias of my early art education, which came mainly from Lord-Sir-Baron-Kenneth-Clark, born into a wealthy ‘textiles family’, and his popular television BBC programme/book, ‘Civilisation’. I’ve made stitched collages from said book (published by BBC/John Murray, this edition 1971), combined with discarded gallery (mainly Tate) magazines. Lord-Sir-Baron-Kenneth omitted female artists from his account, which is what started me off on these collages, but as the project progressed I have annoyingly fallen in love with the snobby bastard. I don’t agree with what he is saying a lot of the time, but his style of writing is superb and an utter joy to read.’

Images from Civilisation:

Alison’s history of Royal Academy submissions …

She finally made it into the Royal Academy Summer Show last year after 31 attempts …

The winning work (not on display at the Library) …

You can read more here.

Sharing the Library space with Alison is Kemi Athene Pennicott

The Library exhibition runs until 28 August.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Page 9 of 21

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