Symbols & Secrets

Walking the City of London

Some images I liked that didn’t make it into a blog.

I take lots of pictures as I stroll around London and not all of them make their way into a blog. As I looked through images from the last six months or so I decided to publish a selection of the ones I liked most and hope you enjoy looking at them too.

I’ll start with one of my strangest encounters, the Golden Confessional Booth in the Bishopsgate Institute …

It was donated to the Institute by the artist Franko B in 2022. You can read more about him and the archive held at the Institute here.

If bollards have to be installed they might as well be pretty …

The Goldsmith’s Company leopard at the entrance to their garden on Gresham Street …

The screen in the crypt of St Pauls Cathedral …

The metalwork screen, 3.50 m high x 8 m wide, spans the Crypt of St Paul’s Cathedral, It stands as a permanent memorial to Sir Winston Churchill, the third great national hero to have a state funeral at the Cathedral, alongside those of the Duke of Wellington and Lord Nelson.

I never get tired of photographing the Cathedral …

A stroke of planning genius putting a water feature here …

Outside St Thomas’ Hospital, Edward VI looks in good shape considering how long he’s been in the open air …

It’s one of two statues of the king at the hospital, both commemorating his re-founding of the institution in 1551. This one was carved by Thomas Cartwright in 1682 and originally formed the centrepiece of a group of figures which adorned a gateway on Borough High Street. It was moved to its current location in the 20th century.

Old gravestones in Postman’s Park …

According to the estimable Percy Rushen, the full inscription on the stone in the middle reads ‘FANNY wife of WILLIAM SNOWLEY of the parish, died 22 November 1847 aged 48’. The one in front is the marker for ‘JOSHUA HOBSON, of the parish, died 5 February 1833 aged 49’.

The Gothic masterpiece that is St Pancras, built 1868 …

Nearby Kings’s Cross. It’s the older of the two buildings (1852) but certainly doesn’t look it …

The mysterious McLaren sports car that’s been parked outside the St Pancras hotel for ages …

You can read more about it here.

If you order oysters at Searcey’s Restaurant at St Pancras the plate is rested on this rather special holder …

The giant gnomon on the sundial at Tower Hill …

Numerous important events are recorded around the dial ..

The Emperor Trajan outside the nearby Underground entrance. Disrespectful visitors often place an empty drinks can in his hand …

I spotted this cinema poster in a restaurant. Certainly typical of its period (1967) …

The critics were not kind and I don’t think they made another movie!

Barbican hanging gardens …

Duck tucking into one of his ‘5-a-day’ …

The circus still comes to town …

Blackfriars reflection …

Unusual sundial on the Thames River Walk near the Millennium Bridge …

Inside Battersea Power Station – lots of big brands but not a lot of people …

Two important messages …

The wall in the distance is all that remains of the notorious Newgate Gaol, demolished in 1902 …

Great ghost sign at Finchley Road Underground Station …

Lovely idea at Kilburn Station …

And another transport related image, the magnificent roof at Stockwell Bus Garage – at one time it was Europe’s largest unsupported roof span …

Licence plate humour (well, I’m easily amused) …

And finally, lunch last week at Brutto, a great way to start the New Year …

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The Heroes of Postman’s Park.

You only need to visit the Watts Memorial to Heroic Self Sacrifice in Postman’s Park to see evidence of the dangers that people were exposed to in Victorian times.

Here is the man we have to thank for this window on the past …

George Frederic Watts was a famous Victorian artist and this picture is a self-portrait. He first suggested the memorials we see today in 1887 but the idea was not taken up until 1898 when the vicar of St Botolph’s church offered him this site in Postman’s Park. There Watts’ ambition to commemorate ‘likely to be forgotten heroes’ came to fruition and when the park was officially opened on 30 July 1900 there were already four tablets in place.

Sixty two people feature on the memorial today which is housed in a wooden loggia …

I find that their stories still evoke a range of emotions, particularly ones of sadness and curiosity, which left me wanting to know more about these people, their lives and the manner of their deaths. There are also clues as to the nature of society and work at that time along with the quality of healthcare.

We are reminded, for example, that horses played a tremendous part in work practices, transport, leisure and, sadly, war. It’s estimated, for example, that there were about 3.3 million horses in late Victorian Britain and in 1900 about a million of these were working horses. Of the 62 people commemorated here, five died as a result of an incident involving horses and I shall write about two of them.

Here is the first mention of horses on the wall …

William Drake earned his living as a carriage driver and on this occasion his passenger was one of the most famous sopranos of her day, a lady called Thérèse Tietjens. The breaking of the carriage pole caused panic among the horses and they reared out of control. In fighting to control them, Drake received a severe kick to his right knee which subsequently resulted in the septicaemia that led to his death on April 8th. A message was passed to the coroner at the inquest that ‘those dependent on the deceased would be amply cared for by Madame Tietjens’. Notwithstanding this, Drake was buried at the expense of the parish in a common grave in Brompton Cemetery, although there is evidence that his widow did receive an annuity from somewhere.

Elizabeth Boxall died after being kicked by a runaway carthorse as she pulled a small child out of its way …

Her brave act actually took place in July 1887 but over the next eleven months poor Elizabeth’s health deteriorated. Part of her leg was amputated in September and a further part (up to her hip) in January 1888, her condition being complicated by a diagnosis of cancer. Her parents were distraught by her death and the way she had been treated by the medical profession – for example, the first amputation was carried out without her or her parents’ permission. ‘They regularly butchered her at that hospital’ her father exclaimed at the inquest and the jury found that shock from the second operation was the cause of death. No one from the hospital attended the inquest but the House Governor at the London Hospital disputed the finding in a letter to the press.

Still on a medical theme, the highly contagious infection known as diptheria features twice on the memorials. Now extremely rare due to vaccination programmes, it was once a frequent killer of small children and also posed a danger to physicians such as Samuel Rabbeth …

I have been able to locate a picture of him thanks to the excellent London Walking Tours blog…

Dr Samuel Rabbeth (1858 – 1884) from The Illustrated London News 15th November 1884
Copyright, The British Library Board

On October 10th the doctor was treating a four year old patient who was in danger of asphyxiation as diptheria often resulted in a membrane blocking the airways. The standard treatment of tracheotomy had been performed but to no avail and Rabbeth performed the more risky procedure of sucking on the tracheotomy tube to remove the obstruction. Unfortunately in doing so he contracted the infection himself and died on 20th October (not the 26th as shown on the plaque). There was some (fairly muted) criticism of his actions by doctors who believed he acted recklessly, although from the most honourable of motives.

He has a fine gravestone in Barnes Cemetery which gives details of his personal professional history and the circumstances of his death …

Dr Lucas was infected as a result of an unfortunate accident …

He was in the process of administering an anaesthetic to a child with diptheria in order that a tracheotomy could be carried out. The child coughed or sneezed in his face but, instead of delaying to clean himself up, which may have endangered the child’s life, he continued and as a result became infected. He died within a week.

I haven’t been able to find an image of him or his final resting place but a poem written in his memory was published in a number of newspapers and you can read it in full here.

Thomas Griffin was engaged to be married on 16 April 1899 and on 11 April he had travelled to Northampton to discuss arrangements with his family and then back home to Battersea for work the next day. He expected that by the end of the week he would be married, but that was not to be, and by the end of the following day he was dead …

An inquest on 17 April was told that, after an explosion in the refinery boiler room, the door had been closed and the men told to keep out. Griffin, who had been evacuated to safety, suddenly cried out ‘My mate! My mate!’ and before anyone could stop him had disappeared into the boiler room. Terribly scalded all over his body he died later that day. The coroner lamented that …

… the conduct of a man like him deserves to be recorded. No doubt there are heroes in everyday life, but they do not come to the front and so we do not hear of them.

Unbeknown to the coroner, Watts had been collecting newspaper cuttings of heroic acts for years and added Griffin’s story to the growing archive. So it came to pass that Thomas Griffin was among the first four people to be commemorated upon the newly opened memorial.

And finally …

One might get the impression that this gentleman was particularly worthy of recognition because the person he saved was not only a stranger but also a foreigner. This would be a shame if it detracts from a very brave act and a tragic one also since, according to Cambridge’s brother Royston, John need not have perished. He told the Nottingham Evening Post

My brother, who was a very good swimmer, saw while bathing an unknown person drowning, and swam out to her assistance. The bathing boat rescued the lady, and the other bather, but the boatmen declined to go out again, although we implored them to do so, and offered them payment, until they were ordered out by officials. It was then, of course, too late.

I have written in great detail about the following four heroes in an earlier blog which you can find (along with pictures of three of them) here

I am indebted for the background research used in this blog to the historian John Price and his incredibly interesting book Heroes of Postman’s Park – Heroic Self-Sacrifice in Victorian London. You will find details of how to purchase your copy here.

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St Stephen Walbrook – The Samaritans, Sir Henry Moore and a brave doctor.

One day in 1936 a young priest officiated at his first funeral – a 14 year old girl who had killed herself because, when her periods started, she thought it was a sign of a sexually transmitted disease. That there seemed to have been no one she could talk to had a profound effect on him, but it was not until 18 years later that, as he put it,

I read somewhere there were three suicides a day in Greater London. What were they supposed to do if they didn’t want a Doctor or Social Worker … ? What sort of a someone might they want?

He looked at his phone, ‘DIAL 999 for Fire, Police or Ambulance’ it said …

There ought to be an emergency number for suicidal people, I thought. Then I said to God, be reasonable! Don’t look at me… I’m possibly the busiest person in the Church of England.

When the priest, Chad Varah, was offered charge of the parish of St Stephen in the summer of 1953 he knew that the time was right for him to launch what he called a ‘999 for the suicidal’. He was, in his own words, ‘a man willing to listen, with a base and an emergency telephone’. The first call to the new service was made on 2nd November 1953 and this date is recognised as Samaritans’ official birthday.

The Reverend Dr Chad Varah at his telephone – you just had to dial MAN 9000.

It soon became obvious that the volunteers, who used to keep people company whilst they were waiting to speak to Chad, were also capable of helping in their own right and in February 1954 he officially handed over the task of supporting the callers to them.

If you visit the church you can see the phone itself …

St Stephen Walbrook (rebuilt 1672-80) was one of Wren’s largest and earliest churches and the meticulous care taken with it might, some suggest, be because Sir Christopher lived next door. Incidentally, Mr Pollixifen, who lived on the other side, bitterly complained about the building taking his light. Maybe he was mollified when the the church’s internal beauty was revealed.

Views towards St Stephen’s have opened up since completion of the new development on Walbrook, which also houses a meticulously restored Temple of Mithras (see my 25th January 2018 blog: The Romans in London – Mithras, Walbrook and the Games).

Looking at the exterior one can see the lovely green Byzantine style dome …

The interior is bright, intimate and stunning, old Victorian stained glass having been removed …

Wren’s dome and Sir Henry Moore’s altar

The dome was the first of its kind in any English church and a forerunner of Wren’s work on St Paul’s Cathedral. After being damaged in the Blitz the church was restored by Godfrey Allen in 1951-52. Controversy broke out when, between 1978 and 1987, the church was re-ordered under the sponsorship of churchwarden Peter (later Lord) Palumbo and a striking ten tonne altar by Sir Henry Moore was placed at its centre.

Sometimes I look at church memorial plaques and, if they are entirely in Latin, just rather lazily move on. In this case it was a big mistake since I was ignoring a tribute to a very brave man …

Dr Nathaniel Hodges’ memorial on the north wall. Photograph: Bob Speel.

The Great Plague of 1665-1666 was the worst outbreak in England for over 300 years and London probably lost getting on for 20% of its population. While 68,596 deaths were recorded in the city, the true number was most likely to be over 100,000. Those who could, usually the professionals and the wealthy, fled the city and this included four-fifths of the College of Physicians. Charles II and his courtiers left in July for Hampton Court and then Oxford where Parliament also relocated in October,

Nathaniel Hodges was a 36-year-old doctor practising in London when the pestilence reached the City. London was awash, he said later, with ‘Chymists’ and ‘Quacks’ dispensing, as he put it: ‘… medicines that were more fatal than the plague and added to the numbers of the dead.’

Dr Hodges decided to stay and minister to the sick and dying.

First thing every morning before breakfast he spent two or three hours with his patients. He wrote later …

Some (had) ulcers yet uncured and others … under the first symptoms of seizure all of which I endeavoured to dispatch with all possible care …

hardly any children escaped; and it was not uncommon to see an Inheritance pass successively to three or four Heirs in as many Days.

After hours of visiting victims where they lived he walked home and, after dinner, saw more patients until nine at night and sometimes later.

He survived the epidemic and wrote two learned works on the plague. The first, in 1666, he called An Account of the first Rise, Progress, Symptoms and Cure of the Plague being a Letter from Dr Hodges to a Person of Quality. The second was Loimologia, published six years later …

The above is a later edition of Dr Hodges’ work, translated from the original Latin and published when the plague had broken out in France.

It seems particularly sad to report that his life ended in personal tragedy when, in his early fifties, his practice dwindled and fell away. Finally he was arrested as a debtor, committed to Ludgate Prison, and died there, a broken man, in 1688.

Translated from the Latin, his memorial reads as follows:

Learn to number thy days, for age advances with furtive step, the shadow never truly rests. Seeking mortals, born that they might succumb, the executioner comes from behind. While you breathe you are a victim of death; you know not the hour in which your fate will call you. While you look at monuments, time passes irrevocably. In this tomb is laid the physician Nathaniel Hodges in the hope of heaven; now a son of earth, who was once a son of Oxford. May you survive the plague by his writings. Born 13 September AD 1629 Died 10 June 1688.

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Fun architecture in Eastcheap (and trying out the camera on my new phone!)

Having got myself a new iPhone I thought I would give it a trial run in Eastcheap where there is some unusual architecture to explore.

This is what you see as you approach from the west …

And if you view from the east …

I thought it would be interesting to include these images to illustrate just how the Fenchurch Building a.k.a. the Walkie Talkie dominates the skyline here. It was amusing that, when the building was finished, it was discovered that the glass concentrated and reflected the sun’s rays in such a way that it was scorching cars parked in the street below. The structure was given a new nickname – the Walkie Scorchie.

The stars of the show at street level are definitely numbers 33-35. Designed by R L Roumieu and built 1868, today the facade is grade II* listed. The ‘masterpiece’ (as described by Architectural Historian; Pevsner) was made for Hill & Evans, vinegar-makers from Worcester …

Pevsner goes on to describe it as ‘one of the maddest displays in London of gabled Gothic’ and he quotes from Ian Nairn – architectural critic – who calls it ‘the scream that you wake on at the end of a nightmare’.

I love it!

Look at the wonderfully detailed brickwork …

There’s a medieval head wearing a coronet …

… and a boar crashing through the undergrowth. What’s that all about? …

The animal is a reference to The Boar’s Head Tavern in Eastcheap where Shakespeare set the meetings of Sir John Falstaff and Prince Hal in his Henry IV plays and the medieval head represents the Prince.

No. 25, by Bird & Walters (1892-93), was a former pub. The narrow and plainer building on the right was built in 1860 …

Another 1860 building is the eye-catching one on the corner. It was once the offices and warehouses for Messers Hunt & Crombie, spice merchants …

Just below the roof is a fabulous combo of dogs’ and boars’ heads along with lovely brickwork …

Walk around the corner to see London’s tiniest public sculpture. Thousands of people walk past it every day and have, I’m sure, no idea it is there.

Can you spot it …

It’s two mice eating a piece of cheese …

There are a number of theories as to its origin but nobody knows for sure.

Further east, on the opposite side of the road, are more Eastcheap animals, including the remains of a dead one.

Constructed between 1883 and 1885, the building at number 20 was once the headquarters of Peek Brothers & Co, dealers in tea, coffee and spices, whose trademark showed three camels bearing different shaped loads being led by a Bedouin Arab …

The firm was particularly well known for its ‘Camel’ brand of tea. When Sir Henry Peek (son of one of the original founders) commissioned this building he wanted the panel over the entrance to replicate the trademark, right down to the dried bones of the dead camel lying in the sand in the foreground.

The Peek Brothers letter heading/trademark – Copyright – British Overprint Society – Mark Matlach

He clearly wanted his prestigious building to be enhanced by a suitably eminent sculptor – preferably one with knowledge of camel anatomy.

The sculptor he picked, William Theed, was indeed an extraordinary choice for such a mundane task. Theed was a great favourite of Queen Victoria and Prince Albert and his work can be seen on the Albert Memorial where he sculpted the group Africa the central figure being, of course, a camel …

The Queen also liked and trusted him so much that she asked him to take her beloved Albert’s death mask when the Prince died tragically young in 1861.

Peeks carried on trading under various names until the 1970s. Another branch of the family ensures that the name lives on by way of the biscuit makers Peek Freans …

As is often the case, I am indebted to Katie Wignall, the Look up London blogger and Blue Badge Guide, for much of the background information on the architecture in today’s blog.

It just remains for me to wish you all a very happy and safe New Year and thank you very much for subscribing.

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The Christmas Quiz!

I almost can’t believe that this is my seventh Christmas quiz. When I started my blog way back in 2017 I wasn’t sure I could maintain a weekly publication, but here I am now writing blog number 325!

Happy Christmas and thank you so much for subscribing.

Here are the questions. They are all based on blogs published during 2023 and the answers are at the end of today’s edition.

1. This great 19th century philanthropist gave his name to good quality housing specifically designed for London’s ‘working poor’. Born in America, he was so admired by Queen Victoria that, when he died, she arranged for his body to be returned home on a British battleship. Who was he?

2. ‘Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy …’

Where is this window commemorating Shakespeare’s plays?

3. This window can be found at St Margaret Lothbury. What Livery Company has the lovely motto True Hearts and Warm Hands?

4. Look at these formidable boilers …

… and the massive pumping engine they service …

What world famous London landmark did they once help to operate?

5. The eyes of the man represented in this bust clearly indicate blindness …

He is commemorated in the church of St Giles-without-Cripplegate where he was buried in 1674. Who is he?

6. They are ‘two people’ but ‘only one artist’. Their new gallery opened on 1st April 2023. Who are they?

7. This innocuous tiled corridor was known as ‘Dead man’s walk’. Where is it?

8. This ceremonial staff, inscribed with his title ‘Surveyor to the Fabric’, belonged to a man whose work as an architect created much of the way the City looks today, over 300 years after his death. Who was he?

9. This mark is chiselled into the base of the church tower of St Alban Wood Street …

This one is on the Cheapside face of St Mary-le-Bow …

What do they signify?

10. What Livery Company is represented by this coat of arms?

11. This lady represents Science …

Nearby other ladies represent Fine Art, Agriculture and Commerce. Where are they?

12. This sundial is on a building that was once a Protestant church, then a Methodist Chapel, next a Jewish synagogue and is now a Mosque …

Where is it?

13. This watchtower was once used by brave crews who, when spotting danger to life, rushed to the rescue. Where is it and who were they?

14. These figures in the old churchyard of St John Zachary in Gresham Street represent a trade and profession that once flourished in nearby Fleet Street. What was it? And who do the figures represent?

15. This statue stands in the river opposite The Grapes pub in Limehouse. Who is the sculptor?

16. It’s believed that the Romans brought these animals to Britain and this one left its mark on a 2,000-year-old tile. What kind of animal was it?

17. This book was published in 1623, seven years after Shakespeare’s death. It’s a collection of 36 of his works and was brought together by two of his friends, John Heminge and Henry Condell. What is it commonly known as?

18. This is the oldest Catholic church in England and was once located on a vast estate owned by the Bishop of Ely. Where is it?

19. Represented in beautiful stained glass in the church of St Bartholomew the Less, who is the chap in the snazzy tights?

20. This bell, dating from the early 17th century and on display in the Holy Sepulchre church, has a morbid connection with Newgate Gaol. When and why was it rung?

The answers:

1. George Peabody (1795-1869). Read more about him here.

2. Southwark Cathedral. See more images here.

3. It’s the Worshipful Company of Glovers. Read more here about the St Margaret’s stained glass.

4. Tower Bridge. Read more here.

5. John Milton. He was not allowed to rest in peace – read more here.

6. Of course, it’s Gilbert and George.

7. Below the Old Bailey, the Central Criminal Court.

8. Sir Christopher Wren.

9. They are what is known as Bench Marks and indicate where the height above sea level has been calculated.

10. The Worshipful Company of Saddlers.

11. On Holborn Viaduct.

12. Brick Lane. The Latin roughly translates as ‘We are but shadows’. Read about more sundials here.

13. The firefighter crews based at the old Bishopsgate Fire Station.

14. The trade and profession was the newspaper industry. Commissioned by the Westminster Press Group in 1954, it represents the newspaper process with a newsboy (sales), printer and editor (or proprietor).

15. It’s a sculpture by Anthony Gormley and is one of a series entitled Another Time.

16. A Cat. Read all about a terrific new exhibition about Roman London here.

17. The First Folio. An original copy (and other fascinating Shakespeare related material) is on display at the Guildhall Art Gallery until 25th January 2024.

18. Ely Place.

19. Rahere, the founder of St Bartholomew’s.

20. In 1605, a wealthy merchant called Robert Dow made a bequest of £50 for a bellman from the church to stand outside the cells of the condemned at midnight, ring the bell, and chant as follows:

All you that in the condemned hole do lie, Prepare you, for tomorrow you shall die; Watch all and pray, the hour is drawing near, That you before the Almighty must appear; Examine well yourselves, in time repent, That you may not to eternal flames be sent: And when St. Sepulchre’s bell tomorrow tolls, The Lord above have mercy on your souls.

Read more about the church here.

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