Walking the City of London

Category: Special Exhibitions Page 2 of 18

Beatriz González at the Barbican plus some recent images from me.

I have been to most of the Barbican exhibitions over the last ten years and I have to say that I found the works by Beatriz González now on display have been some of the most affecting …

The Guardian reviewer wrote as follows: The art of Beatriz González is drenched in light, strong colour and blood. Her sprawling, uneven retrospective reflects the turbulent politics and violence of her native Colombia, and the breadth of a body of work that addressed art history and popular culture, provincialism and universality. At times she is as biting as a cartoonist, depicting generals as a row of anonymous blank-faced parrots. “I did not want to be a lady who paints,” she once said. Born in the provincial town of Bucaramanga in 1932, González died this January in Bogotá, shortly before the current exhibition travelled to the Barbican from the Pinacoteca in São Paolo. She was 93.

You can read the full review here.

I am going to post some of my images from the exhibition here. The Guardian reviewer describes González’s work as compelling and that is certainly the case.

Los Papagayos (The Parrots) 1987 …

The exhibition closes on Sunday 10 May 2026.

Some recent images of mine.

I’ve been out and about at dusk again …

A blue sky for a change …

The Hi-Viz jacket team meet up at the end of the day at 2 Aldermanbury …

Silhouettes …

Brake light reflections …

‘It’s pouring rain so we’re having a lie-in’ …

St Paul’s Cathedral on a sunny day – what could be more beautiful?

Combination – spire, dome, plane and golden pineapple …

This time with a bird in flight …

The Phoenix and Resurgam – ‘I shall rise again’ …

At Bunhill Burial Ground …

The Silk Street flower bed cheers me up every day. Planting in October last year …

Yesterday …

Final reminder …

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Giacometti Encounters Lynda Benglis, the Broadgate Hare and ‘This Grief Thing’.

The Barbican is now presenting Encounters: Giacometti x Lynda Benglis, the third and final in a series of three exhibitions organised in collaboration with the Fondation Giacometti, Paris. Subtitled Back at Ya, the exhibition features a never before exhibited body of works by Lynda Benglis (b. 1941, Lake Charles, Louisiana) and historic works by Alberto Giacometti (b.1901-1966, Borgonovo, Switzerland), and will be a highlight of the Barbican’s Spring 2026 season.

I visited last Friday and was absolutely entranced by Benglis’s work, which I had never encountered before, so I enthusiastically recommend you come to see the exhibition too. You can find more detail here.

There follows some of the images I took but I suggest you first read a couple of reviews in order to give them context. Here’s a piece from the Pace Galleries and here’s one from East End Review.

There is a useful free guide to all the exhibits …

Here are some if the images I took. The first two are Giacometti’s Woman with Chariot, 1943-45 …

Here are my blogs on the first two exhibitions: Giacometti + Huma Bhabha and Giacometti + Mona Hatoum.

The Broadgate area near Liverpool Street has been substantially redeveloped so I popped in again for the first time in years to see if one of my favourite sculptures was still there. And hooray, it still is, and much more sympathetically sited than the last time I visited. Here it is, Leaping Hare on Crescent and Bell by Barry Flanagan (1941-2009) …

Barry tragically died from motor neurone disease at the age of 68. You can find a nice obituary from The Guardian newspaper here.

I came across the This Grief Thing pop up shop in the Barbican Centre last Saturday …

It’s in the Centre again this Saturday, 21st, and Sunday 22nd. You can read more on their website here.

Tower 42 went romantic on St Valentine’s Day …

Finally, little yellow flowers always cheer me up when the weather is miserable …

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Julia Phillips at The Curve: Inside, Before They Speak. Plus some waterfowl activity for light relief.

The Barbican is celebrating 20 years of commissioning for The Curve. You can read more here.

I visited Inside, Before They Speak last weekend, it runs until Sunday 19 April 2026.

Rather than cut and paste from it, I attach a link to the Exhibition Guide here: https://www.barbican.org.uk/exhibition-guides/julia-phillips-exhibition-guide

There follows some images from the exhibition which you can read about in the Guide and decide if you want to visit in person.

Drainer III

Harmonizer

Inseminator

Fertilizer

Suspended Interior I

Mediator III …

One reviewer has written: ‘Writers often use the term ‘visceral’ metaphorically, to signify raw, instinctive emotions: but as applied to the current exhibition at the Barbican Curve, Julia Phillips’s Inside, Before They Speak, the term is used quite literally.   The exhibition focuses on the Chicago-based artist’s almost obsessive interest in the body, particularly its insides – or viscera – and human conception’.

I have to say that there were a couple of times when I felt a bit queasy! But I’m still pleased I went.

Here are reviews/comments on the exhibition from Voice Magazine, East End Review and London Unattached.

And now on a lighter note, some lake activity.

Mr and Mrs Coot build a nest at the same spot every year …

‘Bottoms Up’ from the local ducks …

A rather exotic visitor …

And finally, I’m often intrigued by the stuff left lying around on the Estate …

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