Symbols & Secrets

Walking the City of London

Hands, Lions and Sphinxes … Spitalfields doors and their knockers.

Writing this blog has led me to research some pretty unusual things and doorknockers must rate highly on the list.

What prompted my interest were the hands I encountered when I was wandering around the elegant houses on Elder, Fournier, Wilkes, Folgate and Princelet Streets. The area is well known as where Huguenot and other master silk weavers set up in business when they fled persecution in the late 17th century. Door knockers shaped as women’s hands proliferate, this one is wearing a bracelet …

Some are older and more worn than others …

These three are emerging from a lacy cuff and all are wearing a ring. In the second two the bracelet surrounds the cuff …

This one is on a door that has become a piece of artwork …

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Door knockers are still being manufactured today and researching the origins of their design has been a bit tricky because most of the published history appears on sales sites. Manufacturers may have a bit of a vested interest in making their wares as intriguing as possible.

Anyway, the consensus seems to be that the hand is the Hamsa, or Hand of Fatima, a symbol of protection which originates in Islam (Fatima was a daughter of Mohammed) but has since been adopted by Judaism and Christianity to ward off evil forces.

Incidentally, I only came across one man’s hand but it belonged to a very famous person. Known as a ‘Wellington’, it was invented in 1814 by David Bray, a London ironmonger. His sales pitch was that it represented …

The Hand of our immortal Hero grasping the Wreath of Victory, and the Baton of Field Marshal, as being the highest rank that can be conferred on military fame: the Lion’s face represents British valour overpowering the arms of Tyranny and Usurpation.

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Another ‘Wellington’ …

The following are described in catalogues as ‘Doctors door knockers’ since apparently they indicated a doctor’s house where medical assistance could be found in an emergency. One variety has (of course) been named ‘The Watson’ …

Lions are popular, symbolising protection …

This door also has an old-fashioned bell mechanism …

Sphinx versions are available …

Or ladies that are just decorative …

Some doors have seen better days and are untouched as yet by Messrs Farrow & Ball …

I loved this one, I think it represents a dolphin …

I deliberately haven’t specified on what streets these particular knockers can be found so you can have the pleasure of wandering around and finding them yourself. Elder, Fournier, Wilkes, Folgate and Princelet are all close to one another and easy to find. Or keep your eyes open for upcoming walking tours with Look up London.

If you are interested in researching this further just search Google using ‘door knockers’ (make sure you include the word ‘door’!). If you haven’t already had enough of doors have a look at these earlier blogs …

That Rings a Bell

City of London Doors and Doorways

More City Doors and Doorways

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https://www.instagram.com/london_city_gent/

Some cheery images for Easter.

It’s now just over four years since I started writing these blogs and I would like to thank all of you for subscribing and making my efforts seem worthwhile. I thought I’d celebrate my anniversary and Easter itself by publishing some jolly images that have cheered me up in these sometimes sad days of lockdown.

What could be nicer than the little daffodils that emerged a few weeks ago …

This slightly bonkers window display on Ludgate Hill made me laugh. I thought these little creatures looked like they were doing a dance but that’s probably a symptom of lockdown madness …

‘Who’s going to buy us with no tourists coming?’ …

I came across this eye-catching pair of doors in Fournier Street above which is a very old sign indicating the name of the business owner …

I resolved to do a bit more research and in doing so actually discovered what Mr Simon Schwartz looked like! What a distinguished looking gentleman he was …

To find out more about him, his business and the background to this picture go to the excellent Andrew Whitehead blog where the story is charmingly revealed.

No Lord Mayor’s Show last year but I spotted a Pikeman’s uniform in a tailor’s shop just off Carter Lane …

The magnificent I Goat outside Spitalfields Market …

Read about it here along with the background to the lovely elephants …

… and these crazy characters, Dogman and Rabbitgirl …

You can also read about this more sombre work …

Potato heads in Whitecross Street …

Costumes from a production of Grease at the Guildhall School of Music and Drama in Milton Court …

A happy Clerkenwell couple sitting in their garden …

Along with some friends …

One of my favourites from last year – a pigeon dozes whilst drying his feathers and warming his bottom on a spotlight …

Ducks frequently pose for me on the Barbican Podium …

This is the time of year to celebrate the beautiful magnolia trees on the terrace at St Giles church …

Nearby is St Alphage Garden which boasts another stunning magnolia (EC2Y 5EL) …

A nice spot for lunch …

And now time for my Hotel Chocolat Easter treat …

Have a great Easter!

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent/

Resurrection Stones – spiritual optimism in frightening times?

For centuries images of The Last Judgment were commonplace – particularly on church walls and in paintings. This is a typical example by Fra Angelico which is thought to have been painted between 1435 and 1440 …

Jesus sits enthroned in glory calling up the dead for judgment. He is surrounded by Saints and Apostles, his right hand pointing towards Heaven and his left to Hell. On one side people wearing their everyday clothes are led up to Heaven by winged angels …

But things are a bit grim on the bottom right. Demons prod and drag the condemned off to Hell where a horned Satan supervises a variety of terrible punishments. Look closely at the damned and you’ll see at least two monks and a bishop wearing a mitre …

The depictions of the Last Judgment I am going to write about are carved in stone and differ from the Fra Angelico composition in a number of ways. The first is in the narthex of St Mary-at-Hill on Lovat Lane (EC3R 8EE) …

Christ holding a banner stands amidst clouds. Satan, a figure with large claws, is being trampled under his feet.

It most likely dates from the 1670s. Its carver is unknown, but it is known that the prominent City mason Joshua Marshall was responsible for the rebuilding of the church in 1670-74 and his workshop may have produced the relief. Exactly where it was originally positioned is uncertain; most likely it stood over the entrance to the parish burial ground and was brought inside more recently.

In close up …

You can see open coffins as individuals respond to the call.
The winged Archangel Michael helps people rise again.

The main difference here from the traditional representations is the absence of Hell, so it’s a more optimistic portrayal. Also, people appear naked or just wrapped in a shroud rather than being differentiated by their clothing. Perhaps this signifies everyone is equal when the last judgment comes.

The second stone is just visible from Holborn Viaduct if you look down the steps of the church of St Andrew Holborn (EC4A 3AF) …

Although a bit more weather-beaten that the St Mary-at-Hill version, the figure of Christ’s head has not been damaged and he gazes serenely down as angels sound trumpets to summon the dead. He’s surrounded by little winged figures or putti …

Open coffins lie amongst the chaos as the angels do their work. Under his feet Christ is crushing a dragon-like creature with a long tail, again probably representing Satan …

People emerge, crawling towards the light …

One of the figures here is clinging to an angel and another holds his hands in prayer or supplication …

Once again, apart from Christ and the angels, everyone is naked and there is no representation of Hell. The stone once stood over the paupers’ cemetery in Shoe Lane and was maybe intended to give some succour and hope to those attending the burial of loved ones. It’s thought that this stone also dates from the 1670s but again the carver is unknown.

I am tempted to assume that, after the horrors of the plague of 1665 and the Great Fire of 1666, portrayals of the resurrection were represented more positively by removing threats of Hell and damnation.

I’m always looking out for great London blogs and my publication this week was inspired by the Flickering Lamps blogger Caroline who has written on the same subject. Click here for a link to her website.

By way of light relief in our own difficult times, if you have the chance check out the Herd of Hope elephants at Spitalfields Market …

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent/

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