Symbols & Secrets

Walking the City of London

Charming Cherubs

They are everywhere in the City, watching over us from their lofty perches for literally hundreds of years. I always associated them with church buildings but they have now taken on many secular duties.

They are, of course, Cherubs. Called putti in Italian, they were originally little winged infants deployed in Christian art and architecture but over the centuries came to be used in a wider decorative fashion. Recently I have been walking around the City admiring their antics.

These two are enjoying chatting to one another on early 20th Century telephones. Now known as 2 Temple Place, the house was built in 1892 for William Waldorf Astor and was one of the first London residences to have a telephone installed. Astor’s incredibly generous philanthropy earned him a peerage and later, in 1917, he was elevated (somewhat controversially) to the rank of Viscount.

‘Can you hear me?’

 

‘Yes, I’m listening …’

There are some nice recently spruced-up cherubs at 110-111 Fleet Street. They are supporting a globe since this building was originally the London headquarters of the Thomas Cook travel agency. Built in 1865, the first floor was a temperance hotel in accordance with Cook’s beliefs.

‘This is where we are going for our holidays’

If you find yourself walking down Cheapside, do stop and admire the more traditional eight cherubs over the portico at Christopher Wren’s St Mary-le-Bow. There is a line of little winged cherub heads which, if you look closely, you will see are not identical. The two full-figured cherubs are extremely plump – one is playing a musical instrument and the other reading a book, presumably the bible.

St Mary-le-Bow, Cheapside

In Cannon Street look up towards the roof of number 123 . Here are numerous terracotta cherubs who look like they are running an import/export business

Industrious cherubs running a business

 

Resting against a lamppost outside 10 Trinity Square. When this was the headquarters of the Port of London Authority, hundreds of people would have walked past him every day to pay their dues on goods landed in the port. It’s now a hotel.

The former Port of London Authority building built 1912-22

 

Supporting a cartouche is hard work, especially if there is a ship on top of it.

In Tooley Street opposite London Bridge Underground Station

And finally these two painted on a wall in Whitecross Street – is that a bazooka they are assembling? Best not to upset these little chaps.

Outside 124 Whitecross Street

 

 

 

 

 

City Animals

Once I decided to look for animals in the City I started to find them everywhere and here are just a few.

A boar pokes its head out from behind some foliage, sheep stroll past St Paul’s Cathedral and King Charles II’s spaniels are immortalised on one of the City’s most  modern buildings.

The Boar’s Head Tavern in Eastcheap was where Shakespeare set the meetings of Sir John Falstaff and Prince Hal in his Henry IV plays. The present building (at numbers 33-35) dates from 1868 and references the Boar’s Head in its design by including a boar peeping out of bushes along with portrait heads of Henry IV and Henry V. The building exterior is extraordinary and I shall write about it in more detail in a future blog. Ian Nairn, the architectural critic, called it ‘the scream you wake on at the end of a nightmare’.

 

Sheep wander past St Paul’s

In Paternoster Square is a 1975 bronze sculpture by Elisabeth Frink which I particularly like – a ‘naked’ shepherd with a crook in his left hand walks behind a small flock of five sheep. Dame Elisabeth was, anecdotally, very fond of putting large testicles on her sculptures of both men and animals. In fact, her Catalogue Raisonné informs us that she ‘drew testicles on man and beast better than anyone’ and saw them with ‘a fresh, matter-of-fact delight’. It was reported in 1975, however, that the nude figure had been emasculated ‘to avoid any embarrassment in an ecclesiastical setting’. The sculpture is called called ‘Paternoster’. In pre-Reformation times there was a market there for rosary beads (known as Paternosters, after the first words of the Lord’s prayer).  The sculpture also references the connection between the area and the Newgate livestock market.

Like many others, I was really sad to witness the demolition of what was usually called the Mappin & Webb building at Bank junction and see it replaced in 1997 by ‘1 Poultry’ by James Stirling. Nonetheless, if you look up at the North side of the building you will see a fascinating survivor of the original building of 1875. In red terracotta it portrays royal progresses and shows visits to the City of (from left to right) Edward VI, Elizabeth I, Charles II and Queen Victoria. Look closely and you will see Charles is accompanied by his faithful spaniels. The incorporation of the panels was part of the listed building consent and we have the planning officer at the time, Tony Tugnutt, to thank for them being placed on Cheapside (where they used to be) rather than over the service entrance as originally suggested. I think they blend in with the new building extremely well.

King Charles II with two of his spaniels – Sculptor Joseph Kremer

 

When I started work in Queen Victoria Street I always glanced at the Mappin & Webb clock as I left Bank station to see if I had to run to ‘sign in’ on time. Even though the building has disappeared, the clock has been re-sited inside the new building’s rotunda.

The old Mappin & Webb clock

Looking at the Stars

Walking along Cannon Street one day I was captivated by this wonderful Zodiacal clock – especially as one wouldn’t expect to see astrological symbols in the pragmatic, businesslike, City of London. Configured like a dial, the names of the months are inscribed around the circumference and the inner ring has panels with signs of the Zodiac corresponding to the months. What also caught my eye was the gilt bronze sunburst at the centre, on which can be plainly seen the features of Winston Churchill. The building is called Bracken House and used to be the head office of the Financial Times. It is named after Brendan Bracken, its chief editor after the war.

During the War Bracken served in Churchill’s wartime cabinet as Minister of Information. George Orwell worked under Bracken on the BBC’s Indian Service and deeply resented wartime censorship and the need to manipulate information. If you like slightly wacky theories, there is one that the sinister ‘Leader’ in Orwell’s novel 1984, Big Brother, was inspired by Bracken, who was customarily referred to as ‘BB’ by his Ministry employees.

Only a five minute walk away at 107 Cheapside you will find another splendid collection of Zodiacal signs arranged in twelve relief panels around the main door. The building was originally the headquarters of the Sun Life Insurance Company. When the Lord Mayor opened the building in July 1958 he said he felt sure that the signs would ‘attract a considerable number of people to inquire what you can do for them’. This would have been a remarkable marketing success, but sadly there is no record of long queues forming to purchase life insurance. The sculptor was John Skeaping who, incidentally, was Barbara Hepworth’s first husband.

Sagittarius – November 22nd to December 21st

Pisces – February 19th to March 20th

Aquarius – January 20th to February 18th

The entrance to 107 Cheapside

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