Walking the City of London

Month: April 2021 Page 1 of 2

More City gardens and a churchyard mystery.

I must admit I thought I’d visited all the City gardens but I was wrong and had missed one of the most interesting.

In Pancras Lane, just off Queen Street, is the St Pancras Church Garden (EC2R 8JR). I was intrigued straight away by the carving of two devils cooking some poor condemned souls in a pot …

The garden is on the site of St Pancras Church, a late 11th century church destroyed by the Great Fire of London in 1666. The church was never rebuilt, and the site was used first as a burial ground, but then lay basically abandoned until in 2010 the City of London acquired the leasehold of the site in order to turn it into a public garden.

The poetic idea behind the design, by Studio Weave, is that the church has somehow re-emerged, sprouting from the earth in the form of beautifully carved Romanesque wooden benches.

On the right Eve accepts an apple from the serpent – and we know it all turned out badly for her and Adam after that …

City & Guilds of London Art School was commissioned to produce the benches, which were individually carved during Summer 2011 by a team of tutors and students. The students based the design of the benches on historically referenced Romanesque church carvings …

I then headed north to walk around the London Wall Place area, which is looking really nice now that development has been completed. My first stop was St Alphage Gardens (EC2Y 5DE) …

You can see the north side of the wall from the Salters’ Hall garden – now usually open to the public (EC2Y 5DE) …

The St Alphage parish bought the church of the dissolved hospital of St Elsyng Spital in 1536. The tower is still there today just to the south of the wall …

From London Wall to lush green wall at Number 2 London Wall Place (EC2Y 5AU) …

And now a mystery. In the churchyard of St Mary Aldermary are two tombstones several feet apart (EC4M 9BW). One denotes the resting place of ‘Mary, wife of William Couthit. Entered into rest 29th January 1775 aged 43 years.’ William is also there – he died on 18th February 1808 aged 63. Beneath the William and Mary inscriptions are the words ‘Also Elizabeth Couthit …’ with the rest tantalisingly buried.

I have checked out this stone with a really useful resource, the audit of ‘Churchyard Inscriptions’ in City churchyards carried out by a man called Percy C. Rushen in 1910. He describes the stone exactly as it is now but records no date of death for Elizabeth. Here’s the actual page from his audit – the Couthits are recorded about half way down …

Now the mystery.

This is the other stone …

It claims to commemorate ELIZABETH, the wife of William COUTHWAITE, (so at first glance this is a different couple) and also William himself. However, she died on the same day as Mary Couthit (29th January 1775) and her William the same day as William Couthit (18th February 1808). As well as these anomalies, the ages at date of death on the second stone differ by one year. Elizabeth is shown as 42 at death rather than 43 and William as 62 instead of 63. Crucially, this stone does not appear in Rushen’s audit and he was obviously very meticulous.

My theory is that, many years after the Coutits had died, their descendants (now called Couthwaite) had traced their ancestors. Not realising for some reason that there was already a memorial, they erected another one with incorrect information.

In 1910 there were only three headstones and there are only three today. As we know, the Coutit one is still in the churchyard, and the other survivor is the one for Loudonsack and Widders …

The third stone still there is so weathered I couldn’t read it …

The last two words on the top line seem to be ‘…remains of …’ which would rule it out being the Thomas Hill stone mentioned in the audit.

Rushen listed 27 flatstones and there are nine in the churchyard now (all on the path leading to the door) …

One gives a remarkably detailed time of death along with Mrs Schneider’s exact age …

I have done some research about this stone and the people it commemorates in an earlier blog entitled Some of my favourite tombs, gravestones and memorials.

If you get the chance do visit the church. A former medieval church, largely destroyed in the Great Fire of 1666, it was rebuilt in 1679-82 by Sir Christopher Wren’s master craftsmen. It is the only surviving late 17th century Gothic church in the City of London and is especially notable for its unique plaster vaulting. Here’s what you see when you look up …

… and finally, a lady duck update.

Last week I published this picture of Ms Duck being pursued by two enthusiastic suitors …

I saw this scene a few days later and it seem she has shaken one of them off!

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Skip discoveries, ducks, bunnies and other miscellany.

Some weeks I can’t think of a unifying theme for the blog so I just allow myself to ramble on.

I don’t know about you, but when I walk past a skip I’m always tempted to have a look inside. I believe searching for retrievable items discarded in skips is called ‘skip diving’ (or in America ‘dumpster diving’) . I haven’t done any actual diving but I have come across some weird items.

How about this …

‘This lockdown has really played havoc with my hair!’.

For quite a few months now a succession of skips have been positioned outside the Barbican Theatre where they are obviously having a clear out of redundant stage props.

Last week there was another unfortunate skip candidate …

‘Hey, come back, don’t leave me here!’.

At first I thought this was an old-fashioned oven but it’s actually made of wood …

Scarily realistic missile. It was there at 9:30 in the morning but gone by 2:00 pm so somebody must have taken a fancy to it …

Yummy, Christmas turkey …

Furry fun – what colour fur would you like for your collar …

And what’s this ‘warning’ all about? Surely a ‘Digital Safe’ doesn’t have a key. It doesn’t seem to be a prop – it’s made of metal and is very heavy …

Whilst on the subject of skips, some of you may remember this weird scenario from last year …

How did three quad bikes end up in a City of London skip?

I loved this Easter bunny collection …

Lady duck frantically running away from two avid suitors …

This tailors in Well Court just off Bow Lane has in the window a full set of uniforms worn by Pikemen in the Lord Mayor’s parade …

There are also some pictures of them in action …

The Company of Pikemen and Musketeers is a ceremonial unit of the Honourable Artillery Company and you can read more about them here.

Also off Bow Lane in Groveland Court is the Williamson’s Tavern. The beautiful listed 18th century gates are said to have been completed to commemorate a visit by King William and Queen Mary. On top in a circle, is the dual cipher of the King and Queen which are fashioned, like the gates, out of curled wrought iron …

Some sources state that the gates were a gift from William and Mary after being entertained there by the Lord Mayor who lived in the building at the time. However, this us not mentioned in the Bow Lane Conservation Area document which I use as a trusted source.

Lots of padlocks for extra security …

The City Gardening team are always working hard to brighten the place up …

London Wall.
Postman’s Park.
Postman’s Park.

I think someone has nicked a few plants from this display, shame on them …

London Wall.

Some more Brick Lane artwork …

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Street art in and around Brick Lane.

In my blog a few weeks ago some of you will remember that I wrote about this pair of doors in Fournier Street …

Much street art is constantly being painted or pasted over. For example, this is what the doors looked like in April 2018 …

I was inspired to go in search of what else had been created nearby and these pictures are the result of my wanderings.

I’ll start in Princelet Street with a work by the famous street artist Stik …

Entitled A Couple Hold Hands in the Street, it shows a woman in a niqab holding hands with a second stick figure. It was painted in 2010 and you can read more about the artist in this fascinating article in Christie’s magazine.

Local people are also very fond of this Hanbury Street bird …

The work is by the Belgian street artist Roa. His intention had been to paint a heron but, after being asked if it was a crane by Bengali people – for whom the crane is a sacred bird – he morphed his bird into a crane to best complement its location on the wall of an Indian restaurant. Read more here about The Return of Roa by The Gentle Author.

To the left of the crane is a bearskin-hatted guardsman break dancing …

Here he is ‘right’ way up …

It’s by the Argentinian painter Martin Ron who is based in Buenos Aires.

There were bound to be a few political points being made …

This made me laugh – could it be Tintin and his dog Snowy doing some clandestine paint spraying? …

The ‘No place for hate’ rabbit pops up a lot …

Layers and layers of street artist paste-ups cover walls …

Picking out individual works is fun and quite absorbing …

I have been trying to identify all the artists but still have some research to do with regard to these distinctive portraits …

Brick Lane looks a bit sad at the moment with the restaurants either closed or open for take-away orders only but the art certainly brightens everything up and I shall be going back to watch it continually develop.

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