In these unusual times it is, I think, easy to get a bit fed up. So I thought I would share with you a few things that have brightened up my days recently.
What better place to start than with this magnificent bear taking a rest in City Point Square …
The Square is quite a cheerful place nowadays with lots of colourful seating and it’s quite buzzy weekday lunchtimes and evenings now that the Rack & Tenterpub is open again.
I call this picture ‘Sunflower Surprise’ …
Nature makes its presence felt against the Barbican concrete. That’s Shakespeare Tower in the background.
My favourite front door …
I suppose they got fed up with people saying they couldn’t find the bell!
I am very fond of Sir William Staines whose bust is on display in the church of St Giles Cripplegate, the Ward of which he represented as Alderman …
I smile when I see him because he looks like a man who enjoyed his food. Despite starting life as a bricklayer’s labourer, he amassed a vast fortune and, even though he remained illiterate, he was eventually elected Lord Mayor of London …
He built nine houses for aged or infirm workmen and tradesmen who had fallen on hard times. No doubt remembering his own upbringing, he made sure that there was ‘nothing to distinguish them from the other dwelling-houses, and without ostentatious display of stone or other inscription to denote the poverty of the inhabitants’. That’s why I like him.
Fun street art always cheers me up. Here’s a rather grumpy elephant near Whitecross Street …
In the nearby company of a grumpy parrot …
A slightly disconcerting window display at the Jugged Hare Bar and Restaurant …
What I hadn’t properly appreciated before was the use Moore made of maquettes in order to help him visualise the finished work, which was often vast in scale. He also sometimes took photographs of these little masterpieces having placed them in an exterior setting in order to demonstrate to customers what a finished work would look like in the landscape.
There is a room full of them …
The gardens contain 21 sculptures by Moore and in several cases you can compare the original maquette …
… with the finished work …
It’s a bronze created between 1979 and 1981 entitled Two Piece Reclining Figure: Cut and to me looks like a a woman reaching back over her shoulders.
The gardens are a perfect setting for his work …
I like the faces in the less abstract pieces …
They can look quite sinister …
Another thing I didn’t know was that some of his designs had been woven into tapestries …
A great day – so nice to get away from the City and to loose oneself in the company of a genius like Moore.
And finally, a different kind of art …
In a music shop window, Jagger and Richards performing in Köln in 1976. Who would have guessed they would still be touring 44 years later?
They haven’t changed a bit!
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Yesterday I came face to face with the harsh reality of life in the 18th century.
In the Museum of London I went and stood in a room constructed using cell walls from the old Wellclose Square debtors’ prison and looked in awe at the names and images inscribed by unfortunate inmates. Although we can read some names we will never know more about them which makes this an even more melancholy place.
For example, John Knolls and Edward Burk were there in 1757 …
And William Thompson in 1790 or 1798. Just above his name someone has scratched what looks like a gallows (sometimes people were held here on their way to be punished more severely at places like Newgate) …
Some just left their initials …
Others chose to carve elaborate representations of buildings …
And this person sent out a poetic plea …
All You That on This Cast an Eye, Behold in Prison Here I Lie, Bestow You in Charety, Or with hunger soon I die.
The lighting is set low to represent candlelight …
Shut away from life in an underground cell, they carved these intense bare images to evoke the whole world. Now they have gone, and everyone they loved has gone, and their entire world has gone generations ago, and we shall never know who they were, yet because of their graffiti we know that they were human and they lived.
When walking along Whitecross Street one day I was intrigued by this spoof blue plaque on the wall of the Peabody Buildings …
British History Online confirms the Nell Gwynne story but I cannot find another source. It also tells us that …
A man may exist in the prison who has been accustomed to good living, though he cannot live well. All kinds of luxuries are prohibited, as are also spirituous drinks. Each man may have a pint of wine a day, but not more; and dice, cards, and all other instruments for gaming, are strictly vetoed.”
A pint of wine a day doesn’t sound too bad.
The prison was capable of holding up to 500 prisoners and Wyld’s map of London produced during the 1790s shows how extensive the premises were …
Prisoners would often take their families with them, which meant that entire communities sprang up inside the debtors’ jails, which were run as private enterprises. The community created its own economy, with jailers charging for room, food, drink and furniture, or selling concessions to others, and attorneys charging fees in fruitless efforts to get the debtors out. Prisoners’ families, including children, often had to find employment simply to cover the cost of the imprisonment. Here is a view of the inside of the Whitecross Street prison with probably more well off people meeting and promenading quite normally …
Creditors were able to imprison debtors without trial until they paid what they owed or died and in the 18th century debtors comprised over half the prison population. Prisoners were by no means all poor but often middle class people in small amounts of debt. One of the largest groups was made up of shopkeepers (about 20% of prisoners) though male and female prisoners came from across society with gentlemen, cheesemongers, lawyers, wigmakers and professors rubbing shoulders. For example, Charles Dickens’ father, John, spent a few months at the Marshalsea in 1824 because he owed a local baker £40 and 10 shillings (over £3,000 in today’s money). Here is his custody record dated 20th February 1824 …
Charles – then aged just 12 – had to work at a shoe-polish factory to help support his father and other members of his family who had joined John in prison. It was a humiliating episode from which the author later drew inspiration for his novel Little Dorrit. Many years later Dickens described his dad as ‘a jovial opportunist with no money sense’!
It was located in Southwark, the historic location of theatres, bear-pits and whorehouses and in the mid-17th century it settled into being exclusively a debtors’ jail. Then it was full to bursting and people could be thrown in for owing as little as sixpence. In such a case, he or she was charged in “Execution”, which immediately increased the indebtedness to £1 5s 6d, making it much less likely that the prisoner could ever get out. ‘More unhappy people are to be found suffering under extreme misery, by the severity of their creditors,’ one commentator noted, ‘than in any other Nation in Europe’. Without money, you were crammed into one of nine small rooms with dozens of others. A parliamentary committee reported in 1729 that 300 inmates had starved to death within a three-month period, and that eight to ten prisoners were dying every twenty-four hours in the warmer weather.
Not surprising when you look at this 18th-century engraving of the Marshalsea sick ward and the poor souls incarcerated there …
Part of the old prison wall is still there …
And appropriately an old grille from the prison is preserved in the Charles Dickens Museum …
Imprisonment for debt was finally abolished in 1869, ending centuries of misery. I found this quite an addictive subject and if you are as interested as me in knowing more here are the major sources I used :
An absolutely fascinating description of one man’s first 24 hours in Whitecross Street prison. Particularly interesting is the description of some of his fellow inmates and what the charges were for ‘extras’ like sheets on your bed or a piece of paper to write on. Ignore the fact that it is mistakenly illustrated with a picture of a hanging at Newgate Gaol.
In British History Online there is a description of the Whitecross Street establishment at the end of Chapter XXIX.
I set up my Instagram account because I found I was taking more pictures outside the City and also because some City images didn’t fit into any neat category. You will find details of how to follow me at the end of the blog. Some of the other pictures here I just took for fun.
I hope you enjoy them – I’ll start with evidence as to how the local animals are practicing social distancing …
I love ducks. These two were fast asleep on the Barbican Highwalk in the early morning …
Still there later on (I didn’t wake them up). They are completely relaxed about having their picture taken and obviously like to strike a pose …
Now that people have deserted the City so have the seagulls. This is good news for the little ducklings who often provided the gulls (and the visiting heron) with a tasty snack. There are quite a few families now growing up quickly …
Another bird, a moody parrot near Whitecross Street …
I managed to snatch this picture of the Red Arrows flypast accompanied by their French equivalent the Patrouille de France (PAF). They took to the skies on June 18th to mark the 80th anniversary of a famous wartime speech by General Charles de Gaulle …
Still on an aviation theme, every now and then a Chinook helicopter practices landing in the Honourable Artillery Company’s field just off Moorgate. The noise sounds like you are in a Vietnam War movie …
What about this enigmatic message on an optician’s window on London Wall …
On the other hand, I thought these models in an Eastcheap shop looked really creepy …
Like creatures out of a Doctor Who episode.
I suppose these bony teaching aids glimpsed through a Bart’s Hospital window are also a bit disturbing …
High spot of the easing of lockdown – getting a haircut …
Second high spot …
I do like to tuck into a Penguin …
Oh how the simple pleasures of life take on a new importance when you are deprived of them!
The hotel I stayed at in Eastbourne last week had some very interesting items displayed on the walls. I liked these pictures of The Beatles in their early days but they made me feel a bit sad and nostalgic too …
To my delight the hotel also had a reproduction of a very early map of London …
Note particularly Smooth Field and the three dimensional representations of St Paul’s Cathedral and the Tower of London.
This was fascinating …
The picture is entitled …
Ice Carnival held at Grosvenor House, Park Lane, 31st October 1930 in the presence of the Prince of Wales with Mrs Wallis Simpson who was always seated three places from him in public.
There was some nice stained glass too …
The hotel is the Langham and I highly recommend it.
Our Car Park attendant and concierge has green fingers and has improved the environment immeasurably …
I like these golden lions outside the Law Society …
Royal Wedding teabags are still available at this shop on Ludgate Hill …
Hurry hurry hurry while stocks last!
Pharmacy humour …
Another pop group caught my eye – a picture in a music shop window of the Rolling Stones in May 1965. Who would have thought they would still be touring 55 years later (apart from poor Brian Jones, of course) …
And finally you will be relieved to hear …
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I have been researching the history of St Mary Moorfields in Eldon Street (EC2M 7LS) and Catholic worship in the City generally.
For over two hundred years, after the 1559 Act of Uniformity, Catholics were forbidden to worship in public until the Catholic Relief Act of 1791. A chapel was opened in 1686, but had to be suspended in 1689. From 1736 there was a chapel in Ropemaker’s Alley but its altar, fittings and crucifixes were ripped out and destroyed in the Gordon Riots of 1780. This was succeeded by a chapel in White Street. Its replacement in 1820 by a large Classical church in Finsbury Circus sponsored by laypeople marked a turning point in the size and stylistic aspirations of Catholic churches. The final church of the first wave of building that succeeded the Relief Act, it was probably the finest in structure and decoration and also the largest Catholic church in London. It was called St Mary Moorfields after its location …
In 1884 the Church acquired a huge site off of Victoria Street in west London. The construction of what would be Westminster Cathedral commenced in 1895 and in 1899, when parts of the new building became usable for worship, the Moorfields church was sold and demolished. It was replaced by the present building in Eldon Street which was designed by George Sherrin and opened on 25th March 1903. The name remained the same even though it was no longer in Moorfields.
The entrance is squeezed in between two shops and if you are walking along the north side of Eldon Street it is easy to miss it completely unless you look up and see the Papal tiara over the doors …
The facade is of Portland stone with some intricate decoration either side of the entrance. Note the hammer, pliers and three nails representing the crucifixion. Further up there is a scourge and a crown of thorns …
Alongside are scenes from the life of the Virgin by J Daymond …
These two represent the Annunciation and the Nativity.
Above them is a statue of the Virgin and child being crowned by cherubs …
I think the interior is magnificent. The classical como marble columns around the altar come from the old church …
As does the High Altar itself …
It is modelled in the form of a sarcophagus to recall the ancient practice of celebrating Mass on the tombs of martyr-saints in the catacombs of Rome.
The wide becherubed font also made the journey from Moorfields but the cover is from around 1900 …
The church enjoys very little natural light. In fact when the building was erected the floor had to be lowered three feet to protect adjoining buildings’ ‘ancient lights’. As a result the stained glass window is artificially illuminated …
It depicts the Assumption.
One of the side chapels …
The oak wood carving in the church is very attractive and is also by Daymond …
The tympanum above the shrine to St Thomas More at the south end of the aisle portrays his execution in 1920s mosaic style …
It is a lovely little church to visit and when I have popped in occasionally pre-Covid there was a very atmospheric whiff of incense.
You can find details such as mass times on the website.
Incidentally, there were other survivors from the 1899 demolition, four stained glass windows which found their way to St Joseph’s Lambs Passage (EC1Y 8LE), a small chapel in the basement of a former school of 1901. Despite what the sign on the building says, it is not actually a church but a ‘chapel of ease’ to St Mary’s. Such chapels were built within the bounds of a parish for the attendance of those who could not reach the parish church conveniently …
As a result of wartime damage only two windows survive and this is one of them (The Agony in the Garden). I wasn’t able to access the building to take pictures so the image comes from the internet …
Details of the chapel, its history, services and place in the community can be found here.
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