Symbols & Secrets

Walking the City of London

Clocktales

I do like a good clock story and the City has quite a few of them – from the clock that killed a man to the one mentioned in a famous poem.

I’ll start, however, with this beauty sited alongside St Magnus the Martyr on Lower Thames Street (EC3R 6DN) …

The clock was the gift of the Lord Mayor, Sir Charles Duncombe. The story goes that when he was a young apprentice, and rather poor, he missed an important meeting with his master on London Bridge because he had no way of telling the time. He vowed that, if ever he became rich, he would erect a clock in the vicinity and this magnificent example of the clockmakers’ art was the result. The artisan was Langley Bradley of Fenchurch Street who had worked with Sir Christopher Wren on several projects, including the early clock that adorned St. Paul’s Cathedral. Wren was evidently impressed with Bradley’s work since, in a letter the Lord Chamberlain’s Office in 1711, he went so far as to describe him as ‘a very able artist, very reasonable in his prices’.

In 1709 St Magnus was located at the north side of the ‘old’ London Bridge as this 18th century map illustrates …

You can also see the clock and its proximity to the bridge in this etching by Edward William Cooke entitled Part of Old London-Bridge, St Magnus and the Monument, taken at Low-water, August 15th, 1831.

Some of you may remember the charming neo-gothic Mappin & Webb building that was controversially demolished in 1994 …

It was replaced by Number 1 Poultry, designed by James Stirling and destined to become the youngest City building to be listed as Grade II* …

Prince Charles was unimpressed and said it resembled ‘a 1930s wireless set’.

I prefer it, however, to the Mies van der Rohe skyscraper that was also considered …

If you walk through the new building at street level you’ll see that the old Mappin & Webb clock has been incorporated …

And a wonderful frieze from the old building illustrating royal processions has also been preserved and relocated facing Poultry. Here is a small section …

King Charles II rides past accompanied by his pet spaniels

Now the clock that killed a man. Here it is attached to the Royal Courts of Justice – designed by George Edmund Street, it has been described as ‘exuberant’ …

On 5th November 1954 a clock mechanic, Thomas Manners, was killed when his clothes were caught up in the machinery as he wound up the mechanism. He had been carrying out this task every week since 1937, as well as looking after the 800 or so other clocks in the law court buildings. You can read the press cutting I came across here.

In 1711 Nicholas Hawksmoor was fifty years old yet, although he had already worked with Christopher Wren on St Paul’s Cathedral and for John Vanbrugh on Castle Howard, the buildings that were to make his name were still to come. In that year, an Act of Parliament created the Commission for Building Fifty New Churches to serve the growing population on the fringes of the expanding city.

Nicholas Hawksmoor c1661-1736.

Only twelve of these churches were ever built, but Hawksmoor designed six of them and – miraculously – they have all survived, displaying his unique architectural talent to subsequent generations and permitting his reputation to rise as time has passed. One of them is St Mary Woolnoth.

The outside of the church is very unusual and it has a fine position on the corner of King William Street and Lombard Street, just off the major Bank road junction (EC3V 9AN). The clock is mentioned in a famous poem …

In a corner sits the clock’s mechanism surrounded by a cover on which is etched an extract from T.S. Eliot’s poem The Wasteland

Eliot worked nearby in Lloyds Bank and, having watched the commuters trudge over London Bridge, wrote these cheerful lines …

A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.

No doubt if you were not at the office by the ‘final stroke of nine’ you were going to be late.

I have always liked this clock at the corner of Fleet Street and Ludgate Circus …

I read somewhere that, during the Blitz, an incendiary device became entangled in the ball at the top and dangled there for hours until it was deactivated. I often have this image in my head of gently swaying ordnance when I walk up Fleet Street.

The building was originally the London headquarters of the Thomas Cook Travel Agency and, since Mr Cook was a keen supporter of the temperance movement, the first floor contained a temperance hotel. The building is adorned with numerous charming cherubs …

‘This is where we’re going on holiday’.

There are dozens of City cherubs and I have written about some of them here.

The Royal Exchange has two ‘twin’ clocks, both exactly the same, one facing Threadneedle Street and one facing Cornhill …

Britannia and Neptune hold a shield that contains an image of Gresham’s original Royal Exchange whilst above Atlas lifts a globe. I have seen it described as a Valentine’s Day clock because of the two red hearts. Ahhhh, sweet!

Here’s Atlas again, straining under his burden in King Street …

The building was once the home of the Atlas Insurance Company.

The clock at the church of St Edmund King and Martyr in Lombard Street sports a delicate, pretty crown (EC3V 9EA) …

This is Throgmorton Street at the turn of the last century, straw hats (or boaters) being clearly in fashion. You’ll find a short history of them here

The clock on the left is still there (EC2N 2AT) …

You’ll see that Warnford Court was rebuilt in 1884 but, out of interest, I did a bit more research and came across this list of the tenants in 1842 …

Stock brokers, solicitors and merchants mainly but also a hatter, a ‘commercial teacher’, an auctioneer and, strangely, the Danish Consul General’s Office. Interestingly, the Bolivar Mining Association was also located there. The Association was formed to work copper mines at Aroa, Venezuela and were owned for some time by the Bolivar family who leased them to an English company to help finance the war of independence. You can read more here.

Fleet Street has a lot to offer when it comes to clock spotting.

How about this masterpiece …

Installed just after the Great Fire of London in 1671, it was the first clock in London to have a minute hand, with two figures (perhaps representing Gog and Magog) striking the hours and quarters with clubs, turning their heads whilst doing so.

The present version of the clock was installed in 1738 before, in 1828, being moved to the 3rd Marquess of Hertford’s house in Regent’s Park. The Great War saw the Regent’s Park residence housing soldiers blinded from combat. The charity which undertook this went on to name itself after where the clock in the house came from: St Dunstan’s. It was returned to the Church in 1935 by Lord Rothermere to mark the Silver Jubilee of King George V. You can read a lot more about its history here.

If you like the occasional burst of colour, look up at this Art Deco treat, also in Fleet Street outside the old offices of the Daily Telegraph (EC4A 2BB) …

I am really pleased to report that the refurbishment of Bracken House is now complete and we can see again the extraordinary Zodiacal clock on the side of the building that faces Cannon Street (EC3M 9JA).

Here it is in all its glory …

If you look more closely at the centre this is what you will see …

On the gilt bronze sunburst at the centre you can clearly make out the features of Winston Churchill. The building used to be the headquarters of the Financial Times and is named after Brendan Bracken, its chief editor after the war.

During the War Bracken served in Churchill’s wartime cabinet as Minister of Information. George Orwell worked under Bracken on the BBC’s Indian Service and deeply resented wartime censorship and the need to manipulate information. If you like slightly wacky theories, there is one that the sinister ‘Leader’ in Orwell’s novel 1984, Big Brother, was inspired by Bracken, who was customarily referred to as ‘BB’ by his Ministry employees.

The oddly-shaped Blackfriar pub on Queen Victoria Street displays a pretty clock just above the jolly friar’s head …

Unfortunately it hasn’t worked for long time.

This wise old owl looks across the road to the north side of London Bridge, observing the thousands of commuters flowing back and forth every day from London Bridge Station (although not so many lately!). He is perched outside what was once the offices of the Guardian Royal Exchange Insurance Company (later just ‘Guardian’) and was for a while their symbol, presumably signifying wisdom and watchfulness.

Rising from the flames and just about to take off over the City is the legendary Phoenix bird and from 1915 until 1983 this was the headquarters of the Phoenix Assurance Company at 5 King William Street. One can see why the Phoenix legend of rebirth and restoration appealed as a name for an insurer (EC4N 7DA).

The clock shows the name of the present tenants, Daiwa Capital Markets.

Before clocks there were, of course, sundials and there are many fine examples in the City – both old and relatively new.

These are my two favourites …

The Jacobean church of St Katharine Cree in Leadenhall Street was built between 1628 and 1630 and survived the Great Fire of 1666. On the south wall is this wonderful dial, circa 1700, which is described as having ‘gilded embellishments including declining lines, Babylonian/Latin hours and Zodiac signs’. Its Latin motto Non Sine Lumine means Nothing without Light.

And this dial in Fournier Street …

It was once a Protestant church, then a Methodist Chapel, next a Jewish synagogue and is now the Brick Lane Mosque (E1 6QL).

In the late 17th century some 40-50,000 French Protestants, known as Huguenots, fleeing persecution in France, arrived in England with around half settling in Spitalfields. They started a local silk-weaving industry and, incidentally, gave us a new word ‘refugee’ from the French word réfugié, ‘one who seeks sanctuary’. They flourished and established this church in 1743 naming it La Neuve Eglise (The New Church) and installed the sundial we can see today. The Latin motto Umbra sumus translates as ‘we are shadow’, and is taken from Horace’s statement Pulvis et umbra sumus, meaning ‘We are dust and shadow’.

I have written in some detail about sundials in an earlier blog which you can find here.

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PS Long time readers of this blog will recognise some of the above since I have written about clocks before. However, I had to cheat a bit since I took last week off! I hope the additional information I have included has meant that this week’s edition was still enjoyable.

A walk down Queen Victoria Street (and another cute pigeon)

Queen Victoria Street was created in 1871 as an extension to the then new Victoria Embankment and led directly to the Mansion House. The new street was incredibly expensive to build since, obviously, the properties standing in its path had to be purchased before demolition. The cost, over £2,000,000, equates to more than two billion pounds in equivalent value today.

On this extract from the 1847 Reynolds’s Splendid New Map of London a red line has been drawn to show how Queen Victoria Street sliced its way across the City …

This picture gives an idea of the extent of the demolition …

Image credit: London Metropolitan Archives, City of London: catalogue ref: SC_PZ_CT_02_1067

I wanted to try to stand as closely as possible where this picture was taken and, pausing in the street, I looked up and this is what I saw (EC4V 4BQ) …

I climbed some steps and in a grim courtyard outside the gruesome Baynard House is a quite extraordinary sculpture, The Seven Ages of Man by Richard Kindersley (1980) …

At first the infant – mewing and puking in the nurse’s arms …then the whining schoolboy creeping like a snail unwillingly to school … then the lover … then a soldier full of strange oaths …

… and then the justice full of wise saws … then the sixth age …the big manly voice turning again toward childish treble, pipes and whistles in his sound … then second childishness and mere oblivion, sans eyes, sans taste, sans everything.

(Jacques in Shakespeare’s As You Like It Act II Scene vii)

Here is the view from the terrace taken from approximately the same spot as the demolition picture above …

This image and several of the illustrations in today’s blog have been taken from the excellent blog A London Inheritance which I wholeheartedly recommend.

By the way, the terrace leads to Blackfriars Station and it’s worth popping in to see this example of the station’s past importance.

The station was badly damaged during the Second World War but the wall displaying a selection of the locations you could catch a train to survived and you can see it today in the ticket hall. It was part of the original façade of the 1886 station (originally known as St Paul’s) and features the names of 54 destinations – each painstakingly carved into separate sandstone blocks …

The letters are gilded in 24 carat gold leaf …

Where shall we buy a ticket to today? Crystal Palace or Marseilles? Westgate-on-Sea or St Petersburg? Tough choices!

Moving westward on the north side of Queen Victoria Street you will find the College of Arms (EC4V 4BT). Founded in 1484, this is where you go to get your family coat of arms designed and granted. As well as this function, the College maintains registers of arms, pedigrees, genealogies, Royal Licences, changes of name, and flags. The officers who run the College have some splendid titles such as Clarenceaux King of Arms, Rouge Dragon Persuivant and various Heralds and Heralds Extraordinary.

The original street plan included the complete demolition of their building but the Heralds objected strongly. As a result Queen Victoria Street merely sliced off the south east and south west wings, requiring remodelling of the two stumps. You can see how the colour of the new brickwork differs from the original in this picture …

This print from 1768 shows the building before the 1871 alterations …

Also on the north side is the 1933 Faraday Building, once one of the major hubs for international and national telephone circuits and operator services (EC4V 4BT) …

Look just above the line of the second set of windows and, in the position associated with a key stone, there are a series of carvings, one above each window, that tell the story of what was state of the art telecommunications at the time the building was constructed.

A bang up to date telephone …

Cables that carried the telephone signal …

An electromagnetic relay …

A Horse Shoe Magnet …

The imposing entrance doors are sadly defaced with signage …

There are two nice places to sit down and rest.

The first I would recommend is the Cleary Garden (EC4V 2AR) …

It is named after Fred Cleary who, during the 1970s, was instrumental in encouraging the planting of trees and the creation of new gardens throughout the square mile. During the blitz, the house which once stood here was destroyed exposing the cellars. A shoemaker called Joe Brandis decided that he would create a garden from the rubble, collecting mud from the river banks and transporting soil from his own garden in Walthamstow to the site. His success was such that on 29th July 1949 Queen Elizabeth the Queen Mother visited his handiwork.

My second recommendation, if you seek some refreshment in extraordinary surroundings, is the Black Friar pub (EC4V 4EG) …

The interior is so amazing that I am going to write about it in more detail in a later blog dedicated to pubs. In the meantime, here are a few pictures to give you some idea of what to expect …

You can watch an interesting video about the pub and its history here.

And finally, it’s cute pigeon time. I saw this one dozing off whilst using a spotlight to dry his feathers and warm his bottom. He’s also managing to do this whilst balanced on one leg …

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Another aimless wander – horses, pigeons and quad bikes

Sometimes it’s just nice to set out without a specific theme or objective in mind and see what turns up.

Last week I was very lucky almost straight away because I came across these two members of the City of London mounted police perfectly posed outside the Royal Exchange …

The riders and horses are based in Wood Street police station where there is a custom made stable block. The station was built in 1965, when mounted police were a much more common sight, but the officers and horses will be moving out at the end of December and the building converted to accommodation. The ladies told me that they would be temporarily based with the Metropolitan Police in the West End but will still be returning regularly to patrol the City. You can read more about the horses’ training etc. here.

Watching out over a very quiet City …

Now that Autumn is here I try to capture the changing foliage and light whenever I can. Here’s St Giles Cripplegate as seen from the podium …

And here’s a view looking north west from Aldgate …

I paid a visit to the lovely little Goldsmith’s Garden on Gresham Street which used to be the churchyard of St John Zachary (destroyed in the Great Fire of 1666) …

It was fun to encounter this pigeon taking a leisurely shower …

He also meticulously washed under his wings – clearly a bird keen on personal freshness …

A little further along the road at St Anne and St Agnes red bricks meet Autumn leaves …

The Barbican often provides some interesting shadows, colours and reflections …

St Paul’s Cathedral with the Firefighter’s Memorial in the foreground …

I am not a great fan of some of the new City architecture but the colours on these buildings in Old Bailey are rather jolly …

The tower of St Alban in Wood Street, all that remained of Wren’s original church after the Blitz …

Next to St Paul’s is the only surviving part of the Church of St Augustine, also badly damaged in the War and partially rebuilt in 1966 …

Here St Botolph Without Aldgate is framed by trees and some Art in the City …

A closer view …

There is also some really good news in these difficult times. The gardens at Finsbury Circus have been handed back to the City now that the Crossrail work there is finished and the Mayor has launched a competition as to how they might be redesigned. You can find details here. As you can see from my picture, it really is a blank canvas …

Some of the offices on the Circus have worked hard on their flower displays …

These merge nicely with the floral decorated stonework …

Finally, a few quirky items.

Caught in mid-air – Parkour at the Barbican …

… and how on earth did these quad bikes end up in a skip on Beech Street?

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