Walking the City of London

Category: Special Exhibitions Page 3 of 8

A suprising bonus of being treated by the NHS (and other images I hope you will like) …

I often build up a bank of images that don’t fit any particular theme but that I rather like. I feel it’s a shame not to share them so that’s the purpose of today’s blog. Apologies if you have seen some of these already on Instagram.

My friend recently had a surgical procedure at University College Hospital and was given a room to herself in order to recover. That room was on the 14th floor and this was the view …

One of the best London panoramas I have ever seen.

The nursing care was great too.

Funnily enough I had a great view when I was resident in St Thomas’ Hospital for few days last year …

I should have charged tourists an admission fee.

I can occasionally get what I think are good pictures without wandering too far.

An interesting sunset …

The moon moving slowly past the Shard …

Tower 52 framed by newer buildings turned pink by the sunset light …

The continual colour changes fascinate me …

The eerie glow of the Barbican Conservatory in the early evening …

Incidentally, here we also get a good view of flypasts heading for Buckingham Palace. This one was for the King’s Birthday on 15th June …

Just around the corner, a red glow slices through an office block on Fore Street …

Whilst on the theme of sunsets and moons, please excuse a couple of holiday snaps from Dubrovnik …

Lovely place, highly recommended.

Some images from a recent visit to the Houses of Parliament starting with Westminster Hall and its 14th century hammerbeam roof ..

Various plaques indicate where the bodies of eminent people lay in State before their funeral …

This one prompted me to learn more about the Earl of Strafford who was subsequently beheaded on Tower Hill in 1641 …

His trial along with a list of key attendees …

Guy Fawkes was also tried here but I suppose it’s not surprising that no plaque commemorates the event considering what he had set out to do!

Guy and his fellow conspirators …

Fawkes’s signature before and after he was tortured on the rack has a gruesome fascination …

View from the House of Commons Terrace …

I recently had a very enjoyable lunch at Larry’s Restaurant at the National Portrait Gallery. It has a wacky lobster theme throughout …

Nice cocktails too.

On one of my walks I came across the rather splendid Law Society building on Chancery Lane …

I liked the ‘lions’. They are formally known in heraldry as Lions Sejant

The sculptor, Alfred Stevens, always referred to them as his cats since, apparently, he used his neighbour’s pet animal as a model for the pose.

I do wander around outside the City occasionally and find delightful surprises such as this memorial dispensary in Cambridge Avenue, Kilburn …

Horses and donkeys were the most commonly used animals in wartime – mainly for transport and haulage, but camels, elephants, pigeons, bullocks, dogs and goats were all pressed into service. Many suffered from exposure, lack of food and disease, dying alongside their human companions …

In 1931 a competition was held for the design of a memorial for the main facade of the building. Frederick Brook Hitch of Hertford was the winner and his wonderful bronze plaque is above the main door …

Read all about the pigeon that was awarded the Croix de Guerre in my blog of January 2021.

I love the sight of dozing ducks …

The Heritage Gallery at the Guildhall Art Gallery is hosting three small exhibitions at the moment. I have already written about two of them and you can find them here: one about Robert Hooke and another about Blackfriars Bridge.

The third is about a gentleman called Charles Pearson – a name I didn’t recognise but should have.

He was a great campaigner who supported universal suffrage, electoral reform and opposed capital punishment. He also had a vision for an underground railway, describing a ‘Spacious Railway station in Farringdon Street by which means … the overcrowding of the streets by carriages and foot-passengers van be diminished’.

The exhibition contains a street plan along with a booklet setting out his case using speeches he gave on the subject …

There is also a link between Pearson and The Monument.

An inscription on the north side originally held Catholics responsible for the Great Fire: The Latin words Sed Furor Papisticus Qui Tamdiu Patravit Nondum Restingvitur translates as ‘but Popish frenzy, which wrought such horrors, is not yet quenched’. Pearson campaigned to have the words removed and you can see where they once existed at the base of the panel before being scored out …

The deletion in close up …

Another great reason to visit the Guildhall Art Gallery is that their prestigious bookshop is now stocking my book …

Over 100 pages in full colour with a fold-out map at the back. A bargain stocking filler for only £10!

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Robert Hooke – out of the shadows. Plus a great new perspective on London’s buildings, homes, streets and environment.

I was off to the Guildhall Gallery again last weekend looking for blog inspiration and, as usual, was not disappointed.

Robert Hooke (1635-1703) was a typical ‘Renaissance Man’ of 17th century England but is not anything like as well known as his contemporaries such as Sir Isaac Newton, Samuel Pepys and Sir Christopher Wren (a lifelong friend).

In the course of his career at the Royal Society and as Professor of Geometry at Gresham College, he carried out the earliest research with the microscope, described and named the cell, was a founder of the science of geology, and discovered the law of springs/elasticity, the achievement for which he is most remembered today. He was also a City Surveyor, organising the rebuilding of London after the Great Fire of 1666. Overshadowed by Newton and Wren, he faded into relative obscurity and now there is not even a portrait of him.

The Guildhall Gallery has gone some way to bringing him out of the shadows with a new exhibition in The Heritage Gallery, Robert Hooke and the Monument

Hooke worked with Wren on the design of the Monument, built to commemorate the Great Fire of 1666. It remains a striking feature of the City and a major tourist attraction to this day …

It was originally intended to have a scientific function as a zenith telescope – instrumants that can be used for determining the precise measurement of star positions. Unfortunately, movement caused by the wind and nearby traffic made it unsuitable for this purpose.

Hooke’s diary (which is dated 1672-83) was a memorandum book he kept to remind him of the many places he had been and people he had met. It records his visits to sites in the City that he was working on including the Monument …

Indicated is an entry from 5th April 1676. He records going to see ‘the pillar’, i.e. the Monumant, in construction. He describes examining the balcony and the setting for the golden urn on top of it. He visited the construction work frequently and must have been very fit with a good head for heights!

The urn at the top …

Hooke was a true polymath. A diagram for a proposed design for a thermomenter is also on display …

…amongst other papers he collected …

You can also see a daguerreotype of the Monument from circa 1845 taken from Gracechurch Street, with the church of St Magnus the Martyr in the background …

Incredibly fragile, this is the oldest photograph of the City of London in the London Archives.

I’ve always been fascinated by Hooke and particularly love Micrographia. The Royal Society blog states: ‘This great book of explorations of the very small, the very far and the very elusive, needs little introduction. Written and illustrated with 38 lavish copperplate engravings, Micrographia or, some Physiological Descriptions of Minute Bodies made by Magnifying Glasses, with Observations and Inquiries thereupon, to spell out its full title, remains a landmark in the history of microscopy’.

The accuracy of his famous drawing of a flea is even more striking when we compare it with an image produced using the latest microscope technology …

You can read more here in the Royal Society blog.

Look at an online copy of Hooke’s beautiful book here.

Since he was a contemporary of Pepys, the famous flea is included on a paving stone in the Pepys garden in Seething Lane …

You can find a complete guide to the garden and its carvings in my blogs here and here.

If you visit the Hooke exhibition, make sure you also pop in to the upstairs gallery where a really enjoyable treat awaits …

The Giant Dolls House Project invited schools and community groups to create minature rooms in shoe boxes to show their perspectives on the City of London’s buildings, homes, streets and environment.

I was absolutely fascinated …

My favourite. I could imagine myself sitting in that chair, relaxing and reading a book from the little library …

Do visit if you can – my images don’t really do it justice.

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Sculpture in the City (and a few words about Thomas Bayes).

The Sculpture in the City project is always worth a visit, which is what I did last week. I have also added some other pieces that caught my eye.

First up is this one entitled Temple by Richard Mackness. It’s on the corner of Bishopsgate and Wormwood Street, EC2M 3XD…

‘In this object, questions of belief and value weave with consumer culture and the human need to find meaning and to belong’. You can read a fuller description here.

This one has been around since last year but I’m including it again because I like its location. It’s called Muamba Grove, 0 Hue 1 and 2 by Vanessa da Silva and can be found at St Botolph-without- Bishopsgate Churchyard, EC2M 3TL …

‘The artist’s process offers an indication of the inseparable link between the body and the sculpture – the artist’s own body becomes entwined within the making of the forms. Da Silva’s use of colour and carefully considered scale contributes to the sense of dynamic and fluid movement’. You can read more here.

If you visit the churchyard look out for St. Botolph’s Hall, once used as an infants’ school, but now a multipurpose church hall available for hire. At its front entrance is a pair of Coade Stone figures of a schoolboy and girl in early nineteenth century costumes …

In the foreground is the large tomb of Sir William Rawlins, Sherriff of London in 1801 and a benefactor of the church …

This is Book of Boredom by Ida Ekblad. It’s at Undershaft, EC2N 4AJ (in front of Crosby Square) …

‘Conveying a rich sense of abundance and corporality, this painted bronze sculpture presents a vibrant composition filled with fragmented, angular patterns and shapes, merging elements of figuration and abstraction’. You can read more here.

This is Untitled by Arturo Herrara at the base of the Leadenhall Building EC3V 4AB …

Untitled reflects the dynamic movement of people using the space and the mechanic stairs. Both designs energise the area under the stairs with an all over composition that mimics the traffic and activity of this large urban space in the City’.

I caught my first glimpse of these creatures, called Secret Sentinels, as I turned from St Mary Axe into Bevis Marks (EC3A 8BE). They made me smile, which is a good start! …

They were created by Clare Burnett

Secret Sentinels is a family of sculptures made from found objects and materials and covered in glass tiles. The sculptures are inspired by how we balance privacy against convenience in relation to state and private surveillance. The protrusions from each piece gently reference the surrounding, ubiquitous cameras in the City security systems, doorbells, phones and computers’. You can read more here.

Here are the other things that caught my eye during my walk that are not part of the Sculpture in the City project.

Infinite Accumulation by Yayoi Kusama is an extraordinary sculpture on the pavement outside the Liverpool Street Elizabeth Line station entrance …

Another work now on permanent display is outside Moorgate Station and was created by the British artist Conrad Shawcross RA. It’s called Manifold (Major Third) 5:4 and was installed late last year as the penultimate artwork for the Crossrail project. According to a sign close to the art, ‘this vast bronze sculpture is an expression of a chord falling into silence’ …

You can read more here.

The open space at Citypoint is currently a temporary home to Squiggle

Moving away from sculpture, I like the coloured glass deployed around 22 Bishopsgate …

Thomas Bayes (circa 1701-1761) has been in the news lately for all the wrong reasons due to the sudden sinking of the yacht named after him and the tragic loss of seven lives. You can read the BBC news report here.

I thought you might be interested to know that Bayes is buried in a family grave in Bunhill Fields Burial Ground. It can be easily seen from the paths but the inscriptions are rather indistinct (despite restoration in 1969 funded by statisticians worldwide) …

In the vault are laid members of the Bayes, Cotton and West families.

The inscription on the east side of the tomb (Wikimedia Commons)…

On the top of the tomb is inscribed: Rev. Thomas Bayes, Son of the said Joshua and Ann Bayes (59).

The west side, Miss Decima Cotton who died on 12 April 1795 …

Born in Hertfordshire, Bayes studied at Edinburgh University and began his preaching career in that city; he later assisted at his father’s meeting-house on Leather Lane in Holborn before being appointed Presbyterian minister to the Little Mount Sion meeting-house at Tunbridge Wells in 1731, which post he occupied until his retirement 20 years later. During his lifetime Bayes published nothing under his own name, although he was elected a Fellow of the Royal Society in 1742, perhaps on the basis of an influential defence of Newtonian mathematics published anonymously in 1734. His fame rests chiefly upon his mathematical ‘Essay towards solving a problem in the doctrine of chances’, published posthumously in 1764; this adumbrates the highly influential ‘Bayesian’ approach to probability theory, as well as containing the famous ‘Bayes’ Theorem’, still widely used in statistics and information technology.

I was fascinated to find out that, armed with powerful computers to handle the data, American security experts use Bayesian inference to prioritise potential threats to the nation. You can read more here.

I found this image of the grave after restoration in 1969 …

I think it’s time to get the scrubbing brush out again!

On a more cheerful note, about 200 yards away is this building …

Concerned about Sir John Cass’s connection with the slave trade, the Business School that bore his name decided to rebrand themselves and, in an online poll, ‘Bayes Business School’ was the winning suggestion. I think it’s nice that his final resting place is so nearby!

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