Walking the City of London

Category: Memorials Page 11 of 34

Waterloo Station – Arrivals and (final) Departures.

Whenever I am travelling anywhere by plane or train I am always ludicrously early and that was the case last week when I was catching a train at Waterloo. I therefore took the opportunity to look around and see if there was some material for the blog. There certainly was.

The station now hosts the National Windrush monument, designed by renowned Jamaican artist Basil Watson. It acknowledges and celebrates the Windrush generation’s outstanding contribution and has been created as a permanent place of reflection, to foster greater understanding of the generation’s talent, hard work and continuing contribution to British society.

The three figures – a man, woman, and child – dressed in their ‘Sunday best’ are climbing a mountain of suitcases together, demonstrating the inseparable bond of the Windrush pioneers and their descendants, and the hopes and aspirations of their generation as they arrive to start new lives in the UK.

There’s much more to see at Waterloo and I shall return to it next week and write more about these images …

My Waterloo research has led me to write about a very different type of station that operated nearby. Passengers departing from here were destined for eternity rather than the seaside.

In the first half of the 19th century, London’s population shot up from around a million people in 1801 to close on two and a half million by 1851. Death was commonplace in the 19th century and eventually the City’s churchyards were literally full to bursting. Coffins were stacked one atop the other in 20-foot-deep shafts, the topmost mere inches from the surface. Putrefying bodies were frequently disturbed, dismembered or destroyed to make room for newcomers. Disinterred bones, dropped by neglectful gravediggers, lay scattered amidst the tombstones; smashed coffins were sold to the poor for firewood. Clergymen and sextons turned a blind eye to the worst practices because burial fees formed a large proportion of their income.

This is Bunhill Burial Ground around that time …

You can also get some idea of how packed cemeteries were if you look at some of the existing City churchyards and observe how much higher the graveyards are compared to street level. This, for example, is the graveyard of St Olave Hart street as seen from inside the church …

Between 1846 and 1849, a devastating cholera epidemic swept across London resulting in the deaths of almost 15,000 Londoners and it became apparent that something had to be done.

Legislation proved ineffective but private enterprise stepped in and a series of huge cemeteries, in which Londoners could be laid to rest in lush, green spacious landscapes, sprang up outside the metropolis. One such enterprise was the grandly titled ‘London Necropolis and National Mausoleum Company’ (LNC), which was formed in July, 1852, with a mandate to develop the former Woking Common, at Brookwood, in Surrey, as one of the new cemeteries to serve London.

Carrying the deceased 23 miles by horse-drawn coach was obviously not practical and thus, in November, 1854, one of Britain’s most bizarre railway lines – the London Necropolis Railway – commenced operations, and daily trains were soon chuffing their way out of ‘Cemetery Station’ in Waterloo, ‘wending their way through the outskirts of London, and on through verdant woodlands and lush, green countryside outside the Metropolis, bound for the tranquil oasis of the new Valhalla in rural Surrey’.

From The Illustrated London News. Saturday, 11th November, 1854 Copyright, Mary Evans Picture Library

The Company obviously gave a lot of thought to its logo and motto. Here it is (the skull and crossbones isn’t exactly subtle, is it) …

The Latin translates as ‘Peace to the dead, health to the living’. Possibly a reference to the lack of security in the old existing graveyards and also their threat to health. Just inside the circle is the ouroboros, an ancient symbol of a snake or serpent eating its own tail, variously signifying infinity and the cycle of birth and death.

The history of the company is an absolutely fascinating story and if you want to know more just click on the link here to the excellent London Walking Tours blog.

A new building for the London terminus was completed on the 8th of February, 1902. Here are some contemporary images …

A class system operated. First and Second Class ‘passengers’, accompanied by mourners, were placed in the train first. Third class mourners were not allowed to witness their loved ones being loaded! …

The end of the line. A funeral train from Waterloo pulling into the north section station at the cemetery in the early 20th century …

On Friday, 11th April, 1941, the body of Chelsea Pensioner Edward Irish (1868 – 1941) left the London Necropolis Station en route for Brookwood. He was the station’s last customer.

Five days later, on the night of the 16th/17th of April, 1941, a German bombing raid on the area destroyed the company’s rolling stock, along with much of the building. The Southern Railway’s Divisional Engineer, having inspected the damage at 2pm, on April, 17th, 1941, reported starkly, ‘Necropolis and buildings demolished.’ Although the offices and the First Class entrance from Westminster Bridge Road had survived, the devastation effectively sounded the death knell for the Necropolis Railway, and, on the 11th of May 1941, the station was officially declared closed.

The First Class platform just after the bombing …

The site in 1950 …

By the time it was put out of business after 87 years the company had ferried over 200,000 bodies between Waterloo and Surrey.

The First Class entrance and the Company’s old offices on Westminster Bridge Road are still there today (SE1 7HR) …

Inside the entrance arch (I think those lamps may be part of the original building, they look suitably funereal) …

I caught this image as I walked home across Waterloo Bridge – the ever-changing City skyline …

Finally, by way of light relief, my favourite newspaper front page of the week – British journalism at its finest …

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Founders and Farmers, Ironmongers and Martyrs – another wander around Smithfield.

I felt it was time for another wander around Smithfield.

The Founders Company is one of the 110 Livery Companies based in the City and was established in 1375. In its earliest form the Company was made up of craftspeople who specialised in brass and ‘latten’ (an alloy of copper and zinc resembling brass), including making ‘candlesticks, buckles, straps and other such like articles’.  Membership is now much extended and even includes estate agents and wine merchants as well as bell founders. The Company motto is God, the only Founder...

Their hall is located in Cloth Fair with an entrance in Bartholomew Passage …

The planters outside are dated 1767 and contain what looks like a parish boundary mark. If they really are that old they are in remarkably good condition …

The coat of arms – a ewer or laver-pot and a pair of taper-candlesticks …

Just up the road in Cloth Street is the Farmers Hall which they share with the Fletchers (who made arrows). I do like the Farmers’ coat of arms and motto …

Agriculture can be said to be England’s oldest and most important industry, with the growth of the City dependent on the supply of food to support its growing population for centuries. Whilst evidence suggests some livery companies were active as early as 1155, it is thought farmers were not represented until much later (1946), since they operated outside the square mile, unlike the related trades of Bakers, Butchers, Poulters, Woolmen and Fruiterers.

There is another relatively new company in Bartholomew Close, only granted Livery status in 1992 …

This is its coat of arms which you can read more about here

The motto, CITO, means swiftly suggesting the way in which technology speeds the capture, storage and retrieval of knowledge.

A hanging sign on Aldersgate directs you to Ironmongers’ Hall …

The Ironmongers’ received a grant of arms in 1455, describing them as the ‘Honourable Crafte and Fellasship of Fraunchised Men of Iromongers’, and a charter of incorporation from Edward IV in 1463.

Two salamanders form the crest of the Company’s arms; medieval salamanders reputedly being able to survive fire …

Two saints flank the entrance door …

Elegius crafted many gold and silver pieces before taking holy orders in 633. He was made bishop of Noyon and died on 1 December 659. Because of his master craftsmanship and unfailing honesty, he became the patron saint of goldsmiths, blacksmiths and metalworkers.

Opposite him is St Lawrence …

He holds the griddle on which he was roasted to death in 345 AD. Reportedly he joked at one point ‘Look, wretch, you have me well done on one side, turn me over and eat!‘. Quite appropriately, he was adopted as the patron saint of comedians.

A martyr to many was the Scottish hero and patriot Sir William Wallace who was hanged, drawn and quartered in Smithfield in 1315…

His memorial nearby often shows evidence that he is still remembered and revered to this day …

This slate triptych, also in West Smithfield, was unveiled by Ken Loach in July 2015 and commemorates the Great Rising of 1381 (more commonly known as the Peasants’ Revolt) …

The Revolt was led by Wat Tyler and on June 15th 1381 he had the opportunity to speak directly to the 14-year-old king, Richard II. Accompanying the King was the Lord Mayor of London William Walworth and, for reasons that are not entirely clear, Walworth ran Tyler through with his sword. Badly wounded, Tyler was carried into nearby St Bartholomew’s Hospital but, rather unsportingly, Walworth had him dragged out and decapitated. Poll Tax protesters were dealt with very ruthlessly in those days!

Of the 288 people estimated to have been burnt for heresy during the five year reign of Mary Tudor, forty eight were killed in Smithfield. ‘Bloody Mary’ was the daughter of Henry VIII and Katherine of Aragon and the burnings were part of her campaign to reverse the English Reformation.

The ‘Marian Martyrs’ are commemorated with this plaque erected by the Protestant Alliance in 1870 …

The gilding is a little faded in this picture. It reads …

Blessed are the dead which die in the Lord. The noble army of martyrs praise Thee! Within a few feet of this spot,

John Rogers,

John Bradford,

John Philpot,

and other servants of God, suffered death by fire for the faith of Christ, in the years 1555, 1556, 1557

One terrible occasion was on 16 July 1546 when Anne Askew was burnt at the stake along with John Lascelles (a lawyer and Gentleman of the King’s Privy Chamber), John Hadlam (a tailor from Essex) and John Hemsley (a former Franciscan friar). A great stage was built at Smithfield for the convenience of Chancellor Wriothesley, other members of the Privy Council and City dignitaries, to watch the burning in comfort …

The execution of Anne Askew and her companions – 1563 woodcut from Foxe’s Book of Martyrs.

Anne herself, having been illegally broken on the rack, was unable to stand, and was chained to the stake in a sitting position. You can read more about this fascinating, brave lady here.

Every burning was different; if the fire ‘caught’, it could be over relatively quickly, but on damp days, or when the wind persisted in blowing the flames away from the body, it could take up to an hour for the condemned person to die, an hour of excruciating agony.

The area is now being transformed by new residential developments along with the conversion of many old commercial premises into apartments.

I’m fascinated by some of the old buildings’ textures and features and will write more about this in future weeks …

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The definitive guide to the Samuel Pepys Seething Lane Garden. Part 2 – a very full life.

To Pepys, music wasn’t just a pleasant pastime; it was also an art of great significance – something that could change lives and affect everyone who heard it. He was a keen amateur, playing various instruments and studying singing – he even designed a room in his home specially for music-making.

Here are some of the instruments that Pepys played – a fiddle, a flageolet and recorders …

And a theorbo lute …

Alan Lamb, who supervised the carvings, working on the lute. Read more about him and his team here

Pepys attended St Paul’s School as a boy and the hind is from the school’s coat of arms …

Samuel had been a student at Magdalene College, Cambridge and bequeathed the College his vast library of over 3,000 tomes (including the six volumes of his diary). The library, which bears his name, is represented here (the Wyvern is the College crest) …

Pepys kept the diary from 1660 until 1669. The first page …

‘Blessed be God, at the end of last year I was in very good health, without any sense of my old pain but upon taking of cold. I live in Axe Yard, having my wife and servant Jane, and no more family than us three. My wife, after the absence of her terms for seven weeks, gave me hopes of her being with child, but on the last day of the year she hath them again.’

In 1655 when he was 22 he had married Elizabeth Michel shortly before her fifteenth birthday. Although he had many affairs (scrupulously recorded in his coded diary) he was left distraught by her death from typhoid fever at the age of 29 in November 1669. Her silhouette is in the garden paving …

Pepys was on the ship the Royal Charles that brought Charles II back to England at the Restoration and was also a Trinity House Master on two occasions. The carving shows the ship and a section of the Trinity House coat of arms …

The Diary – September 1660 : ‘I did send for a cup of tee (a China drink) of which I never had drank before my lady having made us drink our morning draft there of several wines, but I drank nothing but some of her coffee, which was poorly made, with a little sugar in it’. Tea and coffee are represented in the garden by tea leaves and coffee beans …

Pepys’s home meant that his local Church (‘our own church’ as he described it) became St Olave Hart Street, which is still there for us to explore today. The church is represented by an angel from the vestry ceiling and skulls from the churchyard entrance …

In 1673 he was involved with the establishment of the Royal Mathematical School at Christ’s Hospital which was to train 40 boys annually in navigation for the benefit of the Royal Navy and the English Merchant Navy, The commemorative paver is entitled ‘The science and practice of navigation’ …

He wrote of a visit to Bartholomew Fair : ‘… but above all there was at last represented the sea, with Neptune, Venus mermaids and Ayrid on a dolphin’. You’ll find a mermaid in the garden …

If you wander around the garden here are the other carvings that you will encounter.

 Samuel’s monogram …

A watermark from a letter to Pepys from King James II …

Pepys was President of the Royal Society when Sir Isaac Newton       published Philosophiae Principea …

 A map of Pepys’s London …

The Naval Office in Seething Lane where Pepys worked …

The Pepys coat of arms …

A teasel from the arms of the Clothiers Company where Pepys was once the Master …

Pepys’s profile …

Were he to arise from his resting place next to Elizabeth in St Olave’s what would he make of all this? I’m sure he would be delighted that his ‘own church’ was still there along with the lovely bust of Elizabeth he commissioned after her death. She still looks pretty and animated as if in conversation …

And surely he would be proud of his own bust in the garden, especially as it also commemorates Beauty Retire. Being a man of insatiable curiosity, he would no doubt want to know more about the mechanics of how the garden was irrigated using rainwater harvested from the roof of the hotel next door!

When he retired as secretary of the affairs of the Admiralty of England in 1689 ’not only had he doubled the navy’s fighting strength, but he had given it what it had never possessed before and what it never again lost—a great administrative tradition of order, discipline and service’. The orator of Oxford University declared ‘To your praises, the whole ocean bears witness; truly, sir, you have encompassed Britain with wooden walls.’ Samuel might be a little disappointed that, now in the 21st century, the mention of his name brings to many peoples’ mind only his famous diary.

If you need help finding the various carvings here’s a useful little map …

Do visit the garden if you get the chance. It’s also an opportunity to visit the beautiful St Olave’s Hart Street, Sam’s ‘own church’, which is located nearby. I’ve written about it before and you can find my blogs here and here.

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