Walking the City of London

Category: Art Page 6 of 24

My visit to 22 Bishopsgate.

I think it would be fair to say that 22 Bishopsgate is ‘not everyone’s cup of tea’ and I too am rather ambivalent about it. Second only to The Shard in height, it dominates the City and stands at 278 m (912 ft) tall with 62 storeys. At an all-inclusive total of just over 195,000 sq metres, it’s probably the largest office building ever built in Britain. It even looks down on Tower 42, seen here in the foreground (and pictured later) along with The Gherkin and the Walkie Talkie …

The view of the building from Bank Junction and the Royal Exchange …

Last Saturday the viewing gallery on the 58th floor was opened specially for ‘local residents’ so, of course, I couldn’t resist the opportunity to look down on the City from a new perspective.

A nice surprise was to be had walking through the main reception area where special artwork has been commissioned …

I really liked these wall hangings …

Then onward to the lifts …

With ears popping, we watched the screen in the lift monitor our progress towards our destination, the 58th floor …

You walk out into a vast viewing area with rather disconcerting floor to ceiling glass (at least it’s rather disconcerting for people like me who are not mad keen on heights) …

The views are as spectacular as one might expect …

Looking down on Tower 42 you can see its original design replicating the NatWest Bank logo if seen from above (it was originally the NatWest Tower) …

Canary Wharf in the misty distance …

Next week I’ll be back down to earth, writing about my walk east along the river. Here’s a small sample.

Can you see the chap balanced on a plinth looking across the river …

Here he is again (rather in need of a clean-up, seagulls have no respect for art) …

More about him next week, as well as this ramp where, in 1857, a famous ship was launched …

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New art on Whitecross Street.

I was teribly disappointed this year when I had to miss the Whitecross Street Party. I read also that, because of inclement weather, it had been restricted to one day rather than two.

The party is a time when the brilliant Whitecross Street art is replenished and so it was with some trepidation that I visited again yesterday (when we finally had some sunshine!) to see what had been produced.

I needn’t have worried. Some old favourites remain and the new work is terrific. Here’s my selection but do go along if you can and see for yourself – especially if it’s a sunny day and you fancy some of the excellent street food that’s available lunchtime Monday to Friday.

And, as always, there’s some humour too …

Some of my old favourites that are still there …

And finally a tribute to our wonderful City gardeners who brighten up our streets and gardens. I particularly notice the beds in Silk Street since I walk past them almost every day.

From planting on 12th June to full glory on 3rd August with progress in-between …

Poor, lonely echinacea. ‘What am I doing among all these salvias?’

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Holborn Viaduct – ladies, lions and ‘maximum bling’

Last week I promised you a bit more about this brilliant Victorian masterpiece of engineering and sculpture.

There are four ladies on the Viaduct representing Fine Art, Science, Agriculture and Commerce.

Fine Art was sculpted by Farmer & Brindley

In her right hand she holds a crayon ‘as drawing is the most essential principal in Design’. Her left hand holds a drawing board with paper pinned to it, which rests on her left thigh. Her left foot rests on an Ionic capital denoting architecture. Behind her to her left is part of a Corinthian column, on the top of which stands a bust of Pallas Athena, ‘as she was the patroness of both the useful and elegant arts’.

Behind the figure’s right foot, a small palette and brushes rest on the base …

Science is also by Farmer & Brindley. She is ‘of more masculine proportions than Fine Art, with a fine penetrating countenance’ …

Her tiara has a star at its centre and stars form the fringe of her robe. She holds in her hand the ‘Governors’ that were used to control steam engines. At her left side stands a tripod on which is placed a terrestrial globe encircled with the Electric Telegraph wire which is connected with a battery.

Around the top of the tripod are the signs of the zodiac ‘indicating Astronomy’ …

Beneath it lie compasses and a crumpled sheet of paper with geometrical drawings, one of them a demonstration of Pythagoras’s theorem (you also get a better view of the battery in this picture) …

Agriculture was sculpted by Henry Bursill

She wears a crown of olives, ‘the emblem of peace’, and there is a decorative band of oak leaves on the fringe of her robe. ‘She turns to Providence with a thankful expression for a beautiful harvest’ and in her right hand she holds a sickle. Beside her left foot is a belt with a sheath, containing a whetstone.

Bursill also sculpted Commerce …

She is shown ‘advancing with right hand outstretched towards mankind in a sign of welcome, whilst in her left she proudly holds gold ingots and coin, the foundation of enterprise and Commerce in the civilized world’. At her feet to her right are two keys along with a parchment showing the City Arms representing ‘the Freedom of the City’ …

Farmer and Brindley are also responsible for the four winged lions …

I love these Atlantes holding up a balcony. They date from 2014 when the north east pavilion was rebuilt …

Here’s one in close up …

In 2013 the Viaduct was repainted and re-gilded with, at the request of the City Conservation Officer, ‘maximum bling’.

You get an idea of how well this was accomplished in this picture. It shows the re-gilded base of one of the lamps, a knight’s helmet and a City dragon …

There is a fascinating article about the work, particularly the gilding, here.

I hope you have enjoyed these two visits to the Viaduct. Again I have been plundering Dr Philip Ward-Jackson’s wonderful book Public Sculpture of the City of London for much of this blog’s detail.

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