Walking the City of London

Author: The City Gent Page 13 of 19

At the Charterhouse

Doing photography for my blog isn’t an essential journey, so I hope you won’t mind if I republish an earlier edition, the one reporting on my visit to the Charterhouse. The buildings are in Charterhouse Square (EC1M 6AN) just opposite Florin Court, the flats used as ‘Whitehaven Mansions’ in the Poirot TV series.

A Carthusian monastery had existed on this site since 1371, but catastrophe came in 1535 when the monks were asked to sign an oath acknowledging the King – Henry VIII – as the supreme head of the Church of England. Many refused, and on 4th May that year the Prior, John Houghton, a monk and a lay brother, were hanged, drawn and quartered at Tyburn. Houghton’s right arm was chopped off and hung over the Charterhouse entrance gate – a symbol of what happened to those refusing to acknowledge the King’s authority.

One of the many fascinating things to see on a modern-day tour is this engraving …

Probably by Nicolas Beatrizet (1540-1560)

The print was produced in Rome about 20 years later. Five of the scenes show the monks imprisoned, dragged through the streets and then being executed. The final scene shows two Carthusian monks being executed in York.

The gatehouse in the 1930s

Charterhouse has passed through many incarnations over the centuries and evidence of this abounds to this day.

We can still see the entrance to one of the two-up two-down cells the monks occupied …

Food was passed in to the cell through the portal on the left to avoid disturbing the monk’s solitude

Each monk lived as a hermit, spending their time in prayer, contemplation and scholarly work. They seldom spoke, usually only meeting together for Sunday lunch.

Sir Edward North (later Baron North) bought the ransacked property in 1545 and turned it into a mansion. To describe North (1496-1564) as a ‘survivor’ in this tumultuous period would be an understatement – somehow remaining in favour with both Queen Mary and later Queen Elizabeth I. In fact three other owners of Charterhouse (John Dudley, Thomas Howard and Philip Howard) were all executed for treason.

Thomas Howard, the Fourth Duke of Norfolk, bought the buildings in 1564. He rebuilt what is now called the Norfolk Cloister, from the ruins of the monks’ original Great Cloister …

The boys from Charterhouse school played football here, its narrow dimensions creating the need for the offside rule

It was in King James’s reign in 1611 that a former ‘Master of the Ordnance in the Northern Parts’, Thomas Sutton, said to be England’s wealthiest commoner, bought the property and established a founda­tion to maintain a school and almshouses. The school, for 40 boys, was the beginning of Charterhouse School. Later, John Wesley and William Makepeace Thackeray were pupils. In 1872, the school moved to Godalming, taking the young Robert Baden-Powell to complete his schooling in Surrey.

The Great Hall (1571) where the Brothers dine today

In the Hall, Sutton’s coat of arms can be seen above this magnificent Caen stone chimneypiece, the cannon and gunpowder barrels at the sides referencing his connection with The Ordnance …

The arms include the head of a hunting dog, a Talbot, now extinct. It’s a motif that can be found throughout the building …

A carved Talbot dog on the stairs along with the arms of the fourth Duke of Norfolk


In Wash House Court, Tudor bricks meet Monastery stone …

Above the entrance to the passageway to the Court, a tiny monk has found a quiet place to study his Bible …

The buildings were severely damaged by incendiary bombs during the Second World War …

The medieval door to the Chapel damaged in the Blitz

The Chapel contains Thomas Sutton’s spectacular monument …

A relief panel shows the Poor Brothers in their gowns and a body of pious men and boys (perhaps scholars) listening to a sermon …

I love the figure, Vanitas, blowing bubbles and representing the ephemeral quality of worldly pleasure. The figure with the scythe is Time

The man himself …

His body rests in a vault beneath the monument

By way of contrast we can also see, in a darkened room lit by candles, this poor soul. Uncovered during the Crossrail tunneling, archeologists found it belonged to a man in the prime of his life, in his mid-twenties, when he was struck down by the Black Death. It’s believed he died at some point between 1348 and 1349, at the height of the pandemic …

Thomas Sutton’s will provided for up to 80 residents (called Brothers): ‘either decrepit or old captaynes either at sea or at land, maimed or disabled soldiers, merchants fallen on hard times, those ruined by shipwreck or other calamity’.

A community of some 40 Brothers (as of 2016, women are not excluded by this term) still live in the Charterhouse today.

This blog only covers a tiny example of what you will discover at the Charterhouse. I highly recommend the tours that are conducted every day except Monday. Some are led by one of the resident Brothers and are given from the perspective of each individual Brother, therefore no two tours are the same. Click here for details.

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City safari!

I have been looking again at some of the animals I have come across in previous City walks and I thought it might be fun to publish them again since, at the moment, walking around taking photographs doesn’t comply with the ‘stay at home’ recommendation.

When Barbican Station reopens you might like to pop in and pay your respects to the memory of Pebbles, the award-winning Station cat.

High up on a tiled pillar opposite the old ticket office is this poignant memorial …

For many years Pebbles was a favourite of staff and passengers, often sleeping soundly on top of the exit barriers despite the rush hour pandemonium going on around him. Here is a picture from the wonderfully named Purr’n’Fur website, a great source for moggie-related stories …

Clearly he was greatly missed when he died, as the plaque faithfully records, on 26th May 1997. This was doubly sad because he was due to be given a Lifetime Achievement Award. This was sponsored by Spillers Pet Foods and named after Arthur, a cat they used in their advertising who, I seem to remember, ate with his paws. The Certificate that came with the award is also displayed (the co-winner, the aptly named Barbie, was Pebbles’ companion) …

Pebbles’ posthumous award.

Another famous cat, Hodge, is remembered by this attractive bronze by John Bickley which was unveiled by the Lord Mayor, no less, in 1997. Hodge belonged to Dr Johnson and sits atop a copy his famous dictionary and alongside a pair of empty oyster shells. Oysters were very affordable then and Johnson would buy them for Hodge himself. James Boswell, in his Life of Johnson, explained why:

I never shall forget the indulgence with which he treated Hodge, his cat: for whom he himself used to go out and buy oysters, lest the servants having that trouble should take a dislike to the poor creature

People occasionally put coins in the shell for luck and every now and then Hodge is given a smart bow tie of pink lawyers’ ribbon.

You can find him in Gough Square opposite Dr Johnson’s house (EC4A 3DE). ‘A very fine cat, a very fine cat indeed’, said his owner.

And from famous cats to mysterious mice. Nibbling a piece of cheese, they add charm to a building in Philpot Lane off Eastcheap and have been described (rather appropriately, I think) as London’s smallest sculpture. Even though they have been repainted they are still a bit hard to find – so I am not saying precisely where they are, and hopefully (one day!) you will enjoy looking for them. One theory is that the builders in 1862 were pestered by mice who persistently ransacked their lunch packs, so they left this little informal tribute. Another is that they commemorate a man who died during the construction of the nearby Monument to the Great Fire. Mice had eaten his lunch, but he accused a fellow worker by mistake, and fell to his death in the fight that followed. As to the true story behind the little rodents, your guess is as good as mine …

In Paternoster Square is a 1975 bronze sculpture by Elisabeth Frink which I particularly like – a ‘naked’ shepherd with a crook in his left hand walks behind a small flock of five sheep …

Dame Elisabeth was, anecdotally, very fond of putting large testicles on her sculptures of both men and animals. In fact, her Catalogue Raisonné informs us that she ‘drew testicles on man and beast better than anyone’ and saw them with ‘a fresh, matter-of-fact delight’. It was reported in 1975, however, that the nude figure had been emasculated ‘to avoid any embarrassment in an ecclesiastical setting’. The sculpture is called Paternoster.

As you approach the Bank junction from Cheapside look up and you will see two young boys at either end of the grand building that was once the City headquarters of Midland Bank (1935). The are both struggling with a rather angry looking Goose …

The sculptor was William Reid Dick.

Why a goose? A clue is the ancient name of the street and the goose was a suggestion by the architect Sir Edwin Lutyens to commemorate its original market function. The building is now a private club and restaurant, called The Ned in Sir Edwin’s honour.

The name of the street is a clue.

This little Scottish terrier is called Chippy. He rests now in All Hallows by the Tower at the feet of his master the Reverend ‘Tubby’ Clayton CH MC who became vicar of the Church in 1922 and remained there until 1963.  He is best known for his work initially as an army chaplain during the First World War and in particular the establishment of Talbot House, a unique place of rest and sanctuary for British troops. After the war the spirit and intent of Talbot House became expressed through the Toc H movement.

Clayton owned a succession of Scottish Terriers and they were all called Chippy.

A wise owl gazes at the commuters as they trek over London Bridge from his perch opposite the north entrance to the bridge …

The building used to be the offices of the Guardian Royal Exchange Insurance Company.

A wily fox decorates the door of the old Fox’s umbrella shop on London Wall …

This dolphin looks decidedly uncomfortable balanced on the facade of The Ship pub in Hart Street (built 1887) …

He needn’t look so worried – both he and the pub are Grade II listed.

Another dolphin serves a more solemn purpose on Tower Green…

More than 50,700 Commonwealth merchant seamen lost their lives in the two World Wars and the Mercantile Marine Memorial commemorates the almost 36,000 of them who have no known grave. The boy riding the dolphin, accompanied by fishes and seahorses, is one of seven sculptures representing the seven seas by Sir Charles Wheeler. The sculpture is surrounded by plaques showing the names of the dead arranged alphabetically under their ship’s name and the name of the Master or Skipper.

And finally, outside Spitalfields Market, is the wonderfully entitled I Goat. In the background is Hawksmoor’s Christ Church …

It was hand sculpted by Kenny Hunter and won the Spitalfields Sculpture Prize in 2010.

The sculptor commented …

Goats are associated with non-conformity and being independently-minded. That is also true of London, its people and never more so than in Spitalfields.

I hope you enjoyed the safari even though the animals have featured in blogs before.

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More City doors and doorways

Created between the 15th century and the more recent past, I have found a selection for us to admire and, in many cases, still walk through like thousands before us.

The oldest door I have discovered is the medieval chapel door in The Charterhouse. It was damaged by fire when the building was bombed during the Blitz (EC1M 6AN) …

When you visit St Vedast-alias-Foster in Foster Lane you enter through early 17th century oak doors that have remarkably survived both the Great Fire of 1666 and the Blitz (EC2V 6HH) …

The cherubim carved on the keystone above the door are by one of Sir Christopher Wren’s favourite stonemasons, Edward Strong, and date from the 1690s. In total Strong was paid £3106:14:7 for his work on the church – he charged £5 for the cherubs.

On the south side of St Paul’s Cathedral is the Dean’s Door …

The carver was stonemason and architect Christopher Kempster (1627-1715), another of Wren’s favourite craftsmen. His work on the cherub’s heads and foliage was considered so good Wren awarded him an extra £20 for ‘the extraordinary diligence and care used in the said carving and his good performance of the same’. When Kempster died at the age of 88 his son carved a cherub’s head for his memorial.

Incidentally, £1 then was worth about £120 now.

The Cathedral’s main entrance, the 30 foot high Great West Door, is only opened on special occasions …

Look closely and you will see it is surrounded by 18th century graffiti, some in elegant cursive script …

The facade St Martin’s House at 1 Gresham Street is a delight (EC4V 7BX) …

Dating from 1891 it incorporates a wonderfully happy, smiling Mr Sun …

What also makes it charming is the rogue apostrophe ….

Surely it should read St Martin’s House?

What about this trio above what was once the entrance to the City Headquarters of the Royal Insurance Company at 24-28 Lombard Street (EC3V 9AJ) …

The historian Philip Ward-Jackson writes as follows:

‘The winged chimera at the centre of the group has the head of a woman and the legs of a lion. The two personifications are fine looking women, naked to the waist. The Sea holds a caduceus, and therefore also symbolises marine commerce … The attributes of Fire are a torch and bunches of faggots.

This quite sinister allegorical group must have been intended to intensify the fears of potential customers.’

The church of St Stephen Walbrook was constructed between 1672 and 1679 and is another Wren building (EC4N 8BN). The doors look original to me but I haven’t yet found out for sure …

The building is where Dr Chad Varah founded the Samaritans and you can read more about that and the church itself here.

This impressive entrance is just around the corner from St Stephens. Push the doorbell and you never know, the Lord Mayor might answer the door …

The virus shut down has meant that these magnificent doors at 2 Moorgate can now be seen easily during the week rather than just at the weekend (EC2R 6AG). Each door weighs a ton …

Suitably opulent for a private bank, they were designed by John Poole and date from 1975 when the building was opened by Edward Heath (who used to work for the company). Poole had a free hand with the design and said he intended to represent, in the circular forms, the firm’s centres of business. The linear patterns suggest communications between these centres along with ‘the interaction of spheres of influence’.

In 1888 the Institute of Chartered Accountants decided to treat themselves to a permanent headquarters and work was completed in 1893. Described by Sir Nikolaus Pevsner as ’eminently original and delightfully picturesque’, it is ‘a fine example of Victorian neo-Baroque which draws its inspiration from the work of the Italian Renaissance’. This is the formidable and imposing entrance at One Moorgate Place (EC2R 6EA) …

The architect was John Belcher RA.

The large cartouche above the massive bronze doors depicts the Institute’s coat of arms and is held up by two classical male figures.

In the Museum of London you will find a door that must have struck terror into the hearts of the poor souls who were led through it …

Photograph : Museum of London.

It comes from the now demolished Newgate Prison, dates from 1783, and was the one through which criminals were taken to their place of execution. In fact they walked through three doors of which this was the inner one – there was also an iron-cased half door and an outer one of solid iron. The final person to pass through it to his execution by hanging was the Fenian Michael Barrett on 27 May 1868 – the last public execution to take place in England.

Two doors that are a bit tucked away when open are here at 6 Holborn Viaduct (EC1A 2AE) …

They have certainly suffered some brutal treatment over the years and look very unloved, but the lions heads have survived …

And finally, to finish on a more lighthearted note, just off Whitecross Street is this doorway which makes me smile every time I see it. The story I have conjured up in my mind is that, some time in the early 1970s, the people living there found that visitors knocked on the door rather than ringing the bell. When asked why, callers usually said that they didn’t know there was a bell. As a consequence, the residents (who obviously had artistic talents) got out their paint brushes and added this helpful sign to indicate where the push button bell was. Brilliant!

If, by any remote chance, doors, doorways and bells are your thing, do have a browse of the blogs I have written on these subjects : That Rings a Bell and City of London Doors and Doorways.

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Moorgate and the Goddess of Electricity

Firstly, I hope you are all keeping well and safe in these troubled times, and that maybe my little blog occasionally offers a welcome distraction.

The diminished traffic flow in the City, combined with the recent really sunny days, meant that I could more easily incorporate some photography with the walks I take for exercise. I was able to pause for some time to take detailed images of this spectacular building on Moorgate …

I think it’s crowning glory is its stained glass window, back-lit from within so its detail can be seen clearly from outside the building. Unfortunately the building was closed and in darkness when I visited so I have copied an image from the splendid London Inheritance website and blog.

Originally the London headquarters of the Eastern Telegraph Company, the current neo-classical building was built by Belcher & Joass between 1900 and 1903. At first it was called Electra House (named after the goddess of electricity) and the centre section shows her perched on top of the world. A glowing orb behind her head sends out rays across the seas, presumably representing the information the company’s cables help spread around the world. To the bottom left of the centre section is a sailing ship under full sail and bottom right is a lighthouse. Between the ship and lighthouse is a rough looking sea. The side panels show clouds and more rough sea and stars are scattered over the three parts …

The architect John Belcher was a prominent member the Catholic Apostolic Church and it is thought that this influenced the ornamentation of buildings he designed. The Moorgate stained glass window embodies the theme of communications but also symbolism from the Book of Revelations. You can read more about Belcher here.

To the left of the arch is a seated girl accompanied by a young winged genius …

Sculptor: George Frampton

She is transmitting a message.

The figure on the right is receiving a message (could be an iPad!) …

And above the arch …

… a winged Mercury, the god of Commerce, carries a caduceus.

Higher up is a beautiful frieze of four female figures …

Sculptor: William Goscombe John

They represent from left to right Egypt, Japan, India and China. Egypt carries a water jar on her shoulder, Japan is in a kimono and carries a fan, India lifts the veil from her face, and China carries a samisen (a three stringed lute).

At the very top of the building four naked boys support an armillary sphere which is itself encircled by a broad band displaying zodiacal signs …

Here it is in close up …

Some small figures decorate the tops of the pillars. Here are a few of them.

The horned god Pan playing his flute …

A blindfolded Lady Justice holding scales and sword …

I have no idea as to what this one represents …

I hope you found this interesting. I have not covered all the building’s decorations in this blog and there are more inside which maybe I will get access to at some future date.

To end on a more lighthearted note, have you noticed that the pigeons seem to have deserted the City? No humans, no food, I suppose. However, I did spot this lonely chap self-isolating on the old Roman/Medieval City wall …

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‘The politest statue in London’

That’s how this statue of Prince Albert at Holborn Circus was described by one observer …

The words on the plinth are ‘Prince Albert Consort Born 1819 Died 1861’

Here he is again from a different angle …

He is shown astride a high-stepping horse, in the uniform of a Field Marshal, and raising his plumed hat in acknowledgment of a salute. He isn’t, therefore, waving at imaginary crowds, and so the epithet of ‘politeness’ is sadly misplaced.

The way the Prince and his horse faced was the subject of some debate but finally decided when the sculptor, Charles Bacon, wrote the following to the architect William Heywood on 9 May 1873 …

I most decidedly think the horse’s head ought to look into the City … as a matter of etiquette he ought not to turn his back on those who erected the statue and … most important of all, the sun would be on the face most of the day.

This arrangement was, of course, less satisfactory when viewed from Holborn!

Not everyone liked it. Common Councilman L.H. Elliott said the statue …

… was not suggestive of a man of military genius; but at best it only represents a captain of a cavalry regiment saluting some ladies in a balcony.

At the west end of the plinth is a seated allegory of Peace wearing a laurel crown …

In her left hand she holds a (rather droopy) palm and her right supports a cornucopia.

At the east end there is a seated allegory of History, her curly hair falling generously down her back and her right breast exposed …

Her left leg rests on three books and in her left hand she holds a guide to the 1851 Great Exhibition which Albert played a major role in organising. The quill in her right hand is new, the original having been stolen some time since the unveiling in 1874.

The relief on the north side shows him standing with a ceremonial mallet beside the foundation stone of the Royal Exchange. Two workmen are preparing the pulley …

Entitled ‘The Prince laying the first stone of the Royal exchange Jan 17 1842’

He is surrounded by a crowd of dignitaries including, directly behind him, the Lord Mayor. One of the persons in attendance holds the ceremonial trowel in readiness.

The relief on the south side shows Britannia enthroned, a lion reclining at her feet …

Entitled ‘ Exhibition of all nations 1851. Britannia distributing awards’

She holds out laurel crowns to representatives of the exhibiting nations who are all dressed in their national costumes.

Here is a close up of the Prince taken from the north …

Still a very handsome chap despite the bald patch. The statue was sited to show off his profile ‘from the new street leading to the market’.

Just like History’s quill, a thief had made off with his original sword some time in the past, so this is a replacement. The sculptor paid incredibly close attention to detail and the restorers in 2014, Rupert Harris Restoration Limited, did a superb job. You can watch a fascinating video about the restoration here: https://www.youtube.com/watch?v=XVgMoZW3Gdg

There is a mystery concerning the statue – to this day we don’t know who paid for it.

A sculpture of Albert had been discussed for some time and in 1868 Charles Oppenheim (the founder of the De Beers diamond company) came forward offering to meet the cost. Apparently, however, his probity was questioned by some and, perhaps as a result of this, he subsequently formally withdrew the offer.

After the monument was erected The Times, quoting the City Press, reported …

The donor is a very benevolent gentleman of considerable wealth, who is desirous that his name should not be announced, and it is, we believe, known only to Her Majesty, His Royal Highness the Prince of Wales, to Alderman Sir J.C. Lawrence … and to Mr Bacon.

As is often the case, I am grateful to Dr Philip Ward-Jackson and his splendid book Public Sculpture of the City of London for being the source of much of the content of this week’s edition.

You can see some earlier pictures of the monument in my blog The City before the War.

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Samuel Pepys and the Plague -‘God preserve us all’

I thought it might be interesting in these worrying days to look back on how one of my great heroes, Samuel Pepys, described the ferocious pestilence that attacked London’s citizens in 1665.

Pepys survived, and here he is a year later …

Samuel Pepys (1633 – 1703). Painted by John Hayls in 1666. Copyright National Portrait Gallery.

Hayls had already painted his wife and Pepys was so pleased he commissioned this one of himself. He noted in his diary on 17 March …

This day I begin to sit, and he will make me, I think, a very fine picture. He promises it shall be as good as my wife’s, and I sit to have it full of shadows, and do almost break my neck looking over my shoulder to make the posture for him to work by.

Pepys was a remarkable man, the son of a tailor whose rise to power owed something to circumstances but much more to his own tenacity, drive and personal charm. Despite eventually becoming First Secretary to the Admiralty (and instituting reforms that dramatically improved the professionalism of the Navy) it is for his diary that Pepys is usually remembered.

Here is its first page …

Written in a code and shorthand he personally devised, the diary runs to one and a quarter million words and covers the period 1660 to 1669. Anyone wanting to get a sense of the day-to-day life of an ambitious young Londoner, with a great appetite for work and pleasure, only has to consult his fascinating account.

But it is the year 1665 that I am going to write about.

The first mention in the diary of the plague was on 30 April 1665 …

Great fears of the sickness here in the City, it being said that two or three houses are already shut up. God preserve us all.

Then in July 1665 …

I did in Drury-lane see two or three houses marked with a red cross upon the doors, and “Lord have mercy upon us” writ there – which was a sad sight to me.

The main idea for management of the plague was containment of the infection and so entire families were locked in their own houses. A padlock was fixed to the outer door and a watchman assigned to make sure that any surviving inmates stayed there for the full 40-day quarantine period before being released. The only people being allowed to enter were the doctor, the nurse, the searchers and the men who came at night to remove the bodies …

Who were the searchers? Deaths in London and their causes were recorded in the Bills of Mortality. These were usually collected and published by Parish Clerks and ‘searchers’ were employed to help collect the data. According to Dr Robin Gain of the Samuel Pepys Club …

Plague was almost certainly under-reported by the searchers, who were usually ignorant old women, paid by the parishes to go into the houses where people had died to ascertain the cause of death … If relations of plague victims could persuade or bribe the searchers to report a cause of death other than plague, the family might avoid being quarantined.

Here is the Bill of Mortality from 15 to 22 August 1665 held at the Wellcome Library London. You may find some of the reasons for death a bit surreal …

By 10 June Pepys reported that the plague had entered the City and on 26 July he wrote that the ‘sickness is got into our parish this week’. His parish was St Olave Hart Street.

The number of deaths were beginning to overwhelm the capacity of the City graveyards and plague pits were being opened up. Here is a further image from the Wellcome Collection …

On August 12th he wrote …

The people die so, that now it seems they are fain to carry the dead to be buried by daylight, the nights not sufficing to do it in.

One of the reasons I admire him so much is that because, unlike many of those who had the opportunity, Pepys remained in London for much of that year. Even after he and his employer were forced to relocate to Greenwich in the late summer, he commuted by river from there to his home in Seething Lane near the Tower of London and visited other parts of the capital.

There was a war going on at the time with the Dutch and Pepys believed he should stay at his post. Here is how he elegantly put it in a letter on 25 August to Sir William Coventry …

You, Sir, took your turn at the sword; I must not therefore grudge to take mine at the pestilence.

On the same day he wrote in his diary …

This day I am told that Dr. Burnett my physician is this morning dead of the plague … poor unfortunate man.

As plague moved from parish to parish Pepys described the changing face of London-life – ‘nobody but poor wretches in the streets’, ‘no boats upon the River’, ‘fires burning in the street’ to cleanse the air and ‘little noise heard day or night but tolling of bells’ that accompanied the burial of plague victims. He also writes in his diary about the desensitization of people, including himself, to the corpses of plague fatalities, ‘I am come almost to think nothing of it.’

It had eventually subsided significantly by January the following year and on January 30th 1666 he visited St Olave, but found the experience deeply shocking …

It frighted me indeed to go through the church … To see so many graves lie so high upon the churchyard, where many people have been buried of the plague.

And five days later, on February 4th he wrote …

It was a frost and had snowed last night, which had covered the graves in the churchyard, so I was less afraid of going through.

The churchyard survives, its banked-up top surface a reminder that it is still bloated with the bodies of plague victims, and gardeners still turn up bone fragments. Three hundred and sixty five were buried there including Mary Ramsay, who was widely blamed for bringing the disease to London. We know the number because their names were marked with a ‘p’ in the parish register.

Note how much higher the graveyard is than the floor at the church door.

In 1655 when he was 22 he had married Elizabeth Michel shortly before her fifteenth birthday. Although he had many affairs (scrupulously recorded in his coded diary) he was left distraught by her death from typhoid fever at the age of 29 in November 1669.

Do go into the church and find the lovely marble monument Pepys commissioned in her memory. High up on the North wall, she gazes directly at Pepys’ memorial portrait bust, their eyes meeting eternally across the nave where they are both buried. When he died in 1703, despite other long-term relationships, his express wish was to be buried next to her.

Memorial to Samuel Pepys.

And the sculpture of Elizabeth – I think she looks beautifully animated, like she is in the middle of a conversation.

Another reason I like Pepys is that, despite the terrible events of 1665 he carried on his life as usual, no self-isolation for him. He still worked at the Navy Office, continued his adulterous liaisons, celebrated his cousin’s wedding, and pursued many of his interests. Surprisingly the year brought much opportunity and wealth Pepys’s way and, as the plague subsided, he wrote in his final diary entry for the year …

I have never lived so merrily (besides that I never got so much) as I have done this plague-time.

According to the Bills of Mortality, 68,596 people died of the plague in London in 1665 but the true figure was probably more like 100,000. Even the lower figure represents a very high percentage of the population at the time, which was about 460,000. In today’s population that would mean getting on for 2,000,000 dead Londoners.

If you visit the church treat yourself to a copy of Dr Gain’s leaflet entitled Pepys and The Plague. It was of great help to me in composing this blog and can be yours for a modest £2 donation.

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Things that made me smile

It’s not much fun at the moment is it with a virus to worry about. So I thought I would pop in some light-hearted pictures this week and maybe cheer you up a bit.

First up, a brilliant busker collects donations using up-to-date technology …

Listen to him and his ‘backing singers’ by Googling ‘Bohemian Rhapsody Steve Aruni on YouTube’. I promise you will enjoy it.

A farmer chases his pigs across the front of The George pub with the Royal Courts of Justice reflected in the window …

Nearby a monk pours some ale into a jug. I think that’s his faithful dog next to him – I sincerely hope it’s not a rat …

Bidfood vans! I regularly see them delivering around the City and love the edible landscapes portrayed on the sides.

An orange sunrise between the cheese tower blocks …

A tranquil lake with bread hills and cauliflower clouds …

I know it’s not a Banksy, but this little flower cheered me up …

Colourful street art on Rivington Street …

Healthy eating options on Fleet Street …

‘Let’s ADORE and ENDURE each other’ on Great Eastern Street …

Postman, biplane and pigeon mural next to the Postal Museum …

Yes, the pretty guardian angels are still there on their swings opposite St Paul’s Underground Station …

I smiled at this at first …

…and then thought: ‘Hey, writing on seats isn’t good for them either!’

And finally, one of my favourite sculptures, Leaping Hare on Crescent Bell by the late Barry Flanagan on Broadgate Circle …

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The Temple Bar Memorial

If you walk east down Fleet Street past the Royal Courts of Justice and look up a fearsome dragon straight out of a Harry Potter story looms over you …

It sits atop the 1880 memorial to the Temple Bar that once stood here and marked the western boundary of the City of London. The beast holds in its forepaws a shield showing the cross of St George, part of the City’s coat of arms.

Unfortunately it is somewhat marooned on an island, and heavy traffic whooshes past, but it really is worth studying since it contains some fascinating detail. Let’s start with the people …

On the south side stands Queen Victoria in state robes holding a golden sceptre and orb. She is surrounded by symbols of the arts and science. Sadly the marble is very damaged by traffic fumes and pollution but some re-gilding was carried out to celebrate our own Queen’s Silver Jubilee in 2002.

On the north side stands Edward, then Prince of Wales but later to become King Edward VII on Queen Victoria’s death in 1901. He is wearing a Field marshal’s uniform …

He has not been as badly damaged by pollution as his mum but it looks like he has been given a new left hand.

The west face is framed with pilasters each side, decorated with emblems of war to the left and peace to the right. Carved in the stone between the pilasters is a medallion portrait of Prince Albert Victor …

He is ‘the king we never had’ since he was the eldest child of the Price and Princess of Wales who died in the 1892 influenza epidemic. Look just below his head and you will see St George slaying the dragon.

Gazing down at us on the east side is the generously bearded face of the Lord Mayor at the time of the monument’s erection, Sir Francis Wyatt Truscott …

Above his head is his coat of arms and below his ornate chain of office.

The art historian Philip Ward-Jackson writes …

The reliefs of royal progresses and the portraits of Queen Victoria and the Prince of Wales celebrate the congenial relations between the City and the royal family, and recall the ceremonial function of Temple Bar as the spot where the Lord Mayor traditionally met royal visitors to the City.

The reliefs are absolutely fascinating and I do recommend you brave the traffic in order to get a closer look. This is the one on the north side …

It depicts Queen Victoria and the Prince of Wales on their way to St Paul’s Cathedral for an 1872 service of thanks to celebrate the Prince’s recovery from typhoid.

This is the one on the south side …

Here Victoria is progressing to the Guildhall on 9th November 1837 after her accession. This is a close-up courtesy of the Ian Visits blog …

On the east side a plaque commemorating the removal of the old Bar – a curtain is being dramatically drawn over it by the angels of Fortune and Time

And finally, on the west side …

Flanked by the giants Gog and Magog, a golden arrow indicates the position of the west side of the old Temple Bar and where a line drawn through its centre from east to west would emerge.

The old gate, one of the eight that originally gave entry to the City, was removed in 1878 because it obstructed the traffic but has now found a new home alongside St Paul’s Cathedral …

Read more about its fascinating history since it was dismantled in my blog Temple Bar and the Banjo-playing Lady.

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The City before the War

I have been loaned a lovely book called Streets of the City by Judy Pulley and have included some of the photographs from it for those of you who like looking at wonderfully atmospheric pictures from the past. You can buy your copy of the book here.

A photographer recorded the vast scale of the construction site for the Holborn Viaduct looking west towards Holborn in 1869. A hoarding advertises the ‘New’ St Pancras Station which opened the previous year …

The finished product …

A congested Fleet Street in 1905 …

The view today …

Shops alongside the entrance to Cannon Street station in March 1939. Three years later most had been destroyed by the wartime bombing …

Prince Albert doffs his hat to the City in 2020 …

In this picture His Royal Highness makes the same gesture at the turn of the last century…

Below is the view towards the west in 1910. The awnings outside Gamages store can be seen on the right and just behind Prince Albert’s statue a man in an invalid carriage braves the traffic. He should be OK if vehicles obey the sign on the lamp post which urges ‘Caution’ and ‘Drive Slowly’. Wallis & Co on the left advertises linens and blankets and has a display of parasols hanging outside the shop. …

Eastcheap as seen from the end of Cannon Street. The statue of King William IV was erected in 1844 when King William street was created as a new approach to London Bridge. The small cart in the centre is delivering ice and the buses are turning right towards London Bridge, just as they do now …

The busy west end of Cheapside at the corner of New Change around 1905 with omnibuses and a Royal Mail coach to the right. The statue is of Sir Robert Peel and was erected here in 1855 and then removed to Hendon Police Training School in 1939 …

The sign on the lamp post says ‘Standing for 10 Hackney Carriages’.

I particularly like this picture of Fleet Street in the 1930s because it shows the cart on the left laden with massive rolls of paper for use in the nearby printing presses …

It’s 7 o’clock in the morning in February 1937 and Lower Thames Street is at a standstill as fish from old Billingsgate Market is loaded on to carts …

The viaduct carrying the approach road to London bridge can be seen in the distance and to its left the church of St Magnus the Martyr.

Many of these pictures illustrate the enormously important role horses played in the life and commerce of the City right into the 20th century.

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Another stroll along Fleet Street

As I think I have said before, I never tire of walking around this part of the City, especially spotting things of interest simply by directing my gaze skywards.

I remember the heyday of printed news when the Fleet Street hostelries were frequently packed with journalists, lawyers and print workers ‘refreshing’ themselves at lunchtime and in the evening. Now you are more likely to encounter overseas visitors seeking out ‘authentic old English pub’ experiences.

Mr Punch advertises these listed premises at the east end of the street …

The previous building on the site was known as the Crown and Sugar Loaf but was renamed the Punch Tavern in the late 1840s because of its association with Punch Magazine which had its offices at that end of Fleet Street.

The Old Bell further west is also listed …

The story goes that it was built by Sir Christopher Wren to accommodate the stonemasons working on nearby St Bride’s Church and the rear of the pub does, indeed, date from 1669.

Between the buildings you can glimpse St Bride’s and its famous ‘wedding cake’ spire as you proceed from east to west …

Why would a business stress ‘discretion’?

Because it’s a pawnbrokers, still advertising their presence using the symbol of three spheres suspended from a bar, said to be a reference to the coat of arms of the Florentine Medici family …

I love this pair of spectacles and thought at first that the sign must date from the 19th century but in fact Whitby & Co have only been around for 20 years …

On the north side of the street you can see the evidence of past publications now, alas, defunct or relocated elsewhere …

Further along are the premises previously occupied by the Kings & Keys pub, once a favourite hangout place for journalists from the Daily Telegraph next door. The name is derived by the amalgamation of two licences of separate former pubs, the Cross Keys and the Three Kings …

It’s narrow because, like many other buildings fronting Fleet Street, it follows the size of the original medieval plot.

If you are a little tired by now and need to recharge batteries there are healthy snacks available nearby …

Onward to St Dunstan in the West which boasts this magnificent clock …

It dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads.

The double headed eagle is the emblem of the Hoare family and their bank’s premises are at the Sign of the Golden Bottle – a practice dating from the time before buildings were allocated street numbers …

The London firm was started in 1672 by Richard Hoare and tended to the affairs of many famous literary folk including the diarist Samuel Pepys, poet Lord Byron and novelist Jane Austen.

What about these three squirrels busy chomping on nuts …

Gosling’s, originally a goldsmiths and later a bank, started trading at the Sign of the Three Squirrels around 1650. It was the fourth largest of the banks that joined together in 1896 to establish Barclay and Co Ltd as a joint stock bank. Today, Goslings remains the oldest branch in the Barclays Group and still occupies its original site in the City.

The adjacent Inns of Court were once so important to Lloyd’s Bank that they had a dedicated branch (with a pretty beehive emblem suggesting hard work and prudence) …

Looking skywards, you can observe these muscular chaps supporting the building’s upper stories…

And finally, at number 50 …

Sculpted by A. Stanley Young in 1913, the building housed both the Norwich Union Insurance Company and the lawyers of Serjeant’s Inn. On the left, the Insurance side, Lady Prudence holds a little hoard of fruit and a leafy branch whilst the cherubic figure of Liberality or Plenty spills his cornucopia of coins and fruit. On the right, the lawyers’ side, blindfolded Lady Justice rests against her shield and sword grasping the scales of justice in her left hand.

There are many versions of Lady Justice in the City and I have written about them here.

You can find earlier blogs about Fleet Street here Fleet Street Ghosts and here Fleet Street Legends.

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Some pics from my Instagram collection

I set up my Instagram account because I found myself taking quite a few pictures totally unrelated to the City of London and I wanted a home for them.

They are quite lighthearted and I am publishing some here in the hope that it will encourage more of you to follow me on Instagram. You’ll find the address at the end of the blog.

I’ll start with a ‘heads up!’

Kilburn High Road wig shop …

A hairpiece for all styles and colours …

A selection of heads in an architectural salvage shop at King’s Cross …

Some fun street art …

Camden Town

An elegant lady on Highgate Hill …

And another …

‘Big girls need big diamonds’.

Street art meets a spinal column on Old Street …

Tasteful Shoreditch poetry …

On Rivington street …

Rather complex decision tree on Great Eastern Street …

More straightforward decision tree on Old street …

‘Let’s ADORE and ENDURE each other’ …

Artwork by Stik …

On Holloway Road, Dick Whittington strides out back to a modern looking City …

Mural at the London Postal Museum …

And a strongly worded notice on the wall inside where the railway workshops used to be …

The bear necessities at Spitalfields Market …

And nearby, a shop that once satisfied stallholders’ needs …

This injured kestrel found a friend near Guildhall …

And still on an animal theme. Where do Barbican ducks go shopping?

Waitrose of course …

Scrapyard sculpture …

Finally, a few pictures from a visit to Malaga …

‘Mmmmmm ice cream …. yummy!’

A water-themed painting next to a dry river course …

Picasso’s birthplace …

He was a great fan of the bullfight and inside is a photo of him catching a hat the matador has thrown to him. Lucky photographer – right place, right time …

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Some unusual artifacts in City Churches

I find great pleasure visiting the City churches and often come across unusual artifacts that spark my curiosity and I have put a selection together for this week’s blog. Incidentally, there are still an amazing 47 churches within the Square Mile and I have not yet visited all of them!

As you approach the door to St Magnus the Martyr on Lower Thames Street you are walking on the paving that once led to the original London Bridge between 1171 and 1831 (EC3R 6DN). Inside is this beautiful scale model of the bridge …

Over nine hundred tiny people are crammed onto the bridge, amongst them a miniature King Henry V, who can be seen processing towards the City of London from the Southwark side of the bridge …

Read more on the excellent London Walking Tours blog from which these pictures were taken.

As an added bonus you can check out the 17th century parish fire engine just inside the main entrance …

Lovat Lane, which runs between Eastcheap and Lower Thames Street, reminds one of the old City with its cobbled surface and narrow winding shape …

St Mary-At-Hill EC3R 8EE

If you pop into St Mary-At-Hill church you will immediately encounter on your left this fascinating representation of Resurrection on the Day of Judgment

Christ holding a banner stands amidst clouds. Satan, a figure with large claws, is being trampled under his feet

It’s a very unusual example of late 17th century English religious carving and most likely dates from the 1670s. Its carver is unknown, but it is known that the prominent City mason Joshua Marshall was responsible for the rebuilding of the church in 1670-74 and his workshop may have produced the relief.  Exactly where it was originally positioned is uncertain; most likely it stood over the entrance to the parish burial ground and was brought inside in more recent times …

You can see open coffins among the chaos
The winged Archangel Michael helps people rise again

If you find yourself in St Paul’s Cathedral do seek out the only statue to survive the ravages of the Great Fire of 1666 which totally destroyed the Cathedral’s predecessor.

Nicholas Stone’s effigy of the poet and preacher John Donne is a remarkable survival of seventeenth-century English sculpture. Donne is shown standing, perched on a funerary urn, and enveloped in a body-hugging burial shroud which has been gathered into two decorative ruffs at the head and feet. Based on a drawing done when he was dying, and at his request, consider the face, with its shuttered eyelids, raffish beard, and benign, half-smiling expression.

The urn still shows scorch marks from the fire …

I haven’t had a proper long look at St Mary Abchurch yet but did manage to call in for a few minutes to take a (rather hurried) picture of this unusual Poor Box …

You need three keys to open it, one being inserted horizontally.

And I like this old box outside the little museum at St Bartholomew’s Hospital …

Rather a strangely placed apostrophe, I think.

And now on to one of my favourite churches, St Vedast-alias-Foster (EC2V 6HH).

You enter through early 17th century oak doors that have remarkably survived both the Great Fire and the Blitz. Beyond the foyer you find yourself facing the font and its beautifully carved wooden cover. Originally from St Anne and St Agnes, the font was designed by Sir Christopher Wren and the cover is by Wren’s frequent collaborator, the master woodcarver Grinling Gibbons

Inside St Martin within Ludgate on Ludgate Hill (EC4M 7DE) I found both a fascinating chandelier and a very unusual font. There is a large entrance lobby (designed to reduce traffic noise inside the church) and you then enter one of Sir Christopher Wren’s least altered interiors (1677-1686) with fine dark woodwork which largely escaped the Blitz.

Look up and you will see this beautiful chandelier or candelabrum …

It’s still lit by candles.

As one commentator has noticed, it looks more like something you would find in a country house or a ballroom. The candles were not lit when I visited but I am sure that when they are, on a dark morning or evening, one must get a real feel for what it was like to worship here in earlier centuries. It came to the church via St Vincent’s Cathedral in the West Indies, probably in 1777: a reminder of the links between the City’s trading economy and the British Empire overseas.

And now to the very unusual font …

The bowl is white marble and the wooden supporting plinth is painted to look like stone. It dates from 1673, predating the church, and was previously located in a ‘tabernacle’ used by the congregation during the rebuilding.

It contains a Greek palindrome copied from the Cathedral of St Sophia in Constantinople:

Niyon anomhma mh monan oyin

(Cleanse my sin and not my face only)

And I am indebted, as I often am, to the blogger A London Inheritance who pointed out in his latest publication something I missed.

The plaque records a charity set up by Elizabethan fish monger Thomas Berry, or Beri. He is seen on the left of the plaque, and to the right are ten lines of text, followed by two lines which describe the charity:

“XII Penie loaves, to XI poor foulkes. Gave every Sabbath Day for aye”

The plaque is dated 1586, and the charity was set up in his will of 1601 which left his property in Edward Street, Southwark to St Mary Magdalen, with the instruction that the rent should be used to fund the loaves. The recipients of the charity were not in London, but were in Walton-on-the-Hill (now a suburb of Liverpool), a village that Berry seems to have had some connection with. The charity included an additional sum of 50s a year to fund a dinner for all the married people and householders of the town of Bootle.

The interesting lines of text are above those which describe the charity. Thomas seems to have spelled his last name either Berry or Beri and these ten lines of anti-papist verse include his concealed name.

St Martin Ludgate

And finally, why would a church display an old-fashioned telephone under a glass case?

One day in 1936 a young priest officiated at his first funeral – a 14 year old girl who had killed herself because, when her periods started, she thought it was a sign of a sexually transmitted disease. That there seemed to have been no one she could talk to had a profound effect on him, but it was not until 18 years later that, as he put it,

I read somewhere there were three suicides a day in Greater London. What were they supposed to do if they didn’t want a Doctor or Social Worker … ? What sort of a someone might they want?

He looked at his phone, ‘DIAL 999 for Fire, Police or Ambulance’ it said …

There ought to be an emergency number for suicidal people, I thought. Then I said to God, be reasonable! Don’t look at me… I’m possibly the busiest person in the Church of England.

When the priest, Chad Varah, was offered charge of the parish of St Stephen Walbrook in the summer of 1953 he knew that the time was right for him to launch what he called a ‘999 for the suicidal’. He was, in his own words, ‘a man willing to listen, with a base and an emergency telephone’. The first call to the new service was made on 2nd November 1953 and this date is recognised as Samaritans’ official birthday.

And this is the original telephone …

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Health & Safety in Victorian times

You only need to visit the Watts Memorial to Heroic Self Sacrifice in Postman’s Park to see evidence of the dangers that people were exposed to in Victorian times.

Here is the man we have to thank for this window on the past …

George Frederic Watts was a famous Victorian artist and this picture is a self-portrait. He first suggested the memorials we see today in 1887 but the idea was not taken up until 1898 when the vicar of St Botolph’s church offered him this site in Postman’s Park (EC1A 7BT). There Watts’ ambition to commemorate ‘likely to be forgotten heroes’ came to fruition and when the park was officially opened on 30 July 1900 there were already four tablets in place.

Sixty two people feature on the memorial today which is housed in a wooden loggia …

I find that their stories still evoke a range of emotions, particularly ones of sadness and curiosity, which left me wanting to know more about these people, their lives and the manner of their deaths. There are also clues as to the nature of society and work at that time along with the quality of healthcare.

We are reminded, for example, that horses played a tremendous part in work practices, transport, leisure and, sadly, war. It’s estimated, for example, that there were about 3.3 million horses in late Victorian Britain and in 1900 about a million of these were working horses. Of the 62 people commemorated here, five died as a result of an incident involving horses and I shall write about two of them.

Here is the first mention of horses on the wall …

William Drake earned his living as a carriage driver and on this occasion his passenger was one of the most famous sopranos of her day, a lady called Thérèse Tietjens. The breaking of the carriage pole caused panic among the horses and they reared out of control. In fighting to control them, Drake received a severe kick to his right knee which subsequently resulted in the septicaemia that led to his death on April 8th. A message was passed to the coroner at the inquest that ‘those dependent on the deceased would be amply cared for by Madame Tietjens’. Notwithstanding this, Drake was buried at the expense of the parish in a common grave in Brompton Cemetery, although there is evidence that his widow did receive an annuity from somewhere.

Elizabeth Boxall died after being kicked by a runaway carthorse as she pulled a small child out of its way …

Her brave act actually took place in July 1887 but over the next eleven months poor Elizabeth’s health deteriorated. Part of her leg was amputated in September and a further part (up to her hip) in January 1888, her condition being complicated by a diagnosis of cancer. Her parents were distraught by her death and the way she had been treated by the medical profession – for example, the first amputation was carried out without her or her parents’ permission. ‘They regularly butchered her at that hospital’ her father exclaimed at the inquest and the jury found that shock from the second operation was the cause of death. No one from the hospital attended the inquest but the House Governor at the London Hospital disputed the finding in a letter to the press.

Still on a medical theme, the highly contagious infection known as diptheria features twice on the memorials. Now extremely rare due to vaccination programmes, it was once a frequent killer of small children and also posed a danger to physicians such as Samuel Rabbeth …

I have been able to locate a picture of him thanks to the excellent London Walking Tours blog

Dr Samuel Rabbeth (1858 – 1884) from The Illustrated London News 15th November 1884
Copyright, The British Library Board

On October 10th the doctor was treating a four year old patient who was in danger of asphyxiation as diptheria often resulted in a membrane blocking the airways. The standard treatment of tracheotomy had been performed but to no avail and Rabbeth performed the more risky procedure of sucking on the tracheotomy tube to remove the obstruction. Unfortunately in doing so he contracted the infection himself and died on 20th October (not the 26th as shown on the plaque). There was some (fairly muted) criticism of his actions by doctors who believed he acted recklessly, although from the most honourable of motives.

He has a fine gravestone in Barnes Cemetery …

Dr Lucas was infected as a result of an unfortunate accident …

He was in the process of administering an anaesthetic to a child with diptheria in order that a tracheotomy could be carried out. The child coughed or sneezed in his face but, instead of delaying to clean himself up, which may have endangered the child’s life, he continued and as a result became infected. He died within a week.

I haven’t been able to find an image of him or his final resting place but a poem written in his memory was published in a number of newspapers and you can read it in full here.

Thomas Griffin was engaged to be married on 16 April 1899 and on 11 April he had travelled to Northampton to discuss arrangements with his family and then back home to Battersea for work the next day. He expected that by the end of the week he would be married, but that was not to be, and by the end of the following day he was dead …

An inquest on 17 April was told that, after an explosion in the refinery boiler room, the door had been closed and the men told to keep out. Griffin, who had been evacuated to safety, suddenly cried out ‘My mate! My mate!’ and before anyone could stop him had disappeared into the boiler room. Terribly scalded all over his body he died later that day. The coroner lamented that …

… the conduct of a man like him deserves to be recorded. No doubt there are heroes in everyday life, but they do not come to the front and so we do not hear of them.

Unbeknown to the coroner, Watts had been collecting newspaper cuttings of heroic acts for years and added Griffin’s story to the growing archive. So it came to pass that Thomas Griffin was among the first four people to be commemorated upon the newly opened memorial.

And finally …

One might get the impression that this gentleman was particularly worthy of recognition because the person he saved was not only a stranger but also a foreigner. This would be a shame if it detracts from a very brave act and a tragic one also since, according to Cambridge’s brother Royston, John need not have perished. He told the Nottingham Evening Post

My brother, who was a very good swimmer, saw while bathing an unknown person drowning, and swam out to her assistance. The bathing boat rescued the lady, and the other bather, but the boatmen declined to go out again, although we implored them to do so, and offered them payment, until they were ordered out by officials. It was then, of course, too late.

I have written in great detail about the following four heroes in an earlier blog which you can find (along with pictures of three of them) here

I am indebted for the background research used in this blog to the historian John Price and his incredibly interesting book Heroes of Postman’s Park – Heroic Self-Sacrifice in Victorian London. You will find details of how to purchase your copy here.

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St Bartholomew the Less (including a memorial that requires you to multiply and subtract)

Poor St Bartholomew the Less has had a tough time (EC1A 9DS). Designated ‘the less’ to distinguish it from its better known namesake nearby, it has also had to be substantially rebuilt a number of times including the need to repair damage inflicted in the Blitz. Nonetheless, it is a fascinating place containing many interesting historical monuments.

To find its modest doorway you must enter the grounds of St Bartholomew’s hospital through the Henry VIII gates and look to your left. Inside a rather spooky white hand directs you up stairs to the main body of the church …

It was once a parish church in its own right, the parish boundary being the walls of the hospital. The parishioners were made up of the hospital staff and patients and at one time attendance at services was compulsory for all who were fit enough. It was the only parish of this nature in existence but since 2015, however, it has become part of the Parish of St Bartholomew the Great.

There are many features to admire but, for reasons of space, I have tried to pick some of the most interesting and will look at others in a future blog.

High up on the south wall is the memorial to Robert Balthrope, Sergeant Surgeon to Queen Elizabeth I …

The inscription reads …

Here Robert Balthrope Lyes intombed,
to Elizabeth Our Queene
Who Sergeant of the Surgeons Sworne,
Neere Thirtye Yeeres Hathe Beene
He Died at Sixtye Nine of Yeeres,
Decembers Ninthe The Daye
The Yeere of Grace Eight Hundred Twice

Deductinge Nine A waye.
Let Here His Rotten Bones Repose
Till Angells Trompet Sounde
To Warne The Worlde of Present Chaunge
And Raise the Deade From Grounde.

He died in 1591, but the poet who devised this eulogy presumably had a problem getting 1591 to rhyme with anything. So he chose the frankly odd solution of asking the reader to do some mental arithmetic – ‘The Yeere of Grace Eight Hundred Twice’ (i.e. 800 x 2 = 1600) Deductinge Nine A waye (1600 – 9 = 1591).

The current windows in the church were designed by Hugh Easton, following the loss of the earlier windows during World War Two. Easton was an eminent stained glass maker who also designed the Battle of Britain memorial window in Westminster Abbey. The design of the nurse in the window in Westminster Abbey is strikingly similar to that in the window here …

And the doctors’ memorial window …

The mid-19th century alabaster pulpit depicts Christ healing the sick …

On the east wall is the poignant memorial plaque to Arthur Jermyn Landon which I wrote about in last week’s blog

Here he is in an image of him dated 1881 held at the Wellcome Foundation …

The elaborate memorial to John and Mary Darker (Died 1784 and 1800) is signed by J Binley …

Before you leave, look to the right of the door and you will see the tomb of Surgeon John Freke (1688-1756) …

English History Online has the following to say …

… a remarkably curious tomb of the fireplace kind, most elaborately wrought. It is the tomb of Freke, the senior surgeon of St. Bartholomew’s Hospital, who wrote many works upon surgery, still to be found in its library. His bust is to be seen in the museum of the hospital, and he is represented by Hogarth, in the last plate of “The Stages of Cruelty,” presiding aloft over the dissecting-table, and pointing with a long wand to the dead “subject,” upon whom he is lecturing to the assembled students.

And here it is …

You can read more about Hogarth’s The Four Stages of Cruelty here.

Look back after leaving the church and observe the oldest parts of the building, the 15th-century tower and west end of the church …

Within the tower are three bells, the oldest being cast in 1380. The bells are hung in the original wooden frame thought to be the oldest in London.

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A plethora of plaques

Plaques abound in the City and I thought it might be fun to write here about some of the more unusual or interesting ones I have come across.

First up is this example, now rather tucked away in a corner at Liverpool Street railway station. It’s underneath the main memorial to the First World War dead, which was unveiled by this gentleman in 1922 …

Wilson was assassinated outside his house in Eaton Place at about 2:20 pm. Still in full uniform, he was shot six times, two bullets in the chest proving fatal. The two perpetrators, IRA volunteers Reginald Dunne and Joseph O’Sullivan, shot two police officers and a chauffeur as they attempted to escape but were surrounded by a hostile crowd and arrested after a struggle. Interestingly both were former British army officers and O’Sullivan had lost a leg at Ypres, his subsequent disability hindering their escape. After a trial lasting just three hours they were convicted of murder and hanged at Wandsworth gaol on 10 August that year – justice was certainly delivered swiftly in those days. No organisation claimed responsibility for Wilson’s murder.

Until researching this event I hadn’t realised that, in all, about 210,000 Irishmen served in the British forces during World War One. Since there was no conscription, about 140,000 of these joined during the war as volunteers and about 35,000 of them died.

A brave doctor from an earlier war is commemorated in the church of St Bartholomew the Less, his actions and character described in poignant detail …

His former medical contemporaries at St Bartholomew’s Hospital have set up this tablet to keep in memory the bright example of ARTHUR JERMYN LANDON Surgeon Army Medical Department who, while continuing to dress the wounded amid a shower of bullets in the action on Majuba Hill, was in turn mortally wounded. His immediate request to his assistants “I am dying do what you can for the wounded” was characteristic of his unselfish disposition. His habitual life was expressed in the simple grandeur of his death. He was born at Brentwood Essex 29th June 1851. Died two days after the action at Mount Prospect South Africa 1st March 1881.

A plaque of a totally different nature is affixed to a hotel in Carter Lane …

The plaque was the result of a long campaign by a City grandee called Joseph Newbon who was a great believer in making sure that historical events connected with the City were properly commemorated.

Ironically, the letter written to Shakespeare by Richard Quiney (asking to borrow £30, about £3,700 in today’s money) was never dispatched and was found among his papers after he died.

Here it is …

You can find a transcript here, along with a lot more information, on the Shakespeare Birthplace Trust website.

The plaque was originally on the wall of a major Post Office, hence the reference to the Postmaster General. Now demolished, its imposing entrance has been incorporated into the hotel …

Whilst on the subject of The Bard, this magnificent bust is in St Mary Aldermanbury Garden, Love Lane EC2 …

A Wren church gutted in the Blitz, the remains of St Mary Aldermanbury were shipped to Fulton, Missouri, USA in 1966. The restored church is now a memorial to Winston Churchill’s ‘Iron Curtain’ speech made at Westminster College, Fulton, in 1946.

Below the bust is a plaque commemorating his fellow actors Henry Condell and John Heminge who were key figures in the printing of the playwright’s First Folio of works seven years after his death. There are almost twenty plays by Shakespeare, including The Tempest, Julius Caesar, Macbeth and Antony and Cleopatra, which we would not have at all if it were not for their efforts. Both of them were buried at St Mary’s …

This is what Shakespeare had to say about the churchyards of his day …

‘Tis now the very witching of the night

When churchyards yawn, and hell itself breathes out

Contagion to the world.

(Hamlet’s soliloquy Act 3 Scene 2)

Up until the mid-19th century the City contained numerous churchyards, usually adjacent to a parish church, but these were becoming seriously overcrowded and seen as an obvious threat to health. Not only did the population have to breathe in the ‘odour of the dead’, gravediggers themselves could contract typhus and smallpox from handling diseased corpses.

You can get a sense of how packed the graveyards were if you look at them now and see how much higher than street level some of them still are. For example, here is the view from inside St Olave Hart Street …

Eventually the overcrowding of the dead meant relatively fresh graves were broken into while new ones were being dug, and corpses were dismembered in order to make room for more. Sites were also subject to body snatchers (nicknamed the ‘Resurrection Men’), who sold the corpses on the black market as medical cadavers. The government eventually took action action when a serious cholera epidemic broke out and burial within the City limits was virtually totally prohibited by a series Burial Acts.

The removal of the dead from one churchyard is commemorated here …

A plaque on the wall informs us that ‘the burial ground of the parish church of St. Mary-At-Hill has been closed by order of the respective vestries of the united parishes of St. Mary-At-Hill and Saint Andrew Hubbard with the consent of the rector and that no further interments are allowed therein – Dated this 21st day of June 1846’. Following the closure, all human remains from the churchyard, vaults and crypts were removed and reburied in West Norwood cemetery. You can read more on the excellent London Inheritance blog.

Some bodies remained in place only to be resited for other reasons. In the case of the churchyard of St John the Baptist upon Walbrook it was the construction of the District Line underground railway …

The plaque is in Cloak Lane EC4R 2RU.

There is a fascinating article here about the London Underground’s construction and it’s reported encounters with London’s dead.

St Olave Silver Street was totally destroyed in the Great Fire of 1666 but its little churchyard lives on. A much weathered 17th century stone plaque records the terrible event …

This was the Parish Church of St Olave Silver street, destroyed by the dreadful fire in the year 1666.

Silver Street itself was annihilated in the Blitz and erased completely by post-war development and traffic planning. The little garden containing the stone is on London Wall at the junction with Noble Street.

I shall end on two more lighthearted notes.

Probably hundreds of people pass through the subway that leads to Mansion House Underground Station every day and don’t notice this old plaque dating from 1913 …

It celebrates not only the opening of the subway but also some brand new Gentlemen’s toilets (hence the involvement of the Public Health Department). ‘Street fouling’ had become a major problem, hence the rather ambiguously worded signs that were once common around London exhorting people to …

In the mid 19th century ideas were being put forward for ‘halting places’ and ‘waiting rooms’ and the City of London installed the first underground ‘Convenience’ outside the Royal Exchange in 1855. It’s still there, completely renovated, and is accessed by tunnels leading to Bank Underground Station. The original toilets were for men only, ladies had to wait another 30 years for their ‘convenience’.

The Mansion House loo is now closed and sealed off but a great example of street level toilet architecture exists on Eastcheap …

I am indebted for much of this information to a lady called Sarah McCabe who made the provision of underground conveniences the subject of her MA dissertation – I highly recommend it.

And finally. I know I have written about this famous cat before but it’s a nice story so I am going to repeat it.

High up on a tiled pillar in Barbican Underground Station is this rather sad little memorial …

For many years Pebbles was a favourite of staff and passengers, often sleeping soundly on top of the exit barriers despite the rush hour pandemonium going on around him. Here is a picture from the wonderfully named Purr’n’Fur website, a great source for moggie-related stories …

Clearly he was greatly missed when he died, as the plaque faithfully records, on 26th May 1997. This was doubly sad because he was due to be given a Lifetime Achievement Award. This was sponsored by Spillers Pet Foods and named after Arthur, a cat they used in their advertising who, I seem to remember, ate with his paws. The Certificate that came with the award is also displayed (the co-winner, the aptly named Barbie, was Pebbles’ companion) …

Pebbles’ posthumous award.

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City streets then and now

I was inspired by a recent Spitalfields Life blog to revisit some old City locations and find out what has changed (and what hasn’t!). Most of the old pictures are from the late 1890s or the early days of the 20th century and come from the Bishopsgate Institute archive.

Holborn Circus seemed a good place to start since Prince Albert is still there raising his hat to the City …

And here he is circa 1910 …

What is sad is when some interesting views disappear. Here is a picture I took looking east in June 2017 where Albert appears to be saluting Lady Justice atop the Old Bailey …

Now there is a new building obstructing his view …

The beating heart of the business City – Throgmorton Street circa 1920 …

And today – that clock on the left is still there …

It dates from 1892 …

If you look further along the street you can just glimpse the extraordinary entrance to Draper’s Hall …

The always informative Bob Speel architecture website tells us that the tall, powerful imposing figures are known as Atlantes and were carved by Henry Alfred Pegram in 1896.

It’s hard to imagine now that the Victorians allowed a railway bridge to be built which obstructed the view of St Paul’s from Fleet Street that had existed since 1710. Here’s the view circa 1910 …

The bridge was finally demolished in 1990 and this is the view today …

This is Fetter Lane around 1910 …

You can see mirrors suspended at an angle in order to bring more light into the first floor of number 85.

Numbers 85, 86 and 87 are now gone but 84 and its neighbour survive, albeit somewhat altered …

The Monument around 1900. Note the sign on the left … you could book a room at Lightfoot’s Inn or just pop in and enjoy some fresh oysters, a common food then even for the poor (as this article explains) …

The view of The Monument from the same point today …

Pageantmaster Court, just off Ludgate Hill, refers to the person charged with organising the Lord Mayor’s Show. Here’s a picture taken from there in 1910 …

And today …

The building on the right is still there. Once a bank it’s now a wine bar …

Here is Cheapside in 1892, when horsedrawn vehicles were still in the ascendancy and this picture was probably taken from one. There is a nice selection of male headgear in the image – a few top hats, a homburg and a debonair chap sporting a straw boater …

Around 1910 …

I think the newspaper advertisement reads ‘France surprise for Turkey – Ambassadors ordered to leave’. Further down the road a haircut will cost you 4d and a shave 2d.

And today from approximately the same spot …

And finally, a favourite of mine, men laying tramlines at the junction of Clerkenwell Road and Goswell Road …

In the background is the Hat and Feathers pub, sadly now closed …

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Looking skywards

I spend a lot of time looking up as I wander around the City, which is another reason why I tend to take photographs at the weekend. That way I won’t be obstructing bustling City folk going about their business and get tutted at when I stop abruptly.

I hope you find this miscellaneous collection interesting. Some have appeared in blogs already but I have included them again because I just like them.

This globe sits on top of the London Metropolitan University building on Moorgate (EC2M 6SQ) …

I had never noticed before that it is encircled by the signs of the Zodiac.

Here’s what it looks like at street level with the Globe Pub sign in the foreground …

Whilst on the subject of Zodiacs, there are some attractive figures around the door of 107 Cheapside (EC2V 6DN) …

They were sculpted by John Skeaping, Barbara Hepworth’s first husband …

Sagittarius – November 22nd to December 21st.

Pisces – February 19th to March 20th.
Aquarius January 20th to February 18th.

And in Cheapside there is another globe, this time supported by a straining Atlas balanced on top of a clock …

It was once the headquarters of the Atlas Assurance Company. The entrance was in King Street and above the door is another depiction of Atlas hard at work. I like the detail of his toes curled around the plinth (EC2V 8AU) …

Across the road is Kings House sporting a magnificent crown …

Above it is a very pretty Mercer Maiden dating from 1938 …

This wise old owl watches commuters as they flow back and forth over London Bridge. He was located outside what was once the Guardian Insurance Company headquarters (EC4N 7HR) …

Look up as you walk down Eastcheap and you will see the remains of a dead camel …

Constructed between 1883 and 1885, the building at 20 Eastcheap was once the headquarters of Peek Brothers & Co, dealers in tea, coffee and spices, whose trademark showed three camels bearing different shaped loads being led by a Bedouin Arab. The firm was particularly well known for its ‘Camel’ brand of tea. When Sir Henry Peek (son of one of the original founders) commissioned this building he wanted the panel over the entrance to replicate the trademark, right down to the dried bones of the dead camel lying in the sand in the foreground.

Admire the leopard’s head symbol of the Goldsmith’s Company over the entrance to the old churchyard of St Zachary on Gresham Street (EC2V 7HN) …

Guardian angels are still resting on their swings opposite St Paul’s Underground Station …

This fearsome dragon on Fleet Street guards the western entrance to the City on the site of the old Temple Bar. He looks like something straight out of a Harry Potter story …

I love spotting the wide variety of weather vanes that populate the skyline even in a City crowded with new skyscrapers. This one referencing the horrific death of a martyr sits atop St Lawrence Jewry (EC2V 5AA) …

St Lawrence was executed in San Lorenzo on 10 August 258 AD in a particularly gruesome fashion, being roasted to death on a gridiron. At one point, the legend tells us, he remarked ‘you can turn me over now, this side is done’. Appropriately, he is the patron saint of cooks, chefs and comedians.

The church of Anne and St Agnes also stands in Gresham Street and is unmistakable by its letter ‘A’ on the weather vane on top of the small tower. It is named after Anne, the mother of the virgin Mary and Agnes, a thirteen year old martyr (EC2V 7BX) …

Now compare and contrast these two war memorials.

In Holborn is this work by Albert Toft. Unveiled by the Lord Mayor in 1922, the inscriptions read …

To the glorious memory of the 22,000 Royal Fusiliers who fell in the Great War 1914-1919 (and added later) To the Royal Fusiliers who fell in the World war 1939-1945 and those fusiliers killed in subsequent campaigns.

Toft’s soldier stands confidently as he surveys the terrain, his foot resting on a rock, his rifle bayoneted, his left hand clenched in determination (EC1N 2LL).

Behind him is the magnificent, red terracotta, Gothic-style building by J.W. Waterhouse, which once housed the headquarters of the Prudential Insurance Company. Walk through the entrance arch to the courtyard and you will see the work of a sculptor who has chosen to illustrate war in a very different fashion. The memorial carries the names of the 786 Prudential employees who lost their lives in the First World War …

The sculptor was F V Blunstone and the main group represents a soldier sustained in his death agony by two angels. He is lying amidst war detritus with his right arm resting on the wheel of some wrecked artillery piece. His careworn face contrasts with that of the sombre, beautiful girls with their uplifted wings. I find it incredibly moving.

I have written about angels in the City before and they are usually asexual, but these are clearly female.

And finally, as I walked along Cornhill one day I glanced up and saw these rather sinister figures silhouetted against the sky…

Closer inspection shows them to be devils, and rather angry and malevolent ones too …

They look down on St Peter upon Cornhill and are known as the Cornhill Devils (EC3V 3PD). The story goes that, when plans were submitted for the late Victorian building next to the church, the rector noticed that they impinged slightly on church land and lodged a strong objection. Everything had to literally go back to the drawing board at great inconvenience and expense. The terracotta devils looking down on the entrance to the church are said to be the architect’s revenge with the lowest devil bearing some resemblance to the cleric himself.

If this resembles the rector he must have been a pretty ugly guy!

Happy New year!

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Christmas Lights and unusual sights

Lighting really has become sophisticated!

Wandering over the St Alphage Highwalk just before Christmas I saw these odd shapes in the distance (EC2Y 5EL) …

This is what they looked like on closer inspection …

Good fun, I thought, but not all that interesting.

Passing by again that evening was a totally different experience as the ‘flowers’ changed colour in a fascinating sequence …

Wow!

Then I saw these odd cubes in the Salters’ Hall Gardens …

They look like they are floating in the air …

Here’s one in close up …

Nice but not as dramatic as last years’ display.

Unfortunately I have no idea what these letters and numbers signify …

Even without the Christmas enhancements I like the London Wall Place lighting very much and you can read more about the thinking and planning behind it here.

As every year, Tower 42 amuses us with a homage to ‘Christmas Jumper Day’ …

And its usual Christmas tree …

You also see some strange sights around the City this time of year. For example, this Star Wars Stormtrooper patrolling the desks in the WeWork building …

And this unusual evening visitor to Salters’ Hall …

And finally, Shard Lights returned on 9th December 2019, transforming the top 20 storeys of The Shard into an exciting and colourful spectacle, visible across the capital.

The show, designed with help from local schoolchildren, features three, nine-minute sequences displayed every half hour from 4pm to 1am each evening throughout the month. Each sequence reflects the children’s designs and here are a few examples …

On New Year’s Eve there will be a unique display from when the clock strikes midnight to the early hours of New Year’s Day before the show comes to a close.

All best wishes for 2020!

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The Christmas Quiz!

Hello, friends,

Wow, doesn’t time fly. It’s time for another Christmas quiz!

There are 20 questions with answers supplied at the end of the blog. All questions relate to subjects I have written about during 2019.

Have a wonderful Christmas and a Happy New Year!

  1. This extraordinary building near Liverpool Street Station is now a restaurant. But what was it when it first opened in 1895?

2. This man as portrayed in glazed faience reliefs in Widegate Street is clearly working very hard. What does he have in the sack?

3. What’s the name of the alley where this ecclesiastical man’s head peers down on us?

4. You’ll find various versions of this elegant lady throughout the City. What famous livery company does she represent?

5. Just what is this happy chap up to?

6. These men are going to meet a nasty end in this 1964 horror movie. What was the film called and what City church are they entering?

7. Where is this winged horse and what is it an emblem of?

8. This voluptuous lady resting on a plinth in the Broadgate Centre has an appropriate nickname. What is it?

9. Why is the Thames riverbank littered with thousands of lumps of chalk?

10. This pretty lady in a Hart Street church looks like she is in mid-conversation. Who is she?

11. These offices in Garrett Street off Golden Lane have a very shallow, sloping set of stairs as a result of the original use of the building in 1897. What was that use?

12. What famous piece of home entertainment equipment was once manufactured in these premises on Old Street? The name of the building is a subtle clue.

13. What can you sometimes hear if you put your ear to this grating at the junction of Greville Street and Saffron Hill?

14. Where can you find this wall tile representing the Palace of Westminster?

15. Why does this elaborate water fountain memorial contain a carving of a Christmas cracker?

16. This creature was a sculptor’s best effort at imagining what an alligator looked like. Where is it?

17. Where is this unusual post box and what is particularly odd about it?

18. Why did the word ‘Resurgam’ have a particular significance for Sir Christopher Wren?

19. What was the connection between the Thomas Cook Travel agency and Fleet Street?

20. No one takes much notice of it now, but why was this piece of street furniture once known as ‘The Pump of Death’?

Answers to the Quiz

  1. It’s in Bishopsgate Churchyard near Liverpool Street Station and was originally a Turkish Bath. You can read all about its history here.

2. Also near Liverpool Street Station, this is the exterior of the former Nordheim Model Bakery at 12-13 Widegate Street. Here there are glazed faience reliefs which, as a group, show the bread-making process in beautiful detail. The man in the picture is hauling flour.

3. It is, of course, Pope’s Head Alley which runs between Cornhill and Lombard Street. I have written about it and other alleys and courtyards here.

4. She is a Mercer Maiden and marks a building, or an area, as belonging to the Mercer Company. She appeared a few times in 2019 blogs but I first wrote about her in detail here in 2017.

5. The artist Ben Wilson brightens up our lives by painstakingly turning pieces of discarded chewing gum into art. Read more about him and his work on the Millennium Bridge here.

6. The film was Children of the Damned and the church St Dunstan in the East. Read more and view a clip from the movie here along with a dramatic Iron Maiden soundtrack.

7. Pegasus, the winged horse, is the emblem of the Middle Temple in the Inns of Court.

8. Created by Fernando Botero especially for the site she is known as the Broadgate Venus.

9. On the Thames Riverbank large chalk beds were once laid down to provide a soft settling place for barges at low tide. Take a look at my Riverbank walk blog.

10. She is Elizabeth, the wife of Samuel Pepys, and her monument can be found in the Church of St Olave Hart Street. Pepys was distraught when she died from typhoid fever at the early age of 29. His memorial is directly opposite hers and their eyes meet eternally across the nave where they are buried alongside one another.

11. These were the stables custom-built in 1897 for the dray horses that pulled the Whitbread Brewery wagons. Where the staircase is now there was a slope which allowed the horses to be easily led up to the first floor.

12. Number 116 used to be the Margolin Gramophone Company factory. They manufactured the Dansette record player – a name very familiar to us baby-boomers. The stylus is a needle that rests against a record in order to play the recording.

13. Here you can occasionally hear the sound of running water since, directly underneath, runs probably the most famous of London’s ‘lost’ subterranean rivers, the Fleet.

14. Aldgate East station has some fascinating tiles that date from the 1930s. Many were created by the artist and craftsman Harold Stabler, who was commissioned by the London Passenger Transport Board in 1936 to design tiles to decorate new and refurbished underground stations. The first of the tiles were installed at Aldgate East when it was rebuilt in 1938.

15. It’s a memorial to Tom Smith, the inventor of the Christmas cracker. Read all about it here.

16. You will find this sculpture, which commemorates Queen Anne, outside the west front of St Paul’s Cathedral. The queen is surrounded by four allegorical figures and this one represents America. In 1712, this is what the original sculptor Francis Bird imagined an alligator would look like.

17 .This post box is just on the other side of the Henry VIII gateway to St Bartholomew’s Hospital. It’s unique in carrying no royal cipher and also because, although it faces the hospital, it is emptied from the other side of the wall in the street.

18. If you look up at the pediment of the south porch of St Paul’s Cathedral this is what you will see. Whilst staking out the foundations in the newly cleared site, Sir Christopher needed to mark a particular spot and asked a labourer to fetch a stone. The man came back with a fragment of a broken tombstone on which was carved 0ne word, RESURGAM – I shall rise again. Wren’s son later wrote that the architect never forgot that omen and it was an incident from which he drew comfort when the obstacles that arose during the long years of rebuilding seemed insuperable.

19. Thomas Cook, in partnership with his son, John Mason Cook, opened an office in Fleet Street in 1865. In accordance with his beliefs, Mr Cook senior and his wife also ran a small temperance hotel above the office. You can still see the building now, graced with numerous globes and cherubs.

20. Hundreds died when water from the pump became contaminated as a result of flowing underground too close to cemeteries.

I hope you enjoyed this year’s quiz.

Have a lovely Christmas break and a happy new year!

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The Pump of Death and a walk towards St Botolph’s

At the junction of Fenchurch Street and Leadenhall Street people usually hurry past this old water pump without a second glance, not knowing anything about some gruesome aspects of its history …

There was a well here for centuries and one appears to be shown on the Agas map of 1561 …

Look under the ‘A’ of Aldegate

After a pump was installed in the sixteenth century the water gained a reputation for being ‘bright, sparkling, and cool, and of an agreeable taste’. In the early 1870s, however, people started noticing the taste deteriorate and become foul. Then people who had drank the water started dying in great numbers in a tragedy that became known as the Aldgate Pump Epidemic.

It was known that Thames water was dangerous as illustrated by this 1850s drawing entitled The Silent Highwayman

But Aldgate water originated in the healthy springs of Hampstead and Highgate and flowed underground – so it should have been safe.

The bad news broke publicly in April 1876 …

An investigation by the Medical Officer of Health for the City revealed the terrible truth. During its passage underground from north London it had passed through and under numerous new graveyards thereby picking up the bacteria, germs and calcium from the decaying bodies. The pump was immediately closed and eventually reconnected to the safer New River Company’s supply later in 1876. You will find a fascinating history of the New River Company if you access the splendid London Inheritance blog.

The epidemic was obviously a distant memory by the nineteen twenties when Whittard’s tea merchants used to

… always get the kettles filled at the Aldgate Pump so that only the purest water was used for tea tasting.

I have discovered a few old pictures …

The pump in 1874- picture from the Wellcome Collection.

And in August 1908 a little East End boy refreshes himself using the cup attached to the pump by a chain …

The full picture …

The wolf’s head spout is said to reference the last wolf killed in the City of London …

Nice that it has survived intact into the 21st century.

Walking towards St Botolph’s church I saw on the left this magnificent drinking fountain ‘Erected by permission of the vicar and churchwardens’. It has a connection with the Metropolitan Drinking Fountain Association which I have written extensively about in my blog Philanthropic Fountains

It’s dedicated to the memory of Frederic David Mocatta …

A wealthy bullion broker, after he had retired from the business in 1874 he devoted himself to works of public and private benevolence, especially in the deprived East End of London. It was people from that area who raised the money for this memorial and you can read more about him here.

A little bit further on is this 1950s police call box …

This is the third one I have discovered in the City and you can read more about the others here.

As you walk up the steps to visit St Botolph’s, turn around and look across the road. There are some old late Victorian buildings that have survived redevelopment and I was struck by how much care had gone into the decoration at roof height, even though very few people would be looking up to see it …

Next week I enter St Botolph’s and will write about some of the best and most interesting monuments and memorials in the City.

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