Symbols & Secrets

Walking the City of London

Why are some buildings on Fleet Street so skinny?

I was going to write about the unusually narrow frontage of some of Fleet Street’s buildings but ended up writing a short history of the area. I found doing the research fascinating and I hope you enjoy reading what I discovered.

The street is, of course, named after the ancient River Fleet that flows from its sources in the hills of Highgate and Hampstead down to the River Thames at Blackfriars. A major river in Roman times, it gradually deteriorated into an open sewer and even as early as 1290 the Carmelite monks of nearby Whitefriars Abbey were complaining to the King of the ‘putrid exhalations of the Fleet’ which overpowered the incense at Mass.

I have found two very early maps showing Fleet Street and the surrounding areas. The first by Braun and Hogenberg (1560/72) …

The street is not named on the map but it is the main road in the middle of the picture running west to east. You’ll see fields, gardens and orchards to the north and south west but the street itself is already lined with buildings. It proved a convenient link between the Court at Westminster and the commercial City as well as being an ideal location for printing with the growing number of legal and teaching establishments nearby. The wonderfully named Wynkyn de Worde, a colleague of William Caxton’s, moved to the Sign of the Sun near Shoe Lane around 1500 and printed approximately 800 works until his death in 1535. Many more printing enterprises were founded as the century progressed.

Also fascinating is the Agas Map from 1561 (as reproduced in 1633). To the east you can see the Fleet as it continues its flow south to the Thames entering it at Bridewell. Also on the Thames, between Bridewell and The Temple, is the Whitefriars Abbey but the monks were no longer there to complain about the smell. They had been thrown out during Henry the Eighth’s dissolution of the monasteries in 1538 …

The Great Fire in 1666 obliterated two-thirds of the street and its environs but was halted at Fetter Lane to the north and the Temples to the south. The street layout survived the Fire, with rebuilding following the same medieval plots as before, which explains the skinny nature of some of the buildings here in the 21st century. The plot narrowness is very apparent from the 1873 Ordnance Survey Map …

Here are some of the buildings you can see today that have been squeezed in ….

The one on the right was the Kings and Keys pub where the journalists from The Telegraph newspaper next door used to hang out. It closed in 2007.

By the 17th century the area was more urbanised and much of the remaining open space had been developed. To the north the surviving system of alleys and courts came into being, while to the south riverside land was parcelled up into tenements. You can see the growth of developments in the 1676 map by Ogilby and Morgan …

Already a notorious, stinking open sewer, in later years waste from slaughterhouses and tanneries made matters far worse. Observing a flood during a storm in 1710 Jonathan Swift penned the following lines …

Sweepings from Butchers Stalls, Dung, Guts and Blood,
Drown’d Puppies, stinking Sprats, all drench’d in Mud,
Dead Cats and Turnip-Tops come tumbling down the Flood.

The southern end of the Fleet was finally completely covered over in 1766. I must say, however, that this picture of circa 1750 by a follower of Samuel Scott (1702-1772) makes its entrance to the Thames look positively Venetian. You can see the obvious influence of Canaletto …

Guildhall Picture Gallery.

A few buildings survive from the massive rebuilding that took place after the Great Fire.

The Tipperary pub, circa 1667, on its narrow plot …

The rear of The Old Bell Inn, circa 1669 …

Numbers 5 and 6 Crane Court, circa 1670 (but largely reconstructed after a fire in 1971) …

The Cheshire Cheese pub, a merger of two 17th century houses …

The entrance is down the alley on the left of the picture …

The house built in 1700 where Dr Johnson lived from 1748 to 1759, 17 Gough Square …

Incidentally, Dr Johnson’s favourite cat, Hodge, gazes at his old home from across the Square. He’s sitting on his owner’s famous dictionary having just eaten an oyster …

No history of Fleet Street would be complete without mentioning another survivor from the 17th century, St Bride’s church. Built by Christopher Wren between 1671 and 1678, the famous ‘wedding cake’ spire was added 1701-3 and rebuilt after a lightning strike in 1764 …

It’s still known as ‘The Journalists’ Church’. Photo credit : Pinterest.

The entrance to Crane Court has a plaque celebrating the publishing of the first British daily newspaper, the Daily Courant, on 11 March 1702 …

It consisted of a single page with advertisements on the reverse …

It lasted until 1735 when it merged with the Daily Gazetteer.

Over the next century Fleet Street gradually became more and more commercial and in 1855 the repeal of stamp duty resulted in an immediate drop in the price of newspapers. Readership boomed. New printing works opened up and taverns and ‘gin palaces’ flourished of which the Punch Tavern (built 1894-7) is a good example that is still around today. This is an image from Tripadvisor since the pub is closed at the moment …

Here’s how the Street looked just before Punch’s construction started …

Fleet Street in 1893.

There’s a great ten minute documentary on Fleet Street’s newspaper architecture here, especially worth viewing because it takes you into the magnificent Art Deco interior of the Daily Express building. This has been hidden behind curtains since Goldman Sachs took over the building.

‘Read all about it!’ – 7th May 1937, the day after the Hindenberg disaster. That’s the headquarters of The Daily Telegraph in the background …

Photo credit : Getty images.

The 1980s and ’90s saw the dispersal of the newspaper industry to sites in the Docklands and in other parts of London but some of the old signage remains, next door to St Dunstan-in-the-West

The last journalists left in August 2016 – they worked for the Sunday Post in the office shown in the photograph.

Do pause at the east end of Fleet Street and look up Ludgate Hill. You’ll be enjoying a view that would have been familiar to every denizen of the City since 1710 – the spire of St Martin within Ludgate piercing the sky between the western towers of St Paul’s Cathedral (although the view was obstructed for a while by a railway bridge!) …

I am indebted to the City of London Corporation’s Fleet Street Conservation Area document for many of my sources and will end with a quote from it, written pre-Brexit …

Today, Fleet Street is a vibrant street enhanced by past religious, ceremonial and institutional associations and its links with the newspaper industry, with one of the longest ensembles of pre-war buildings in the City. It is part of the established processional route and the route of the Lord Mayor’s show.

Let’s hope that its full vibrancy will one day return.

I have written about Fleet Street before and here are links to the blogs:

Fleet Street Ghosts – people, buildings and places from the past.

Fleet Street Legends – great newspapermen.

Fleet Street’s Courts, Lanes and Alleys – lots of snippets of City history.

I have also written at some length about the Fleet River under the title Secret & Sacred Rivers.

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https://www.instagram.com/london_city_gent/

Potato Heads on Whitecross Street (and some Street history)

It was a lovely sunny day last Saturday so I wandered along Whitecross Street to gaze at some of the wonderful art works. Many of these have been produced over the years at the famous Whitecross Street Party. Who wouldn’t smile at this splendid pair of potato heads …

Work by Keith Jive.

Then there’s a crazy cat with a bird standing on his paw tweeting his love …

Work by Roo.

A pretty green-eyed lady being created …

And now finished and ‘hung’ …

Laughing heads … Ho ho ho ho ho!

I love the colours in this abstract work …

Spot the bee …

A young girl holding a spirit animal over her head and shoulders by Goya Torres (based on her Children of the Sun series). Read more about this fascinating artist here

Not sure what this represents but I still like it, dynamic and colourful …

Work by Will Vibes.

Looking north up the street you get a good view on the right of a mural by Conor Harrington, an Irish artist living and working in London. Incidentally, the church in the background is St Luke Old Street and the unusual obelisk spire is by Nicholas Hawksmoor …

Here is Harrington’s work in more detail. It has weathered quite well considering it was created in 2012 …

Below is a pretty, tattooed winged angel

Stencil by DS Art.

‘Oi, are you lookin’ at my bird?’ …

You can view more pictures and activity here on Instagram.

This year’s party is scheduled for 10th and 11th July, mid-day to 6:00 pm. Read more on the official website.

The street boasts a number of blue plaques placed there by ‘English Hedonists’ and ‘Mad in England’ …

I have written about the Debtors Prison before but here it is again for those of you who missed it the first time around.

British History Online confirms the Nell Gwynne story mentioned on the plaque but I cannot find another source. It also tells us that …

A man may exist in the prison who has been accustomed to good living, though he cannot live well. All kinds of luxuries are prohibited, as are also spirituous drinks. Each man may have a pint of wine a day, but not more; and dice, cards, and all other instruments for gaming, are strictly vetoed.”

A pint of wine a day doesn’t sound too bad.

The prison was capable of holding up to 500 prisoners and Wyld’s map of London produced during the 1790s shows how extensive the premises were …

Prisoners would often take their families with them, which meant that entire communities sprang up inside the debtors’ jails, which were run as private enterprises. The community created its own economy, with jailers charging for room, food, drink and furniture, or selling concessions to others, and attorneys charging fees in fruitless efforts to get the debtors out. Prisoners’ families, including children, often had to find employment simply to cover the cost of the imprisonment. Here is a view of the inside of the Whitecross Street prison with people meeting and promenading quite normally …

‘Inside the Debtors’ Prison, Whitecross Street, London’ by an unknown artist : City of London Corporation, Guildhall Art Gallery.

Creditors were able to imprison debtors without trial until they paid what they owed or died and in the 18th century debtors comprised over half the prison population. Prisoners were by no means all poor but often middle class people in small amounts of debt. One of the largest groups was made up of shopkeepers (about 20% of prisoners) though male and female prisoners came from across society with gentlemen, cheesemongers, lawyers, wigmakers and professors rubbing shoulders.

It’s over two years since I wrote about this second plaque so here it is again.

It tells us that there once lived here a lady called Priss Fotheringham who had been ranked ‘the second best whore in the City’. This description appeared in 1660 in a serial publication called The Wandring Whore by John Garfield, which described in some detail the antics of London’s prostitutes.

Described when young as a ‘cat-eyed gypsy, pleasing to the eye’, Priscilla Fotheringham (nee Carswell) was a colourful character very famous in her time. It is thought she was born in Scotland around 1615 and little is known of her early life. What we do know is that in 1652 she was sent to Newgate Gaol having been found in a house of ill-repute …

… sitting between two Dutchmen with her breasts naked to the waist and without stockings, drinking and singing in a very uncivil manner.

In 1658 she was still misbehaving and was bound over by a Middlesex Justice of the Peace for …

… being a notorious strumpet … that had undone several men by giving them the foul disease … and for keeping the husband of Susan Slaughter from her and for also threatening to stab said Susan Slaughter … and also for several notorious wickedness which is not fit to be named among the heathen.

She had married Edward Fotheringham, an odious character from a brothel-owning family, in 1656 and he set her up as a madam at the Jack-a-Newberry Tavern on the corner where her plaque now stands. As her looks faded with time she became more ‘creative’ in the way customers were entertained – you can read more detail in her Wikipedia entry. She made enough money to set up her own brothel and died (of syphilis) a wealthy woman around 1668.

The Whitecross Street area was at one time rather notorious, as this 17th century ballad records …


In Whitecross Street and Golden Lane
Do strapping lasses dwell,
And so there do in every street
‘Twixt that and Clerkenwell.
At Cowcross and at Smithfield
I have much pleasure found,
Where wenches like to fairies
Did often trace the ground.

Nowadays the big attraction is Waitrose.

If you would like to follow me on Instagram here is the link …

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My pictures of St Paul’s Cathedral

Since many of the places I visit in order to get inspiration for my blog are temporarily closed I was beginning to get rather worried. However, an idea came to me just sitting at my desk and looking around the room. Regular readers will know how fond I am of St Paul’s and a number of pictures of the Cathedral hang on the study wall, so I decided to write about those.

The largest by far is this one, a signed limited edition print entitled Pencil drawing of London and St Paul’s of the 18th Century by Roger Withington used on the reverse of the £50 note issued from 1981

I love the detail like the little figures manning the boats …

On the quayside barrels are being unloaded, wood is being stacked in the wood yard and in the foreground two ladies are being rowed to their destination. The lady in the boat on the left is wearing a pretty bonnet and the one in the boat on the right is holding an open parasol …

Here is how the drawing was used on the actual £50 note, with Sir Christopher Wren in the foreground …

This is a signed etching entitled A City Lane. St Paul’s by Leslie Moffat Ward RE SGA (1888-1978) …

The picture isn’t dated but is obviously pre-Second World War. There is a lady standing on the corner and her clothes suggest the early years of the 20th century …

I have been trying to identify where the artist was at the time and I am pretty sure he was looking north up Black Swan Court, perhaps positioned at its junction with Carter Lane. Here’s the location in the 1873 Ordnance Survey Map with my pencil indicating where I think the lady was standing …

By 1895 the northern entrance had been built over and access converted into a covered alley way. I think that’s the arch you can see behind and to the right of the lady.

Black Swan Court is still shown in the Survey’s 1914 edition (although too small to be named) …

It looks like the southern entrance has now also been converted into a covered alley which suggests that, if he was standing on Carter Lane, Ward was working there before 1914 (when he would have had his 26th birthday).

The area was very badly damaged in the Blitz and Black Swan Court disappeared for ever. The Black Swan Tavern (which was actually on Carter Lane) was also destroyed and you can see an image of it in ruins here in the London Picture Archive.

I really like this depiction of Ludgate Hill in 1928 (or thereabouts), especially the stout City policeman and the classic open-topped red omnibus …

I’m sure about the dating because of the label on the back, which made me feel a bit sad. I wonder what Lizzie, Pollie and nephew Will would think of the fact that their thoughtful present would end up in a Kent bric-a-brac shop almost 90 years later, which is where I bought it for £20 …

This picture is entitled Eng. by J. Storer from a drawing by H.S. Storer N. East View of St. Paul’s Cathedral

The label on the back describes it as Date circa 1817 – copper engraving hand coloured in watercolours. It’s nice that there is a stagecoach in the picture since this was their golden age. For example, in 1750 it took around 2 days to travel from Cambridge to London but by 1820 the journey time had been slashed to under 7 hours. I also like the chap galloping off on his horse, obviously on urgent business.

And last, but by no means least, a painting by my friend Chris (on a Christmas card) …

Finally, a picture to cheer everyone up, the little daffodils are out …

If you would like to follow me on Instagram here is the link …

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