Symbols & Secrets

Walking the City of London

Highlights of my Madeira holiday.

I know, I know, other people’s holiday pics are boring. Many apologies, but the really cold weather since we returned put me off wandering the streets looking for stories.

Anyway, I still hope you find the following interesting.

Funchal, the capital, is a nice city to walk around. One thing that is very much a feature, both here and all over Portugal, is the attractive paving …

Called “Calçada Portuguesa” (Portuguese pavement), it consists of small flat stones of basalt and limestone displayed like a mosaic.

And not a discarded Lime Bike or rental scooter in sight!

The 16th century gothic style Funchal Cathedral is quite understated from the outside …

But stunning within …

We also visited the Church of Our Lady of the Mount, rebuilt in 1818 after an earthquake destroyed its predecessor …

The Last Supper …

That must be Judas lurking in the corner, clutching the bag with his 30 pieces of silver.

I didn’t realise that Charles I of Austria (who died in exile in Madeira) had been beatified by the Pope and was therefore firmly on the road to full sainthood.

His coffin is on display in the church …

When his tomb was opened in 1972 his body was discovered remarkably well-preserved—despite the fact that a window in the coffin had broken, allowing in moisture and damp, tropical air. It was opened again in 2003 and a rib removed as a relic with pieces distributed to shrines around the world.

Looking down over the city …

There was an art gallery in the botanical gardens near the church. Here are some images from our visit …

The view from the cable car heading back to the city centre …

Funchal has expanded greatly since our last visit 24 years ago.

Art for sale on the street …

Interesting architecture …

Pretty tiles outside the old Ritz Hotel …

Some would say that this was a work of art …

Knick-Knack selection …

Cruise ships are not pretty, but this one put on a bit of a light show …

We didn’t see many seagulls – maybe because of this chap on patrol every day with his tame falcon …

We really enjoyed the food!

A perfect poached egg (well, it is for me, maybe a bit runny for some) …

The way to serve honey at breakfast time …

In the evening, local shrimp in garlic butter with a top class Portuguese rosé (a generous glass for 4 Euros) …

Crêpes Suzette, a perfect finish …

Plus a brandy and a coffee, of course (dry January is a distant memory) …

Sadly, we didn’t have time to take in this intriguingly named show …

The journey home was a bit fraught. The plane taking off two and a half hours late followed by our taxi driver forgetting where he had parked in the multi-storey at Gatwick! Made it home safely in the end, though.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Citra Sasmita at the Barbican Curve.

I enjoyed my visit to The Curve to see the first solo UK exhibition of work by self-taught artist Citra Sasmita entitled Into Eternal Land. You can read more about the artist and the exhibition here. Incidentally, for the first time ever I was given a verbal trigger warning and told that that the exhibition contained ‘animal skins and representations of nudity’.

Here are some of my images (the animal parts are cow hides and a python skin).

Beaded cow hides hung on antique wooden pillars …

Acrylic on Kamasan canvas …

Acrylic on python skin …

Embroidery on canvas …

The exhibition closes with a space for meditation around a golden mandala of ground turmeric …

Into Eternal Land runs until Monday 21st April.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

A fab frieze at Cutlers’ Hall.

I used to think the Cheapside frieze that I wrote about last week was the best example of terracotta carving in the City, but that was before I came across Cutlers’ Hall.

It can be found at 4 Warwick Lane (EC4M 7BR). Their earliest hall was built in 1638 but was lost in the Great Fire and then rebuilt twice; in 1725 and the 1832. The third and current hall dates from 1884, designed by Samuel Worth and Benjamin Broomhead Taylor who agreed to work together after the Company couldn’t choose between their respective proposals.

The coat of arms of the Cutlers’ Livery Company is – perhaps surprisingly – the elephant and castle. The exact reason for of the choice of an elephant has disappeared in the mist of time, but is presumed to relate to the ivory used to make knife and sword handles. Of old, the cutlers were responsible for producing metal items with a sharp edge, the emphasis shifting over time from implements used in warfare to those for domestic use. The arms were granted to the Company in 1476, although the elephant and castle did not come in until 1622 …

The Cutlers’ Company French motto – To Succeed through good faith

I love the door handles …

The magnificent terracotta frieze on the Hall façade, showing cutlers at work, is by the sculptor Benjamin Creswick (1853-1946). Creswick had been a pupil of John Ruskin and was a cutler himself from Sheffield. After he had had to leave the trade because of ill-health, he became interested in sculpture. The frieze (containing 33 figures) was made by E. Goodall & Co of Manchester …

It consists of four panels showing the four main facets of the cutlers’ craft: forging, grinding, hafting (preparing and fitting knife handles) and finishing. Let’s take a look at them in more detail.

Panel 1: Forging …

Left to right: plunging hot scissors into the hardening trough; forging scissors; heating the iron and hardening table knives at the bellows; the maker or ‘smith’ and the ‘striker’ (both with hammers) forging table knives; bringing a bundle of steel into the smithy.

Panel 2: Grinding …

Left to right: carrying a box of finished knife blades; a seated old man polishing or ‘buffing’ blades; glazing the blades and checking the stone marks have gone; hewing the grindstone; grinding the grindstone; setting blades before they are put on the grindstone, while a man holding a small grindstone remonstrates with him; an apprentice carrying a box of new work on his shoulder; two men carrying a large grindstone.

Panel 3: Hafting …

Left to right: filing a handle at the workbench; filling handles with compound as a young boy looks on, having brought his father’s dinner; a seated figure polishing a knife handle or ‘dollying’; a bearded man filing a handle; a standing man advising a seated apprentice drilling holes in handles; a seated youth scraping or ‘shaving’ knife handles with a piece of flat steel; a seated moustachioed man riveting handles; wiping off and checking the work.

Panel 4: Finishing …

Left to right: grouping scissors into lots; a man reaching for tongs and blowing the bellows; a little boy poking the fire; boring the scissors on the foot-operated lathe; glazing the scissors; the scissor filer; finishing off and testing the scissors.

I’m indebted to the London on the Ground Walking Tours blog for the detailed description of the four stages.

I love the young boy absorbed by his father’s careful work …

I had to smile when I noticed this plastic owl just above the terracotta on the right. He’s obviously intended to deter pigeons …

‘To-whit to-whoo!’

We are very lucky to be able to admire the hall today. A high explosive bomb destroyed the entire building next to it on the 10th May 1941, bringing down the hall’s North wall. The damage however was repaired and the hall brought back into use …

After visiting the hall, if you walk to the north west corner of Warwick Lane you will find an interesting bas-relief plaque. You can read about it, and the nearby mysterious Panyer Boy, in my blog from March 2018.

Trivia fact: Queen Anne was born exactly 360 years ago today, on 6th February 1665. Read more about her in my blog Queen Anne – tales of tragedy, love and vandalism.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

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