Walking the City of London

Category: Stained Glass Page 3 of 9

‘Tommy’s’ – my visits to St Thomas’ Hospital.

I was a hospital in-patient recently and fortunately ended up at one of the best hospitals in the world, St Thomas’ in Lambeth (or ‘Tommy’s’ as us alumni call it) where the standard of care was outstanding. I’m pleased to say I’m fine now, thank you for asking.

One of the most extraordinary features of the place is the view from some of the wards. Here’s what I could see if I just stepped out of bed …

When I went back last week for a follow-up appointment I did a bit of exploration and was astonished and delighted at what I found.

I headed for the oldest part of the hospital and on my way, in the South Wing corridor, I came across these lovely tiles …

Created by the Royal Doulton Lambeth factory, they and others originally covered the walls of two of St Thomas’ childrens wards, Lilian and Seymour, which were opened in 1901 and 1903 respectively. Hygiene was a factor in the tiling decision but also, of course, the aim to give pleasure and amusement to the young patients. Here they are illustrated on two postcards …

In the Great Hall are commemorated important people who had a connection with the hospital …

And they’re not all men …

From her Guardian obituary :

She saw her 10 years as matron of St Thomas’s and superintendent of the Nightingale training school from 1955-65 as a time of great social change and was eager to relax the strict rules which she believed had governed nurses’ lives for too long. Encounters with Theodora Turner were seldom forgotten … Former students and nursing colleagues remember her sense of duty and discipline, her kindness and humour. The latter is, perhaps, most neatly encapsulated in her belief that her pet mynah bird, presented to her by sailors when working at Liverpool Royal Infirmary, was a foolproof burglar alarm because of its ability to mimic her laugh.

No prizes for guessing who this lady is …

Florence Nightingale greatly influenced the design of the new 1872 St Thomas’ Hospital with its innovative ‘pavilion style’ of seven large separate buildings connected by walkways. She recognized the importance of design for improving hygiene and health, and made careful calculations regarding dimensions and efficient use of space in hospitals. Nightingale proposed full-height windows at specified intervals in the wards, with the beds set between to encourage ventilation and allow air to circulate without creating drafts. She stipulated that clean and dirty areas should be separate so food and clean linen were stored at the ward entry with washing and sanitary facilities at the other end.

I saw this entrance and had to go and nose around …

Up the impressive staircase, which I presume dates from the 1870s …

A modern stained glass treat at the top …

I peeped into the dining room …

Above the staircase …

The Duke of Connaught (1850-1942) …

He was president from 1882 to 1932.

Back on the ground floor …

Truly Imperial (and maybe a bit imperious) …

Edward VI was the son of Henry VIII and his third queen, Jane Seymour. Born on 12 October 1537, he succeed his father at the age of nine in 1547 but never attained his majority, dying aged 15 in 1553. During the Reformation St Thomas’, as a religious foundation, was deprived of its revenues and estates and was closed in 1540. In 1551, Edward granted a charter for the hospital’s refounding which is why he’s commemorated here …

More beautiful stained glass on the way out …

I love the frog …

Outside the main entrance you’ll find this sculpture Cross the Divide by Rick Kirby (2000) …

There’s also this striking sculpture of Mary Seacole …

Read more about her extraordinary life here.

There are also nice views north towards the Houses of Parliament …

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An exhumed poet, a proud Mayor and a very modest attorney. Stories from St Giles.

From where I live I have a nice view of my local church, St Giles Without Cripplegate. This image gives a good impression of where this wonderful old church is located within the strikingly modern Barbican Estate …

I am always pleased to come across old images of the area, particularly those taken in the three decades after the Second World War. I am indebted to the author of the splendid London Inheritance blog for this view from 1947 showing the devastated landscape …

The building on the left is the Red Cross Street Fire Station.

Another image showing nearby destruction …

The following photo taken in the days following the raid on the 29th December 1940 shows the damage to the interior of the church …

St Giles Cripplegate

Image credit: London Metropolitan Archives, City of London: catalogue ref: m0017971cl

Since the walls and tower survived a service was possible with the parishioners able to look straight up to the sky …

The inside of the church today. I was fortunate enough to visit when a lady (on the left in the picture) was practising beautifully on the organ …

Here’s an aerial view from the 1960s and the church now has a roof. The more modern looking building on the right is Roman House which has recently been converted into apartments …

In this 21st century aerial image you can just make out the church’s green roof …

Some monuments remain from the old pre-Blitz building.

There is this touching memorial to a favourite character of mine, Sir William Staines …

And here is the man himself …

Staines had extremely humble beginnings working as a bricklayer’s labourer, but eventually accumulated a large fortune which he generously used for philanthropic purposes. He seemed to recall his own earlier penury when he ensured that the houses he built for ‘aged and indigent’ folk would have ‘nothing to distinguish them from the other dwelling-houses … to denote the poverty of the inhabitant’.

British History Online records an encounter he had with the notorious John Wilkes who referred rather rudely to Staines’ original occupation …

The alderman was an illiterate man, and was a sort of butt amongst his brethren. At one of the Old Bailey dinners, after a sumptuous repast of turtle and venison, Sir William was eating a great quantity of butter with his cheese. “Why, brother,” said Wilkes, “you lay it on with a trowel!”

Incidentally, Wilkes is also commemorated in the the City in Fetter Lane where a striking statue of him honestly portrays his famous squint …

John Milton (1608-1674), the poet and republican, is perhaps the most famous former parishioner of St Giles and his statue stands by the south wall of the church …

It’s made of metal, which means it is one of the few memorials in the church that survived the bombing in the Second World War. It is the work of the sculptor Horace Montford (c1840-1919) and is based on a bust made in about 1654.

He used to be outside and was blasted off his plinth during the bombing …

There is also this commemorative plaque …

And a bust which clearly indicates his later-life blindness …

Milton was buried in the church next to his father, however he was not allowed to rest in peace.

British History Online reports the shocking event as follows …

‘A sacrilegious desecration of his remains, we regret to record, took place in 1790 … The disinterment had been agreed upon after a merry meeting at the house of Mr. Fountain, overseer, in Beech Lane, the night before, Mr. Cole, another overseer, and the journeyman of Mr. Ascough, the parish clerk, who was a coffin-maker, assisting’.

Having identified where they thought Milton’s grave was, they dug down almost six feet, found a coffin, and removed the lid. The report goes on …

‘Upon first view of the body, it appeared perfect, and completely enveloped in the shroud, which was of many folds, the ribs standing up regularly. When they disturbed the shroud the ribs fell. Mr. Fountain confessed that he pulled hard at the teeth, which resisted, until some one hit them a knock with a stone, when they easily came out. There were but five in the upper jaw, which were all perfectly sound and white, and all taken by Mr. Fountain. He gave one of them to Mr. Laming. Mr. Laming also took one from the lower jaw; and Mr. Taylor took two from it. Mr. Laming said that he had at one time a mind to bring away the whole under-jaw with the teeth in it; he had it in his hand, but tossed it back again’.

As if that wasn’t undignified enough,’Elizabeth Grant, the gravedigger … now took possession of the coffin; and, as its situation under the common councilmen’s pew would not admit of its being seen without the help of a candle, she kept a tinder-box in the excavation, and, when any persons came, struck a light, and conducted them under the pew; where, by reversing the part of the lid which had been cut, she exhibited the body, at first for sixpence and afterwards for threepence and twopence each person’.

The body was reburied but rumours spread that it wasn’t Milton in the coffin, but a woman. So Milton was dug up a second time and the surgeon in attendance examined the bones — what were left of them — and pronounced them to be masculine. Only then was Milton, at last, allowed to rest only to be permanently obliterated in the bombing.

Notwithstanding the generous memorials to the great and the good, I was captivated by this modest plaque on the south wall …

An attorney at law who obviously believed in brevity. No Latin exhortation of his virtues, no figures of a grieving widow and children, only the important facts and the bald, concluding statement ‘That is all’.

There is a lot more to see at St Giles such as modern stained glass …

And intriguing inscriptions, both inside …

And outside …

But for the moment ‘that is all!’

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Non-religious stained glass.

I love looking at stained glass and not all of it in the City is religion-oriented even though it may be located in churches.

So here’s my selection. Some have appeared in previous blogs but I hope you enjoy seeing them again.

I’ll start with one of my favourite places, the Guildhall Art Gallery, where these examples appear at the west end. They all relate to City Livery Companies and were created by Stella Timmins to celebrate the Queen’s Golden Jubilee.

The Worshipful Company of Engineers …

The Guild of Air Pilots and Air Navigators …

The Worshipful Company of Gardeners (with Alfred, Lord Tennyson!) …

The Worshipful Company of Shipwrights …

The Worshipful Copany of Environmental Cleaners …

Doctors and nurses who gave their lives in wartime are commemorated in two lovely windows in the church of St Bartholomew the Less.

They were designed by Hugh Easton, following the loss of the earlier windows during World War Two. Easton was an eminent stained glass maker who also designed the Battle of Britain memorial window in Westminster Abbey. The design of the nurse in the window in Westminster Abbey is strikingly similar to that in the window here …

The doctors’ window …

Traditional pub glass in the Lamb Tavern Leadenhall Market

St Mary Abchurch’s connection with the Fruiterers Company is commemorated by this charming stained glass window …

The Worshipful Company of Glovers of London – True hearts and warm hands at St Margaret Lothbury

Stained glass windows which date from 1923 at Farringdon Station …

At St Giles Cripplegate there are a number of modern stained glass windows. In the baptistery is the Cripplegate Window, which celebrates the centenary of the Cripplegate Foundation www.cripplegate.org which gives grants, advice and support to local organisations. The Foundation was formally established in 1891 but its origins lie in gifts made to St Giles’ for the poor and the needy dating back centuries. John Sworder made the first recorded gift in his will, dated 2 April 1500, and the head at the top of the window represents him, the first of the pious donors of the parish that we know by name …

On the north wall is a memorial window to Edward Alleyn, the parish’s generous benefactor. The design is the work of John Lawson of stained glass studio Goddard & Gibbs and depicts Alleyn in the centre, as well as the Fortune Theatre (which he founded), almshouses (which he built in the parish and which were destroyed in the Second World War), and St Luke’s Church, Old Street …

At Southwark Cathedral, a few feet from the door, is the magnificent Shakespeare Memorial Window, Designed by Christopher Webb, it was created in 1954 to replace another destroyed in enemy action. It shows characters from the Bard’s plays …

The design uses the concept of the Jesse Tree. Prospero in the central light forms the trunk, with Ariel above and Caliban at his feet …

I’m sure you can spot Falstaff …

In the right hand window we find Lady Macbeth ,,,

Is this a dagger which I see before me, the handle toward my hand? Come, let me clutch thee …

and Hamlet …

Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy …

At the base, the last two of the Seven Ages of Man … …

The sixth age slips into the lean and slippered pantaloon, with spectacles on nose … and his big manly voice turning again toward childish treble … Last scene of all, is second childishness … sans teeth, sans eyes sans everything.

All the characters portrayed in the window are identified in this short article.

Since this year is the 300th anniversary of Sir Christopher Wren’s death, I think it’s very appropriate to reproduce this image of the beautiful ‘Wren window’ in St Lawrence Jewry. It was created in 1957 by Christopher Webb

The great man is flanked by the Master Carver Grinling Gibbons and the Master Mason Edward Strong. Below the three major figures the window shows various craftsmen at work – bricklayers, carpenters, plasterers, stonemasons and two of Webb’s own stained glass artists.

And below them are two more modern figures …

Cecil Brown and Reverend Frank Trimingham study the church plan, with the outline of the footprint of the church in front of them. On each side are the beautifully etched towers of many of the Churches Wren built, along with two different views of St Paul’s Cathedral.

And finally an example of the stunning widows designed by the artist and glass maker John David Hayward in St Michael Paternoster Royal on College Hill EC4, where Dick Whittington was buried in 1423.

I’m sure everyone knows the Whittington legend. He had given up on making his fortune in London but, as he headed home with his faithful cat, he heard the bells of St Mary-le-Bow ring out the words:

Turn again Whittington, thrice Lord Mayor of London

Well, the bit about him being Lord Mayor is true, and it was four times rather than three, but two of the terms were consecutive.

Here Hayward shows that critical moment on Highgate Hill …

The church bells of St Mary-le-Bow ring out behind him.

One commentator has said he rather resembles a flat-capped Hoxton Hipster – maybe there is an iPad in that bag.

I love the expression on the cat’s face. Perhaps he has seen a mouse …

You can read more about the legend at the wonderful Purr ‘n’ Fur website.

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