Walking the City of London

Category: Art Page 10 of 26

Searching for mice at the Guildhall Art Gallery.

If you get the chance, do visit the Guildhall Art Gallery to see The Big City exhibition. It’s superb, and admission is ‘pay what you can’. The challenge of finding the mice was keeping kids (and adults) very amused during my visit! More about that later.

Here’s my personal selection, starting with City Streets.

Cheapside 10:10 am, 10 February 1970 by Ken Howard (1932-2022)

This picture of Fleet Street in the 1930s is by an unknown artist and has a fascinating back story …

If you look at the characters in the foreground you’ll see that the picture is unfinished. Why is this? The label puts forward a suggestion …

The pedestrian crossing outside Barbican Tube station …

Walk (1995) by Oliver Bevan (Born 1941)

And now some pageantry …

Queen Victoria’s Diamond Jubilee Service 22 June 1897 by Andrew Carrick Gow (1848-1920)

Suffering from severe arthritis and unable to climb the St Paul’s Cathedral steps, the Queen remained in her coach, so the short service of thanksgiving was held outside the building. Some amazing old film footage has survived and you can view it here and here.

This is a more intimate picture of City pageantry and its participants (with some splendid beards on display) …

A civic procession descending Ludgate Hill, London 1879 by James Jacques Joseph Tissot (1836-1902)

Can you recognise the characters in this little group …

Reception of George V and Queen Mary at the West door of St Paul’s Cathedral, London, Jubilee Day, 6 May 1935 by Frank O. Salisbury (1874-1972)

Now for the mice.

These are two of the most impressively detailed paintings on display …

The Commonwealth Prime Ministers’ Banquet, 13 January 1969

And this one …

The Coronation Luncheon to Her Majesty Queen Elizabeth II in the Guildhall, London, 12 June 1953

Both are by Terence Cuneo (1907-1996).

His most celebrated commission was the official picture of the Coronation of Elizabeth II in 1953. One day, as he was painting the huge canvas, his cat brought a dead fieldmouse into his studio. As a distraction from the task in hand, Cuneo painted a portrait of it. Subsequently, a mouse became his ‘signature’ and can be found in every one of his paintings.

There are actually two mice in the first picture above and one in the second.

They are so tiny you won’t be able to find them using this blog and will have to visit the Gallery. They are very difficult to identify, especially the second one, so to help you I took the following pictures …

Good luck!

At the far end of the gallery, in a space specially designed for it, you will find at the action-packed painting by John Singleton Copley: Defeat of the Floating Batteries at Gibraltar 1782

The painting is best viewed from the balcony above

A Spanish attack on Gibraltar was foiled when the Spanish battering ships, also known as floating batteries, were attacked by the British using shot heated up to red hot temperatures (sailors nicknamed them ‘hot potatoes’). Fire spread among the Spanish vessels and, as the battle turned in Britain’s favour, an officer called Roger Curtis set out with gunboats on a brave rescue mission which saved almost 350 people.

Look at the painstaking detail in the faces of the officers and Governor General Augustus Eliot, who is portrayed riding to the edge of the battlements to direct the rescue …

The officers were dispersed after the Gibraltar action and poor Copley had to travel all over Europe to track them down and paint them – a task that took him seven years at considerable expense. He recouped some of his cash in 1791 by exhibiting the picture in a tent in Green Park and charging people a shilling to see it.

Incidentally, just outside the entrance is the lovely little Veterans’ Garden created by the Worshipful Company of Gardeners to support the Lord Mayor’s Big Curry Lunch which takes place today (Thursday 30th March). Read all about it here

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‘Love is the Running Towards’ and other surprises.

As regular readers will know, when I am looking for inspiration I often head east and last week was no exception.

Turning right at the Old Street roundabout I was intrigued to see the words that have appeared above the doors to the fire station …

Dating from November last year, this is part of a homage to the London Fire Brigade which you can read more about here.

There is also a celebration of the Brigade’s new typeface. It’s called Fire Brigade Sans and here’s what it looks like …

A few posters from the exhibition …

I headed south to Rivington Street where I usually find something to photograph. What about this splendid building …

A benevolent angel looks down at us from the corner of the bulding next door …

There’s a typical Dan Kitchener mural …

And various other pieces of work that made me smile …

This drawing high up on a wall looked vaguely familiar …

Then I realised I’d seen a work in the same style in Moor Lane outside the Barbican …

Incidentally, and bizarrely, this ‘crypto heritage’ plaque in Rivington Street celebrates the launch of the cryptocurrency Etherium

It’s still around if you fancy a risky investment.

This is number 81 Rivington Street …

It displays the coat of arms of the Borough of Shoreditch, More Light – More Power. The twin bodied, single headed lion was taken from the coat of arms of the medieval Lord of the Manor, John de Northampton, second Lord of the Manor of Shoreditch and Lord Mayor of London 1381-1382 …

Adopted in 1900, the motto was inspired by the success of the refuse destructor located where National Centre for Circus Arts is now on Hoxton Square. Responding to the need for street lights, the progressive idea to generate power from refuse was launched in 1897. The energy this generated powered the street lighting across Shoreditch and became a particularly powerful symbol of the progressive Shoreditch policies.

The ‘destructor’ …

Back in Old Street, I admired once more the beautiful civic building that is the old Shoreditch Town Hall which opened in 1866 …

Later in 1904, the extension to the Town Hall included the tower and statue of Lady Progress.

The statue is based on the popular Victorian figure of ‘Hope’, with allusions to both Greek and Norse mythology and uncanny similarities to the Statue of Liberty. Aligning with the symbolic prominence of the refuse destructor and the progression it represented, she is depicted elsewhere in the borough as a beacon of light rising from ashes.

The latin translates as ‘Out of the dust, light and power’.

Old Street Magistrates Court was transformed into a hotel in 2016 (previous temporary visitors included Reggie and Ronnie Kray) …

The eastern half of the building contained a police station …

It included accommodation for a married inspector on the first floor and for 40 single men on the second and third floors. There was a kitchen and mess room along with rooms for storing, drying and brushing clothes and boots. You really could say there was a ‘police presence’ in those days.

The building in 1974 …

On my walk I checked out a few blue plaques. This one is at 333 Old Street …

This one is in Hoxton Square …

Parkinson was the first to describe ‘paralysis agitans’, a condition that would later be renamed after him.

The square also hosts this cutely named cocktail bar …

Walking back home via Tabernacle Street I admired the old street sign for Platina Street …

… along with the metal bollard which has seen a few bumps and scrapes over the years …

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A wander around Whitecross Street and Old Street (plus my old record collection!)

To start with I lingered among the street-food stalls that appear every weekday and seem to do a roaring trade now that City workers are back (even though many of them only come in Tuesdays to Thursdays).

My favourite stand …

Lots more to choose from …

Some are award winners!

Spring by Jimmy C – nice to see this mural without cars parked in front of it …

Miaow!

More street art …

One of my favourites ..

Made me smile …

The following words in italics come from the St Luke’s Conservation area document. The images are mine.

Central and pivotal to the conservation area St. Luke’s Church, dating from
1733, designed by John James and Nicholas Hawksmoor, is one of London’s
most important churches.

The church is now refurbished as a rehearsal,concert and education centre for the London Symphony Orchestra. The unusual obelisk spire is a major local landmark, with important views downWhitecross Street.

Surrounding the church is the churchyard and burial ground, now a public open space, with fine plane trees, railings and tombs.

Fronting onto these spaces are several important groups of Georgian and Victorian buildings which are of architectural and historic interest and which contribute to the setting of the church.

There is a tomb in the churchyard which is often described as the family tomb of William Caslon (1692-1766) …

He was the first major letter founder in London and, nearly three centuries later, remains the pre-eminent letter founder this country has produced. Before Caslon, there was little letter founding in Britain and most type was imported – even Shakespeare’s First Folio was printed with French type. But Caslon’s achievement was to realise designs and produce type which have been widely used ever since. And it all happened here, around the eastern fringes of the City of London. The Caslon family tomb stood just yards from where William Caslon started his first letter foundry in Helmet Row in 1727.

Here is a specimen of his typefaces from 1734 …

There is a special edition of the Spitalfields Life blog devoted just to him – William Caslon, Letter Founder.

However, when I looked more closely at the tomb inscription, the name I saw was Thomas Hanbey …

A mystery!

But here’s a quote from The Typefoundry blog of December 2007 (my emphasis) …

‘T. B. Reed … wrote that the Caslon tomb was kept in repair by a bequest from Mary Hanbey, daughter of William Caslon I, who died in January 1797. In fact it is clear from her will that the present tomb, which she paid for, replaced the original monument of the Caslon family, and was dedicated to her husband Thomas Hanbey, who had been born in Sheffield and died in 1786. He was a Liveryman of the Ironmongers’ Company and Master of the Company in 1775 …’

In any event, hopefully the remains of the remarkable Mr Caslon are still there somewhere, so I shall keep my tribute to him in this blog.

The church spire was topped by an unusual weather vane depicting the head of a dragon with a fiery comet-like tail. Apparently this was misinterpreted locally as a louse, and by the mid-20th century had gained the church the nickname ‘lousy St Luke’s’ …

Parish Boundary bollard for ‘St Luke’s Middlesex’ …

Walking east along Old street, look up for the Salvation Army ghost sign …

‘Hostel for working men. Cheap beds and food’.

And finally, number 116, now appropriately renamed Stylus, used to be the Margolin Gramophone Company factory …

They manufactured the Dansette record player – a name very familiar to us baby-boomers …

I had a portable one just like this …

Cool!!!

In those days I could pop some of my vinyl collection into a handy little carrying case and take it when visiting friends. And, guess what, I still have it! …

And there are still records in it …

A small sample …
It was my mum who liked The Bachelors, honest.

This was a very controversial 1965 hit around the world …

Listen to it and you will see why. It was the time of the Vietnam War and the year when Martin Luther King organised a march from Selma to Birmingham, Alabama, which began on 7 March 1965 with around 600 marchers taking part. When the marchers reached the outskirts of Selma they were attacked by state troopers and local police.

Here’s a link to the recording along with video footage.

The Wikipedia link about the song can be found here.

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https://www.instagram.com/london_city_gent/

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