Walking the City of London

Category: Art Page 1 of 24

Highlights of my Madeira holiday.

I know, I know, other people’s holiday pics are boring. Many apologies, but the really cold weather since we returned put me off wandering the streets looking for stories.

Anyway, I still hope you find the following interesting.

Funchal, the capital, is a nice city to walk around. One thing that is very much a feature, both here and all over Portugal, is the attractive paving …

Called “Calçada Portuguesa” (Portuguese pavement), it consists of small flat stones of basalt and limestone displayed like a mosaic.

And not a discarded Lime Bike or rental scooter in sight!

The 16th century gothic style Funchal Cathedral is quite understated from the outside …

But stunning within …

We also visited the Church of Our Lady of the Mount, rebuilt in 1818 after an earthquake destroyed its predecessor …

The Last Supper …

That must be Judas lurking in the corner, clutching the bag with his 30 pieces of silver.

I didn’t realise that Charles I of Austria (who died in exile in Madeira) had been beatified by the Pope and was therefore firmly on the road to full sainthood.

His coffin is on display in the church …

When his tomb was opened in 1972 his body was discovered remarkably well-preserved—despite the fact that a window in the coffin had broken, allowing in moisture and damp, tropical air. It was opened again in 2003 and a rib removed as a relic with pieces distributed to shrines around the world.

Looking down over the city …

There was an art gallery in the botanical gardens near the church. Here are some images from our visit …

The view from the cable car heading back to the city centre …

Funchal has expanded greatly since our last visit 24 years ago.

Art for sale on the street …

Interesting architecture …

Pretty tiles outside the old Ritz Hotel …

Some would say that this was a work of art …

Knick-Knack selection …

Cruise ships are not pretty, but this one put on a bit of a light show …

We didn’t see many seagulls – maybe because of this chap on patrol every day with his tame falcon …

We really enjoyed the food!

A perfect poached egg (well, it is for me, maybe a bit runny for some) …

The way to serve honey at breakfast time …

In the evening, local shrimp in garlic butter with a top class Portuguese rosé (a generous glass for 4 Euros) …

Crêpes Suzette, a perfect finish …

Plus a brandy and a coffee, of course (dry January is a distant memory) …

Sadly, we didn’t have time to take in this intriguingly named show …

The journey home was a bit fraught. The plane taking off two and a half hours late followed by our taxi driver forgetting where he had parked in the multi-storey at Gatwick! Made it home safely in the end, though.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Citra Sasmita at the Barbican Curve.

I enjoyed my visit to The Curve to see the first solo UK exhibition of work by self-taught artist Citra Sasmita entitled Into Eternal Land. You can read more about the artist and the exhibition here. Incidentally, for the first time ever I was given a verbal trigger warning and told that that the exhibition contained ‘animal skins and representations of nudity’.

Here are some of my images (the animal parts are cow hides and a python skin).

Beaded cow hides hung on antique wooden pillars …

Acrylic on Kamasan canvas …

Acrylic on python skin …

Embroidery on canvas …

The exhibition closes with a space for meditation around a golden mandala of ground turmeric …

Into Eternal Land runs until Monday 21st April.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

The Imaginary Institution of India – Art 1975-1998 – Barbican Art Gallery – Closes Sunday 5th January.

I ended the old year with a visit to this extraordinary exhibition which I highly recommend although, sadly, there are only a few days left.

It’s described in the introduction material as follows: Featuring artwork by over 30 Indian artists, this major exhibition is bookended by two transformative events in India’s history: Indira Gandhi’s declaration of a state of emergency in 1975 and the Pokhran nuclear tests in 1998. The fraught period between these years was marked by social upheaval, economic collapse, and rapid urbanisation.

Within this turbulence, ordinary life continued, and artists made work that distilled historically significant episodes as well as intimate moments and shared experiences. Across a range of media, the vivid, urgent works on show – about friendship, love, desire, family, religion, violence, caste, community, protest – are deeply personal documents from a period of tremendous change.

This is the first institutional exhibition to cover these definitive years, with many works never before seen in the UK.

You can buy timed tickets and watch a short video here.

I hope my images give you a sense of the experience of a visit. Of the published reviews I like these best : The one in The Guardian newspaper along with the review by Dr Pavan Mano of King’s College London

Here are some of the images I took:

Gieve Patel (1940-2023) Two Men with Hand Cart, 1979

Nilima Sheikh, Shamiana, 1996

Gulamohammed Sheikh (b. 1937) Speechless City, 1975

Photographs by Pablo Bartholomew (b. 1955)

Sudhir Patwardhan (b. 1949) Dhakka and Running Woman, both 1977

Gieve Patel Off Lamington Road, 1982-86

Sunil Gupta (b. 1953) Exiles, 1987

Arpita Singh Seashore,1984

Bronzes by Meera Mukherjee (1923-1998)

Himmat Shah (b. 1933) Untitled

K.P. Krishnakumar Boatman-2, 1988

In the foreground, N.N.Rimzon From the ghats of Yamuna , 1990 and on the wall M.F.Husain (1915-2011) Safdar Hashmi, 1989

Arpita Singh My Mother, 1993

N.N. Rimzon House of Heavens,1995

N.N.Rimzon The Tools, 1993

You can buy timed tickets and watch a short video here.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

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