Symbols & Secrets

Walking the City of London

City of London pub ghosts

The City has been home to thousands of pubs over the years. Some have continued to flourish for, literally, centuries whereas others have disappeared. I have been exploring to see if I can identify some remnants of those lost hostelries.

At 12 Old Street is the building that once housed The Old Rodney’s Head …

The building is for sale at the moment – offers in excess of £6.5 million – EC1V 9BE.

George Brydges Rodney, 1st Baron Rodney (1718-1792) was a famous Admiral best known for his victory over the French at the Battle of the Saintes in 1782 which ended the French threat to Jamaica. The building dates from 1876 and Rodney still gazes down on Old Street …

Sadly the Hat and Feathers has not reopened after a short time operating as a restaurant …

2 Clerkenwell Road EC1M 5PQ.

British History Online tells us that the building dates from 1860 and the facade – ‘gay without being crude’ – is decorated with classical statues, urns and richly ornate capitals and consoles.

I found this fascinating picture whilst researching …

Laying tramlines outside the pub in 1906 – source UK Pub History.

At the corner of Clerkenwell Road and St John Street is the building which once housed the Criterion Hotel (EC1V 4JS) …

The owners of the Cannon Brewery in St John Street built the Hotel here in 1874–6 as a replacement for the Red Lion and Punchbowl at No. 118 St John Street. This old tavern itself survived as a shop, but was eventually replaced in the 1920s by the present two storey extension to the Criterion, matching the style of the 1876 building. The Criterion closed in the 1960s, becoming a watch-materials shop and then, in the late 1990s, a restaurant.

Look at this lovely ornate brickwork …

I don’t know the significance of the two frogs, or maybe they are toads.

Further down St John Street at number 16 is the previous home of the Cross Keys pub with the pub’s emblem still visible at roof height (EC1M 4NT)

According to British History online the former Cross Keys inn was rebuilt in 1886–7 for Lovell & Christmas, provision merchants. It has been closed as a pub since the Second World War and was occupied during the 1980s as the London headquarters and library of the Communist Party of Great Britain, before being refurbished as offices in the early 1999.

The Lost Pubs Project informs us that the Barley Mow was around as long ago as 1806 although it was rebuilt in the late 19th century. It is now a restaurant but the name lives on at the top of the building’s facade and the adjacent Barley Mow Passage (EC1A 9EJ)

In their 1973 book City of London Pubs the authors Richards and Curl describe the White Hart at 7 Giltspur Street as …

The most lavish pub encountered for some time, with heavily upholstered seats and settees, low coffee-type tables, a Black Watch tartan carpet , soft music and subdued lighting.

Makes one want to visit, doesn’t it, but unfortunately it is now office accommodation …

The building dates from 1907 – EC1A 9DE 

But the stag’s head remains over the entrance, rather spookily scrutinising visitors …

Incidentally, in 2014 the Darkest London blogger tracked down all the pubs in Richards and Curl’s book to see what had happened to them since it was published and you will find more information here.

This building at 28-30 Tudor Street bears further investigation  (EC4Y 0BH)

It was once The White Swan pub, known locally as The Mucky Duck. Swan motifs remain either side of the entrance …

The building dates from 1881 …

And the facade includes the coat of arms of the Clothworkers Guild – perhaps because they owned the freehold …

The excellent London Remembers website has the following to say about the building that was once the Sir Robert Peel pub at 178 Bishopsgate (EC2M 4NJ)

This building has been through interesting times. It looks like it started off in the Georgian period and had a major refacing round about 1930 when the windows were replaced and the tiled front added. And then the ground floor front suffered the standard anonymising sometime 1960-1990, but they left the lovely tiles for us to enjoy.

The building is Art Deco in style – shame about the uPVC windows.

Nowadays always busy, even at weekends, it is amusing to note that a visitor in the early 17th century described the area as ‘airy and fashionable … but a little too much in the country’.

The ceramic panel depicting Robert Peel looks like it was based on his picture in the National Portrait Gallery.

As is often the case when researching, one story leads to another.

This building at 38 Charterhouse Street used to house the Charterhouse Bar which has now closed. However, I came across some more background about the premises which I found fascinating.

I really like the way it is squeezed into the triangular corner plot (EC1M 6JH)

And the decoration – the City of London shield with its bearded supporter …

… and this pretty lady …

What I discovered was that it was once the ‘new additional showrooms’ for scalemakers Herbert & Son and their 250th anniversary commemoration contains this invitation from 1937 …

Their Lion Trademark was granted in 1888 and can still be seen above their old showrooms at 7 and 8 West Smithfield which date from 1889. It seems to typify the pride the organisation felt at the height of the British Empire …

Directly opposite Smithfield Market – what better location for a firm of scalemekers. And they’re still going strong based in Suffolk.

 

A walk around the Barbican

Last week I had the pleasure of joining the photographer Anthony Palmer as he conducted a walk around the Barbican. For those of you who have never visited the estate, or who have only come to attend a performance, I hope my pictures will encourage you to come for the first time, or linger longer and explore.

First of all, I want to show you some views that may not look like they are from the Barbican at all.

First up is Frobisher Crescent …

Frobisher Crescent shutters as seen from the Sculpture Court.

One of the lakes contain what are affectionately known as the ‘igloos’ …

View looking down from the Andrewes Highwalk.

Beech Gardens (on the highwalk over the Beech Street ‘tunnel’) were designed by Nigel Dunnett and on his website there is a terrific description of how he achieved the transformation of the area.

Here is a picture I took looking towards Bryer Court …

A water feature gives the opportunity to photograph some reflections …

Nearby in Ben Jonson Place, two small dolphins stand on their tails and twist in opposite directions …

The sculpture is by John Ravera and dates from 1990.

The estate contains two gardens for the use of residents only. This is the Thomas More Garden as seen from the Thomas More highwalk …

The second biggest conservatory in London after Kew is one of the Barbican’s best kept secrets. It is usually open on Sundays, but is sometimes shut for private events, so if you are thinking of visiting it is best to consult the website first. Here are a few of the pictures I took last week …

A long time conservatory resident …

This is just a tiny part of the cactus garden …

Gilbert Bridge gives you a good view of one of the lakes and the terrace, which is open to the public …

The water lilies are doing well this year …

Standing on the Wallside highwalk you can see how the 17th century tower of St Giles-without-Cripplegate contrasts with two of the three Barbican residential blocks. Shakespeare Tower is on the left and Cromwell Tower on the right and they were until recently the highest residential towers in Europe …

To the left of the church you can see a line of very old barrel tombs. They formed part of the St Giles cemetery before its destruction in the Second World war. I have written before about this churchyard, and others, in an earlier blog which can be found here.

I took this picture of the magnolia tree earlier this year when it was in flower …

The Barbican also encloses parts of the old Roman/Medieval wall, occasionally used as a perch by a visiting Heron …

Alongside the Wallside highwalk.

People visit from all over the world to explore the iconic Barbican architecture by Chamberlin, Powell and Bon.

In this picture Shakespeare tower looms over Frobisher crescent …

As you walk through the estate interesting shapes and shadows emerge …

This view along Seddon Highwalk made me think of the slits used by medieval archers …

A little further on, an elegant column at the base of Lauderdale Tower illustrates the Barbican’s distinctive tooled-concrete finish. It was incredibly labour intensive. After the concrete had dried for at least 21 days, workers used handheld pick-hammers or wider bush-hammers to tool the surface and expose the coarse granite aggregate …

The column is next to the entrance to the ThaoV hair salon. The previous salon was called Scissors Palace which I though was a splendid name and was sorry to see it disappear.

New highwalks have just opened with their support structure itself looking like a piece of sculpture …

The entrance to the St Alphage Highwalk.

Around 4,000 people live on the Barbican estate and every now and then you get a glimpse of their decor. These little green creatures live in one of the houses on the estate and always make me smile when I see them peeping out the window …

I hope you have enjoyed this short tour and that it will inspire you to visit and explore. Ending the day with a cocktail at the Martini Bar is highly recommended.

 

City Churches – more unusual discoveries

Last week I thought it was time to take another stroll around the City churches to see what I would discover. After researching last week’s blog, I was particularly interested in artifacts that had been moved from one church to another and why.

I was very lucky in the first church I visited, St Martin within Ludgate, on Ludgate Hill (EC4M 7DE) inside which I found both a fascinating chandelier and a very unusual font. There is a large entrance lobby (designed to reduce traffic noise inside the church) and you then enter one of Sir Christopher Wren’s least altered interiors (1677-1686) with fine dark woodwork which largely escaped the Blitz.

Look up and you will see this beautiful chandelier or candelabrum …

It’s still lit by candles.

As one commentator has noticed, it looks more like something you would find in a country house or a ballroom. The candles were not lit when I visited but I am sure that when they are, on a dark morning or evening, one must get a real feel for what it was like to worship here in earlier centuries. It came to the church via St Vincent’s Cathedral in the West Indies, probably in 1777: a reminder of the links between the City’s trading economy and the British Empire overseas.

And now to the very unusual font …

The bowl is white marble and the wooden supporting plinth is painted to look like stone. It dates from 1673, predating the church, and was previously located in a ‘tabernacle’ used by the congregation during the rebuilding.

It contains a Greek palindrome copied from the Cathedral of St Sophia in Constantinople:

Niyon anomhma mh monan oyin

(Cleanse my sin and not my face only)

No church blog of mine would be complete if it didn’t contain a reference one of my favourite churches, St Vedast Foster Lane (EC2V 6HH) …

The interior looking east.

Here there are a few features that have come from other churches.

The font and its cover both date from the late 17th century. The font itself was designed by Christopher Wren and the cover is by the most celebrated woodcarver of the 17th century, Grinling Gibbons. Both were rescued from St Anne & St Agnes in Gresham Street after the Blitz.

The reredos behind the altar came from the ‘lost’ church of St Christopher le Stocks …

The original St Christopher le Stocks was destroyed in the Great Fire, rebuilt by Wren in 1671 and situated in Threadneedle Street. During the 18th century, the Bank of England gradually bought up adjoining properties, extending its site into the parish. In 1781 it came to an agreement with the rector of St Christopher’s, and its patron, the Bishop of London, allowing it to demolish the church itself. This was not only motivated by a desire to build on the land, but also by a fear that rioters might use the church as a platform to attack the bank, a concern sparked by the Gordon Riots of 1780.

The richly carved pulpit came from All Hallows Bread Street, demolished in 1878 under the Union of Benefices Act 1860 which I also mentioned in last week’s blog

For my last visit of the day I thought I would take a look at St Anne & St Agnes (mentioned above) and see what I could find there (Gresham Street EC2V 7BX).

The Royal Arms of Charles II on the west wall is one of the best examples in England …

In 1649 the vicar was beheaded for protesting against the execution of King Charles I.

The central dome is supported by four handsome Corinthian columns two of which contain heraldic representations, one being this unicorn …

High up on the south wall are busts of Sir James Drax (died 1662) and his son John (died 1682). They come from the ‘lost’ church of St John Zachary which was destroyed in the Great Fire and not rebuilt …

The Drax family were pioneers of the sugar industry (and slavery) in Barbados and apparently Drax Hall Plantation in St George, Barbados is the oldest surviving Jacobean mansion in the western hemisphere.

St John Zachary may be no more but there is now very attractive and quiet garden where the church used to stand …

You can read more about it here.

 

 

 

 

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