Walking the City of London

Category: Special Exhibitions Page 5 of 8

Fantastic City models at the London Centre on Aldermanbury.

Occasionally I come across something in the City that is fantastic but which, for some reason, I was completely unaware of. I found it here at The London Centre on Aldermanbury …

NLA (New London Architecture) is an independent organisation for anyone and everyone with an interest in London’s built environment. Their basic remit is to engage with government, business and the public to educate, challenge, connect and create positive change.

In April 2023 they opened this new facility in the West Wing of the Guildhall complex. It’s a quiet place filled with meeting rooms and facilities that make it an ideal “hub for the built environment profession”. Entry to the public area is free so there’s no need to book. You don’t need to be a member of the profession to explore either, so just turn up. Opening hours are Tuesday to Saturday 11:00-17:00, and on Fridays they host free lunchtime talks from 12:30 – 13:00.

To facilitate city planning and other discussions about buildings, growth and expansion, the Centre houses three large scale models …

Here is more about them.

The original City of London Model (1:500 scale)

Anything in grey was built before 1945, enabling you to see the extent of central London that was re-built after the Blitz. The scale allows for lots of detail to be articulated — it’s not just boxy blocks — and some of the newest, modern high-rises even light up …

Guess where …

New London Model (1:2000 scale)

In this newer model they’ve shrunk the buildings and doubled the footprint of the original, greatly expanding just how much you can see from a virtual ‘sky-high’ vantage point. The model represents a 200 km2 area of Greater London, showing 240,000 buildings using data from 2012 …

Note Wembley Stadium in the foreground …

Royal Docks Model (1:1000 scale)

This was fully 3D printed and gives an overview of developments across the area over the next 10 years. The solid white buildings are existing while the buildings in frosted white show masterplans with outline planning permission. The model represents 10,000 buildings and the label points out the the water in the docks alone covers an area larger than the whole of Venice!

Oh, and guess what – there’s a separate Barbican model …

‘In addition to the models there are dozens of wall displays exploring various areas, opportunities and the unique London logistics that city planners and builders must consider. The entire centre is a living, working resource that also serves as a fantastic educational opportunity for anyone with an active interest in the seemingly endless queue of expansion, renovation and regeneration projects.’ Here are a few of them …

The Great Estates …

I really loved my visit – highly recommended.

There’s also something really interesting on at the Guildhall Library upstairs – something to visit at another time …

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‘Unravel’ at the Barbican – an extraordinary experience.

Until 26th May 2024, Unravel: The Power and Politics of Textiles in Art shines a light on artists from the 1960s to today who have explored the transformative and subversive potential of textiles, harnessing the medium to ask charged questions about power: who holds it, and how can it be challenged and reclaimed? Spanning intimate hand-crafted pieces to large-scale sculptural installations, this major exhibition brings together over 100 artworks by 50 international practitioners. Drawn to the tactile processes of stitching, weaving, braiding, beading and knotting, these artists have embraced fibre and thread to tell stories that challenge power structures, transgress boundaries and reimagine the world around them.

This review summed it up nicely for me -‘hybrid, heterodox, filled with strangeness and anger and beauty and horror, Unravel at the Barbican is often gorgeously excessive, at other moments quiet and private, not giving up its secrets until you linger’.

An extraordinary experience – not at all what I expected and highly recommended. I really wanted to ignore the ‘Do Not Touch’ signs!

Here are some of the images I took when I visited last Saturday.

Views from the upstairs gallery …

Yinka Shonibare’s figurative sculpture Boy On A Globe uses his signature Dutch Wax fabrics to address race, class and the legacy of imperialism by reflecting on colonial trade and the entangled economic histories embedded within fabrics …

The work of Małgorzata Mirga-Tas representing Roma people …

Family Treasues by Sheila Hicks

Faith Ringgold tells her life story in a quilt …

Hannah Ryggen’s Blut im Gras (Blood in the grass), 1966, protests against the US war in Vietnam. The then-US president Lyndon B. Johnson is depicted here nonchalantly wearing a cowboy hat …

Arch of Hysteria by Louise Bourgeois uses a textile doll or model to convey a psychic experience of pain …

Myrlande Constant’s tapestries are drawn from Haitian Vodou traditions, her father was a Vodou priest …

Tau Lewis uses recycled fabrics and seashells in The Coral Reef Preservation Society, partly in homage to enslaved people who lost their lives in the Middle Passage, a stage of the Atlantic slave trade …

These larger-than-life, deity-like macramé sculptures by Mrinalini Mukherjee surge up from the ground as though organic beings. Drawing on nature and myriad artistic references, their knotted, rippling forms confound expectations of textiles as two-dimensional …

Sarah Zapata’s work embraces her identity as a Peruvian American – two cultures in which textiles are integral …

Solange Pessoa’s work, Hammock, was created in response to the land of Minas Gerais, Brazil, where she grew up. Textiles, in the form of rags and canvas, act as a carrier for living and decaying matter …

Tracey Emin is here too with a hard hitting work, No chance – WHAT A YEAR, about being raped when she was a thirteen-year-old girl (Content trigger warning) …

Unravel: The Power and Politics of Textiles in Art runs until 26th May 2024.

Remember you can follow me on Instagram …

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A visit to the wonderful Two Temple Place.

I don’t know why it has taken me so long to visit this extraordinary building but the wait was certainly worth it. And entry is free!

You know you’re in for a treat when, at the entrance, you encounter these charming cherubs chatting to one another over a late 19th century telephone …

The way in …

Two Temple Place is ‘a dazzling neo-Gothic gem’ on Victoria Embankment …

Then the richest man in the world, William Waldorf Astor emigrated to England from America in 1891 and he spared no expense when work began on Two Temple Place in 1892. It was designed by one of the foremost neo-Gothic architects of the late nineteenth-century, John Loughborough Pearson, and served as an impregnable bolthole with the eccentric Astor’s private apartment and bedroom upstairs. Its main purpose, however, was to accomodate the people managing Astor’s vast estate.

The man himself …

If you love stained glass as much as I do this must be on your list to visit. Here are just a few of the many images I took as I walked around. I haven’t included captions since the ones at the venue are so detailed this blog would be far too long. So I hope these pictures are good enough to encourage you to visit in person …

At the bottom of the stunning staircase you encounter D’Artagnan …

And further up, Athos …

More breathtaking glass awaits you upstairs …

In the foreground is a modern piece from a special exhibition that is also resident at Temple Place for the time being …

Entitled ‘The Glass Heart’, the guide tells us that ‘this bold new exploration of glass in the UK brings together for the very first time rarely seen works from key UK collections, celebrating this remarkable material – unforgiving, fragile, strong, sustainable. The Glass Heart will make you think again about glass as we explore how it has illuminated and contained human narratives and ideas’.

Here are a few images from this exciting and unusual exhibition …

Well written and beautifully illustrated, at £10 the guide book is fantastic value for money and a great memento of your visit …

Two Temple Place is a truly magnificent one-off. Make sure you check on the website for opening times before you visit since these can vary : https://twotempleplace.org/

If glass is your passion, don’t forget you can watch the creative process in action at the London Glassblowing Gallery

The items for sale there may change forever your perception of what glass can do and the way it can influence the way we see the world – a fantastic place to visit …

There are glass hearts like these in the Temple Place exhibition. If you visit see if you can spot them …

I enjoyed that glass of Rosé as well!

Remember you can follow me on Instagram …

https://www.instagram.com/london_city_gent/

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