Walking the City of London

Author: The City Gent Page 22 of 132

Special Billingsgate edition.

Often, just when I fear I am running out of subjects to write about, the Heritage Gallery at the Guildhall Art Gallery comes to my rescue and they have just done so again with their special exhibition focusing on Billingsgate Market.

A Survey of London by John Stow in 1603 described Billingsgate as follows: ‘… which … is at this present a large Watergate, Port or Harbrough for shippes and boats, commonly arriving there with fish, both fresh and salt, shell fishes, salt, Orenges, Onions, and other fruits and rootes, wheate, Rie, and garine of divers sorts …’.

Before you view the items on display, pause at the backlit ‘Agas’ Map of 1561 and seek out ‘Bylynges gate’ and the carefully drawn ships moored at the quayside …

The first cabinet …

On the left is the Liber Horn, a book made in 1311 by Andrew Horn (Chamberlain of the City 1320-1328). It’s a compilation of charters, statutes and customs written upon vellum in Norman French …

In May 1699 an Act of Parliament conferred special privileges on the market which was declared ‘… a free and open Market for all sorts of fish whatsoever …’ and the sale of fish six days in the week and mackerel for sale on Sundays’. The two documents in the centre of the case date from this period.

The order issued by the Court of Aldermen on 24 December 1699 details the hours of the fish market and the times at which the market bell was to be rung as well as commenting on ‘… Mischiefs and evil Practices …’. …

On the right is a petition by the fishermen to Sir Richard Levitt (sic), Lord Mayor, protesting at being ‘… hindered and oppressed by great vessels loaded with salt and oranges …’ and requests the dock be cleared for the petitioners’ vessels …

The market flourished and the 1830 map on the right illustrates the layout of the dock at that time …

The second cabinet …

The collection of tolls by the market authorities was recorded in volumes. These detail the payments raised on type of vessel and catch with expenses including (handwritten at the bottom of the page) an allowance for coal and candles and collecting bad fish …

Porters were licensed by the City of London to act as porter and ply for trade within the market and this volume records the details …

This is a close up of the entry for Edward Jenkins, the man whose entry is crossed out because of his death, showing his various changes of address over the years …

Licenses were issued to individuals confirming their ability to work …

There is also a nice selection of images for visitors to enjoy. Here are just a few …

The present building dates from 1876 and was designed by Sir Horace Jones, an architect perhaps best known for creating Tower Bridge but who also designed Leadenhall and Smithfield markets. Business boomed until 1982, when the fish market moved to the Isle of Dogs. The south side of the old market today …

I love the weathervanes …

Similar weathervanes adorn the new market buildings in Docklands but they are fibreglass copies.

Remember you can follow me on Instagram …

https://www.instagram.com/london_city_gent/

My visit to the Wellcome Collection and the ‘Cult of Beauty’.

I hope those of you who are regular readers don’t mind too much when I wander outside the bounds of the City when I think there is something interesting happening elsewhere, and in the case of the Wellcome Collection it’s only a few Tube stops away.

At the entrance to the Cult of Beauty exhibition …

The guide tells us that the exhibition explores notions of beauty across time and cultures. ‘Around the world, beauty is constantly seen as an ideal worthy of going to great lengths to achieve. But what are the driving forces that lead us to believe in a myth of universal beauty, despite its evolving nature?’

‘Featuring over 200 items, including historical objects, artworks, films and new commissions, the exhibition considers the influence of morality, status, health, age, race and gender on the evolution of ideas about beauty.’

Reproduction of the bust of Nefertiti, originally created circa 1354-1351 BCE …

‘An archytype of African feminine beauty’.

‘Beautiful features have long been seen as a gateway to the spiritual in different belief systems. The print of Krishna challenges Christian associations of beauty with morals such as chastity’ …

‘The Virgin of Guadalupe is a symbol of multicultural and multi-ethnic identities, especially in areas where different religions and cultural traditions meet’ …

The ‘Esquiline Venus’ and the ‘Idolino’ or ‘Little Idol’ – First Century concepts of beauty reproduced in the late 19th century …

‘Husbands bringing their ugly wives to a windmill, to be transformed into beautiful women’ – German chapbook circa 1650 …

Trying to get that figure in shape …

It was not just women enduring torture …

A dandy being laced into a tight corset by two servants (1819).

Cosmetic entrepreneur Helena Rubenstein testing products in her Long Island Factory (1950s) …

The installation ‘Beauty Sensorium’ brings together historical references with reconstructions of Renaissance make-up recipes, inviting visitors to look, smell and touch …

Equipment to enhance appearance and fragrance …

More like a surgeon’s travelling kit …

‘Narcissister’s three-metre-tall hanging sculpture ‘(Almost) all of my dead mother’s beautiful things’ centres on the crushing weight of beauty ideals that are passed from one generation to another’ …

‘Makeupbrutalism’s multimedia installation ‘It makes no sense being beautiful if no one else is ugly’ encourages us to question our beliefs, confront our raw selves beneath social pressure and to peel back the layers of the beauty industry’ …

What represents beauty changes all the time …

This 1970s product made me smile …

And on the Underground going home later, I had to smile again when I looked up and saw this (plus ça change) …

It is a provocative and thoughtful exhibition and I enjoyed it very much.

Remember you can follow me on Instagram …

https://www.instagram.com/london_city_gent/

Some images I liked that didn’t make it into a blog.

I take lots of pictures as I stroll around London and not all of them make their way into a blog. As I looked through images from the last six months or so I decided to publish a selection of the ones I liked most and hope you enjoy looking at them too.

I’ll start with one of my strangest encounters, the Golden Confessional Booth in the Bishopsgate Institute …

It was donated to the Institute by the artist Franko B in 2022. You can read more about him and the archive held at the Institute here.

If bollards have to be installed they might as well be pretty …

The Goldsmith’s Company leopard at the entrance to their garden on Gresham Street …

The screen in the crypt of St Pauls Cathedral …

The metalwork screen, 3.50 m high x 8 m wide, spans the Crypt of St Paul’s Cathedral, It stands as a permanent memorial to Sir Winston Churchill, the third great national hero to have a state funeral at the Cathedral, alongside those of the Duke of Wellington and Lord Nelson.

I never get tired of photographing the Cathedral …

A stroke of planning genius putting a water feature here …

Outside St Thomas’ Hospital, Edward VI looks in good shape considering how long he’s been in the open air …

It’s one of two statues of the king at the hospital, both commemorating his re-founding of the institution in 1551. This one was carved by Thomas Cartwright in 1682 and originally formed the centrepiece of a group of figures which adorned a gateway on Borough High Street. It was moved to its current location in the 20th century.

Old gravestones in Postman’s Park …

According to the estimable Percy Rushen, the full inscription on the stone in the middle reads ‘FANNY wife of WILLIAM SNOWLEY of the parish, died 22 November 1847 aged 48’. The one in front is the marker for ‘JOSHUA HOBSON, of the parish, died 5 February 1833 aged 49’.

The Gothic masterpiece that is St Pancras, built 1868 …

Nearby Kings’s Cross. It’s the older of the two buildings (1852) but certainly doesn’t look it …

The mysterious McLaren sports car that’s been parked outside the St Pancras hotel for ages …

You can read more about it here.

If you order oysters at Searcey’s Restaurant at St Pancras the plate is rested on this rather special holder …

The giant gnomon on the sundial at Tower Hill …

Numerous important events are recorded around the dial ..

The Emperor Trajan outside the nearby Underground entrance. Disrespectful visitors often place an empty drinks can in his hand …

I spotted this cinema poster in a restaurant. Certainly typical of its period (1967) …

The critics were not kind and I don’t think they made another movie!

Barbican hanging gardens …

Duck tucking into one of his ‘5-a-day’ …

The circus still comes to town …

Blackfriars reflection …

Unusual sundial on the Thames River Walk near the Millennium Bridge …

Inside Battersea Power Station – lots of big brands but not a lot of people …

Two important messages …

The wall in the distance is all that remains of the notorious Newgate Gaol, demolished in 1902 …

Great ghost sign at Finchley Road Underground Station …

Lovely idea at Kilburn Station …

And another transport related image, the magnificent roof at Stockwell Bus Garage – at one time it was Europe’s largest unsupported roof span …

Licence plate humour (well, I’m easily amused) …

And finally, lunch last week at Brutto, a great way to start the New Year …

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent/

Page 22 of 132

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