Symbols & Secrets

Walking the City of London

Remembering: Women commemorated on the Mercantile Marine Memorial.

After Remembrance Sunday every year it has become my habit to visit some of the City War Memorials, both to pay my respects and to read some of the moving tributes left by visitors.

The Tower Hill Memorials commemorate over 36,000 men and women of the Merchant Navy and Fishing Fleets who died in both World Wars along with the seafarers killed in the Falklands conflict of 1982. Some of the following images were taken during fondly remembered sunny days!

The first memorial was designed by Sir Edwin Lutyens and unveiled in 1928. The main structure is in Portland stone. It takes the form of a vaulted colonnade or pavilion reminiscent of a Doric temple but open at both ends …

That’s All Hallows-by-the-Tower in the distance …

The second was designed by Sir Edward Maufe and unveiled in 1955 …

It is a sunken garden with the steps leading down to it flanked by a Mercantile Marine officer …

… and a seaman of the Merchant Service. Behind him, in his eyrie above what was once the Port of London Authority building, Father Thames points towards the sea …

The walls are covered with bronze panels with the names of the dead arranged alphabetically under their ships with the name of the Master or Skipper first in each case if they were among the lost. At regular intervals, between the inscription panels, are allegorical figures representing the Seven Seas.

A little boy rides a dolphin accompanied by seahorses …

Neptune with his trident …

A mermaid combing her hair …

Last Sunday I decided first of all to visit the brass panels bearing the names of those lost as a result of the sinking of RMS Lusitania on 7th May 1915. She was a British ocean liner torpedoed by a German submarine off the coast of Ireland, causing the ship to sink in just 18 minutes.

Not surprisingly, the majority of those remembered on the memorials as a whole are men, but there are women commemorated too, and I decided to find out more about some of those who lost their lives in the Lusitania catastrophe.

Near the top of the memorial you will see the name Endersen A …

Anna Endresen was born in Norway in 1875, shaped by the hard-working coastal communities of her homeland. She later came to England, building a new life in Liverpool, where she lived with her daughter in Bootle. To fit into her adopted country, she anglicised her surname at times, appearing as Endersen, Enderson, or Henderson — but her purpose never changed: she cared for people at sea.

A professional stewardess and Matron in the British Mercantile Marine, Anna spent years working aboard Cunard liners, tending to passengers and crew. She served on ships such as Cameronia, earning a reputation as a capable, dependable, and compassionate member of staff.

In April 1915, she accepted a posting aboard Lusitania. She signed on in Liverpool on 14 April, reporting for duty three days later. Her pay was £5 a month. Her responsibility was to oversee the women of the Stewards’ Department and care for passengers on what was meant to be a routine crossing to New York.

After the ship was lost her body was later recovered and brought ashore at Queenstown (now Cobh). On 10 May 1915, she was buried in a mass grave at Old Church Cemetery, aged 40. Her personal effects were returned to her daughter later that year. Her estate was was valued at £160, 14 shillings and three pence.

There is an extraordinary postscript to her story.

The “Lusitania casualty pair” refers to the official British First World War campaign and memorial awards issued to the next of kin of civilian and merchant seafarer casualties who died when the Lusitania was sunk. This is the one for Anna …

The pair came up for auction on 16 July last year and fetched £11,000. You can read more here.

Then, amazingly, my research identified another lady lost in the disaster whose medals have been sold, they fetched £1500 at Spink but I couldn’t find the date of the auction. Here they are …

The auction notes state: Christina Campbell Duncan was born in Kirkdale, Liverpool, on 8 March 1879, and followed her father, Andrew, into the Mercantile Marine, about 1910. Prior to her joining the Lusitania on her ill-fated voyage in 1915, she had gained lengthy experience as a stewardess plying the trans-Atlantic route.

In 1904, she married Basil George Rennie in her hometown, but the couple would appear to have separated in the period leading up to the Great War. They did not divorce. He served in the King’s Liverpool Regiment for four years, before settling in Nelson, British Columbia in 1916, following his marriage to Elizabeth Kennedy and enlistment as a 2nd Lieutenant into the Canadian Army.

You can find more detailed biographical notes here.

The plaque containing her name …

Here is a mention of Hale S …

This was Sarah “Sadie” Rachel Orr Hale, aged 29. In 1909 she was employed by the Cunard Steamship Company as a typist on the transatlantic steamers. Between voyages she was employed in the Cunard offices in Liverpool.

Her body was recovered from the sea, and before it was positively identified it was given the reference number 127 in one of Queenstown’s makeshift mortuaries. Following identification it was embalmed then sent to Belfast on 12 May 1915. She was buried the next day in the family grave in the city cemetery in Belfast

Property recovered from her body was sent to her family in Belfast; a wrist watch, a pair of cameo earrings, a gold ring inscribed inside ‘MARQUIS OF DOWNSHIRE Obt. 12TH APRIL 1845’ and a brooch bearing a horse and jockey.

The settlement of her estate raised an interesting point in law.

Sadie had written a number of letters which were to be passed on to her family in the event of her death. These included details of her insurance policies and bank savings accounts, and gave instructions as to the disposal of her property. With the exception of a few items, most of her estate was to be divided equally between two nieces, Helen Margaret Taylor and Dorothy Hamill Taylor.

Sadie’s estate amounted to £443, 12 shillings and 10 pence, but a legal predicament followed, as to whether or not Sadie’s letters amounted to a will. As a legal will required the maker’s signature to be witnessed by two other persons, her family sought an exemption under a provision of the Wills Act, 1837. Under this Act any soldier in actual military service or any mariner or seaman being at sea could dispose of their personal property without their signature being witnessed.  The Judge hearing the case deemed that Sadie was a ‘seaman’ for the purposes of the exemption, and therefore ruled that her letters amounted to a legal will and her instructions were carried out.

Both Anna and Sadie’s names were added to the memorial before their bodies were identified. The War Graves Commission has altered its records and stated that, should it ever be necessary to replace the panels, their names will be omitted.

Here are some of the other images I took on the day.

The Falklands conflict memorial …

Other wreaths …

Very personal, moving messages …

Tower 42 on the evening of 11 November …

In other news.

The St Giles tree takes shape from the top down …

The display lights up during November around Remembrance tide, transitions into an Advent tree, and eventually becomes a Christmas tree for the festive season. It serves as a luminous space for reflection, memorial, and community remembrance in the dark winter months …

It’s the Lord Mayor’s Show on Saturday and last Sunday the Mayor’s coach was resting outside the Guildhall and it may well still be there…

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Colour versus intriguing whiteness (plus Pigeon Rescue and a Booby).

Last weekend the Barbican hosted the Darbar Festival, which is always a delight to visit for its colour and vibrancy …

Some of my images …

Quite a contrast exists upstairs in the third floor gallery with Robert Ryman’s exhibition entitled The Real Thing.

Introduction at the entrance:

To my slight surprise, I really enjoyed it. Here’s a quote from the Arts Desk reviewer: To the casual eye, Robert Ryman’s paintings look white; but when I once asked him why he chose not to use colour, he got really annoyed and insisted that I look more carefully. Looking carefully – or, rather, careful looking – is what his paintings are all about. And boy, do they repay close attention!

When you “look more carefully”, you start to notice the nuances that make his pictures such a delight. You begin, for instance, to spot the coloured grounds that sometimes lend a hint of warmth or cold to the white upper layers. In Untitled Study 1963, nthe blue ground is really obvious; usually, though, things are more subtle …

Here are some of my images.

I also found myself drawn to taking images of figures moving or standing in the white space of the gallery …

One of the great bonuses of having to produce a blog every week is that I find myself visiting exhibitions that I wouldn’t normally consider and then coming away pleased and enlightened. This was one of those occasions.

You can read all about the event here. Highly recommended.

In other news.

Sitting having a coffee one afternoon on the Barbican Terrace I noticed this lady …

Wrapped up in the towel in her arms was a pigeon whose legs had been trapped in some kind of cotton or string which she was delicately cutting and disentangling. After doing a bit of research I came across these lovely people …

You can read more about them here. Needless to say I have made a donation!

I walked past these offices recently …

… and a thought occurred to me regarding branding. So many big firms have chosen to be known by initials only (e.g. PwC, EY, KPMG, BDO, CMS etc) I wondered why this firm hadn’t. It could be S & M.

On second thoughts, maybe not.

What a nice idea, candles outside St Giles church for All Souls Day …

And finally, when sorting out a drawer, I came across our Christmas card from 2009, the year we visited the Galapagos Islands. It’s a Blue Footed Booby …

No telephoto lens was needed, you really can get this close to the birds as they have no fear of humans.

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

Tapestry at the Guildhall Gallery (and a woven commemoration of the Greggs sausage roll).

Whenever I’m beginning to panic a bit about what I’m going to write about in my blog, the Guildhall Gallery comes to my rescue and it has done so spectacularly this week with its Beyond Bayeux exhibition …

As the website promises, you can: ‘Discover the stories woven into the past and the artists creating the tapestries of tomorrow, at this beautifully curated exhibition in collaboration with Dovecot Studios. Featuring more than 20 extraordinary tapestries created by the master weavers of world-renowned Dovecot Studios, in collaboration with leading artists including David Hockney, Yinka Shonibare, Alberta Whittle, Rachel Maclean, Tania Kovats, Hurvin Anderson and Farshid Moussavi, this major exhibition celebrates tapestry as a vibrant and evolving medium for the 21st century’.

It’s a fabulous collection – here are some highlights.

David Hockney in collaboration with Dovecot Studios: A Tapestry Made from a Painting, Made from a Painting of a Tapestry, Made from a Painting (1973) ..

Rachel Maclean and Dovecote Studios: Goo Gaa (2024) …

Hurvin Anderson and Dovecote Studios: The Lincoln College Tapestry (2025) …

Sir Peter Blake CBE and Dovecote Studios: Target, Rainbow, Star, Heart (2012) …

Work in progress …

A fascinating video presentation …

Lots to see, with great signage …

It runs until 21 March 2027 and you can view on a ‘Pay What You Can’ basis.

In other news.

Couldn’t get tickets for the Bayeux Tapestry exhibition? Head north to the The Great North Museum where you can view an eight-metre-long embroidery that ‘chronicles the conquest of the British high street by Greggs’ most treasured (and tasty) artefacts, inviting you to look closer at the legacy that lives behind your everyday favourites’ …

‘The piece is rendered in authentic medieval style, complete with traditional border motifs and satirical Latin framing. The six chapters chart the Sausage Roll’s journey through decades of cultural change and quiet consistency’. For example, founder John Gregg riding through Newcastle on his trusty delivery bike, with the Tyne Bridge looming proudly in the background …

Post-war bakers perfecting the art of rolling golden, savoury comfort for a rebuilding nation …

Greggs of Gosforth shows lines out the door, much like today …

You can read more about this brilliant piece of marketing here and here.

When you leave the Guildhall Gallery, have a look at the bivalve shells (from creatures like oysters) trapped in the Portland stone since the Jurassic period over 100 million years ago …

There’s a nice little tour of the geology surrounding the Gallery in this YouTube video.

I don’t know if you agree, but I think these new City bollards look rather sinister …

Finally, in a nearby office, I noticed this space and its uplifting messages on the wall. I think it’s known as a ‘chill-out room’ where employees can retreat and relax if they are stressed out for any reason. I’ll let you decide whether they would have the desired effect on you if you were fed up …

Choose Happy!!

If you would like to follow me on Instagram here is the link …

https://www.instagram.com/london_city_gent

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