Symbols & Secrets

Walking the City of London

A stroll from Barbican to King’s Cross (and more ducks).

I’ve put on a ‘bit’ of weight lately and have been told that consistently walking 10,000 steps a day helps weight loss and general health. I don’t know whether that’s true, but it gave me an incentive to get out and explore. I thought walking from the Barbican to King’s Cross should suffice and also give me some blog material, which it duly did.

The first place I paused was Charterhouse Square, home to the lovely Art Deco block of flats called Florin Court, forever destined to be associated with Hercule Poirot’s flat in ‘Whitehaven Mansions’ ..

It has been described as ‘a rare example of a surviving, unaltered Art Deco/Streamline Moderne residential building’ …

Built between 1935 and 1937, the building’s original residents were local businessmen, who often needed to be at Smithfield Market in the early morning. Most of the flats were therefore intended to be bedsits. But for some of the wealthier, permanent residents, there were several attractive amenities including: a restaurant, a cocktail bar, a squash court, and even a parking garage for twenty cars. Flats at the top even had small roof gardens, which are still used today.

The original ground floor lobby had the Charterhouse coat of arms embedded in the marble floor but this area is now carpeted …

The local public space opposite the flats was being prepared for an event …

The classic red phone box nearby has been converted into a ‘Little Free Library’ …

If you know anyone who keeps insisting that London is a ‘very dangerous place’ please refer them to this photograph …

Also on the Square is, of course, The Charterhouse after which it takes its name. The original stone arch and wooden gate, set into the chequered flint and stone wall, are remarkable survivors which have stood here since construction in 1405 …

You can read more about this fascinating institution in my At the Charterhouse blog.

Charterhouse Mews, an atmospheric cobbled alleyway. Notice the stone setts on the ground with solid lines for carriage wheels to run over more comfortably for their occupants. …

I’m pretty sure that the decorations around the alley entrance and the door to the house next door are made of Coade Stone …

You can read more about the entrepreneurial Eleanor Coade in the brilliant Look Up London blog which you will find here.

Smithfield meat market is still operating …

You can read more about the area in three of my blogs – Goodbye Smithfield Market, Smithfield Stories and A more cheerful wander around Smithfield. I have also written more specifically about the pubs in the area in this blog.

My next location was the mysteriously named Greenhill Rents …

You can read more about its name and history in the great Ian Visits blog.

It’s home to our favourite local restaurant, Trattoria Brutto

Fantastic food with house Negronis for £5. Need I say more?

Cowcross Street was known as ‘Cow Cross’ until the end of the 18th century. You would think that Cow Cross got its name from cows crossing the street on their way to Smithfield market. But that wasn’t it at all. There used to be a large cross, like a big sign, set up where St John Street and Cowcross Street meet. This was the sign for the Smithfield Cow Market, which was a separate market from the main Smithfield Market which also traded in other livestock and horses. The cow market cross gave Cow Cross, and eventually Cowcross Street, their names. The street in 1870 …

Leading off the north side of the street is Peter’s Lane, named after the church which once stood nearby …

The Rookery is a boutique hotel. It was expanded in 1996/7 and a new brick tower was constructed. Artists Mark Merer and Lucy Glendenning cast several bulls’ and cows’ heads in glass-reinforced resin and placed them into the gables of the tower. It’s well worth strolling down the lane and having a look …

Peter’s Lane in 1867 …

Across the road back in Cowcross Street is Bouchon Racine, just voted the UK Restaurant of the Year …

If you manage to get a booking, see if you can get a table in the small terrace overlooking the street.

Farringdon Station moved to its current location on 23 December 1865 when the Metropolitan Railway opened an extension to Moorgate. It was renamed Farringdon & High Holborn on 26 January 1922 when the new building by the architect Charles Walter Clark facing Cowcross Street was opened, and its present name was adopted on 21 April 1936 …

From mid-1914, the Metropolitan Railway introduced its own version of the Underground roundel. This originally appeared as a blue station name plate across a red diamond and the diamond is still there, above the entrance …

The Zeppelin Building is a historic Victorian warehouse-style office space located at 59-61 Farringdon Road …

On September 8, 1915, the site was levelled by a German Zeppelin bombing. It was rebuilt two years later by John Phillips and a commemorative plaque recalls the event …

The building encloses an entrance to ‘The Drill Hall’ dated 1887 …

Designed by architect Alfred J. Hopkins, it was built between 1887 and 1888 for the War Office as the headquarters of the 2nd City of London Rifle Volunteer Corps. In 1908, the volunteer corps became the 6th (City of London) Battalion, London Regiment, also known as the City of London Rifles. At the outbreak of the First World War in August 1914, the battalion assembled and mobilised at the drill hall before departing for service on the Western Front. During the war, the building itself suffered damage in the 8 September Zeppelin raid …

During the mid-1930s, the City of London Rifles relocated as part of an anti-aircraft reorganisation, leaving the drill hall vacant. After the Second World War, the building became home to the 167th and 168th City of London Field Ambulance units of the Royal Army Medical Corps. It remained in military use until 1967, when another reorganisation led to its closure.

Today, much of the hall has been carefully restored …

An amusing warning sign that made me smile …

The Betsey Trotwood Pub …

Built in 1865 as The Butchers Arms, it was renamed in 1983 after the Charles Dickens character from David Copperfield. It was one of the first buildings constructed above the new Metropolitan Railway extension, sitting over tunnels for both the Underground and Thameslink lines. Some memorabilia from the pub website, ‘London’s only pub in the middle of the road’!

I reach the point where Farringdon Road seamlessly merges into King’s Cross Road.

Mount Pleasant Post Office has an important place in the history of postal services in the United Kingdom and its Mail Centre is one of Royal Mail’s largest and busiest sorting offices. For many years it has handled millions of letters and parcels, connecting people and businesses across the UK and around the world …

In 2017 Royal Mail sold off much of the site for redevelopment and I passed these new apartments on my walk …

If you need ventilation shafts on a development once linked to Royal Mail, what better than to make them look like pillar boxes …

The Union Tavern which dates from 1878 …

A face appears to emerge from the brickwork …

The sign reads:

THIS IS BAGNIGGE HOUSE NEARE THE PINDER A WAKEFEILDE 1680

The London historian Peter Jackson identified this tablet as the oldest piece of street advertising in the capital …

You can read more in the great London Inheritance blog website.

Having been captivated by the World Cup recently, I can’t help but think that the person represented in the tablet looks a lot like the brilliant Manchester City and Norway international footballer Erling Haaland …

Wacky signs in an optician’s window …

And by the door …

Redundant Police Station …

… and, next door, a redundant Courthouse …

The Victorians routinely built magistrates’ courts physically attached or immediately adjacent to police stations. This combined approach—often referred to as a “lock-up and justice room”—was an administrative strategy to ensure suspects could be held in the police cells overnight and marched directly into court the next morning without logistical complications.

Derby Lodge, in nearby Britannia Street, is a Grade II listed block of Victorian-era social housing. Originally built around 1865 by the Improved Industrial Dwellings Company, these six-storey philanthropic tenement buildings were designed to provide quality housing for working-class railway families …

I really enjoyed looking at these models on display at a local architects’ firm …

London is full of spooky little alleyways …

Finally my destination looms into view …

The St Pancras Station and Hotel. How extraordinary to think that there were once plans to demolish this building …

Looking at its design, it still seems strange that the King’s Cross Station building is actually older than the St Pancras one (1852 versus 1868) …

I was once told that the King’s Cross ‘Lighthouse’ was built by a retired sea captain to remind him of his career …

For its true history, do read this London Inheritance blog.

According to my Smartphone that was a walk of 9,800 steps, so now I’m perfectly justified in taking the Tube home (it must be at least 200 steps from Tube to flat!).

Out for a paddle with mum. The Barbican ducklings are growing up and thriving …

And now a different variety of quackers.

I spent the weekend in the lovely village of Chiseldon and, when going to buy a paper, I looked up and saw a thatched roof with a delightful decoration …

Initially there was a pigeon who looked like he wanted to join in …

And then proceeded to show no respect whatsoever …

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A Hawksmoor Church and a riverside walk.

A few weeks ago, a sunny day that wasn’t too hot tempted me to visit Greenwich, one of my favourite places.

First on the list to visit was a Nicholas Hawksmoor masterpiece, the church of St Alfege

Alfege, Archbishop of Canterbury, was taken hostage by Danish invaders who took him to Greenwich, hoping to raise a large ransom. St Alfege refused to be ransomed, as it would mean starvation for many of his people. As a result he was martyred in 1012 …

During a drunken Easter feast the frustrated Vikings pelted him with the leftover meat and bones of cattle and oxen. He was eventually put out of his misery with a fatal blow from an axe, hence the animal skull and the axe in the stained glass image.

This is the third building on the site and was designed by Hawksmoor in 1711. Unfortunately, on 19 March 1941, two incendiary devices hit the church causing huge damage and little of the original interior now remains. After the war the leading British architect, Albert Richardson, restored the church in a way which combines both traditional and modern approaches. The work was completed in 1953.

There is some beautiful stained glass.

The east window, above the altar, was installed in 1953. It shows the risen Christ and beneath, St Alfege and Cardinal Morton, Archbishop of Canterbury under Henry VII …

There is also a series of post-war stained glass windows by Francis Spear depicting famous historical figures associated with the church, including General Wolfe …

Wolfe died aged 32, leading his troops to victory at Quebec, a turning point in the struggle between Britain and France for control of Canada. Wolfe, who worshipped here, is buried in a family vault in the crypt.

Some more important people and events …

Finally, ‘the father of English church music’ …

From 1540 t0 1585, the church was lucky enough to have Thomas Tallis as church organist …

Engraving by Niccolò Haym after a portrait by Gerard van der Gucht.

Tallis is considered one of England’s greatest composers and parts of this old keyboard may date from his period with the church …

The Chandelier was installed in 1998 and has 58 electric candle lights …

The dove at the top symbolises the Holy Spirit …

Bell Ringing boast …

Some generous benefactors including, in 1577: ‘William Riplar, Fisherman gave his house called the Peter boat to the poor for ever‘ and in 1605, Joyce Whitehead gave 5 shillings to repair the church every year. All fascinating local tales of charity….

There are cherubs in the bottom corners of the benefactors’ board …

The ironwork in the galleries (and the altar rails) survived the bombing and are from the workshop of the French Huguenot Jean Tijou, who also produced work for St Paul’s Cathedral and Hampton Court …

You’ll find more cherubs outside …

Some extremely informative, and beautifully worded, memorials …

Major Dinwiddy was a very talented man …

Here he is as pictured in the Western Front Association Magazine along with a fascinating article about the rangefinder …

Conrad Dinwiddy was born in Greenwich in 1881, and was the son of London architect and surveyor, Thomas Dinwiddy who had an architectural practice based in Greenwich.

Like his father, Conrad was also a surveyor, and initially developed a rangefinder to make it easier for ground batteries to hit the Zeppelins that were attacking British cities. He joined the Royal Garrison Artillery in 1916, where he was posted to the Western Front in charge of a six inch howitzer battery. He would continue inventing improvements to how guns were aimed, firing from barges, and the methods for transporting ammunition.

He was wounded by German battery fire on the 26th of September, 1917, and died the following day. He is buried in a military cemetery in Belgium. The memorial in St. Alfege has the wrong date, as he died a day earlier on the 27th of September. You can read more about him, the church, and Greenwich in general in the excellent London Inheritance blog.

The ‘South African War’ …

Despite the destruction meted out in 1941, it remains a lovely, atmospheric church (Photos by David Iliff 2015 – Creative Commons) …

There is, of course, another Hawksmoor masterpiece in the City of London, St Mary Woolnoth, which you can read about here.

Still in Greenwich, a few yards away and dated 1814 …

The inclusion of Education and Industry in its title reflects the standard early 19th-century curriculum for lower-class girls. Alongside reading, writing, and religious catechism, the students were taught practical industrial/domestic skills (such as needlework, spinning, and straw-plaiting) to prepare them for future employment as domestic servants or textile workers.

I headed for the river as the day got warmer and then encountered this monster …

You can just see the masts of the Cutty Sark in the distance on the right …

Two vessels, 150 years of history between them.

Looking towards the City …

The Scalpel, The Cheesegrater, 22 Bishopsgate and The Gherkin all lined up …

Looking towards Canary Wharf …

This extraordinary monument to Peter the Great (unveiled in 2001) is a short walk along the river path from the centre of Greenwich, overlooking Deptford Creek. According to the Russian/English dedication it is ‘a gift of the Russian people and commemorates the visit of Peter the Great to this country in search of knowledge and experience’. For a few months in 1698, as part of his ‘Grand Embassy’, Peter stayed in the area to study shipbuilding in the famous Deptford dockyards, which had been built in 1513 by Henry VIII. Visitors to the statue often remark on its odd setting, in a modern housing development, and on the smallness of Peter’s head …

A tall, rangy Peter holds a pipe and a telescope and looks out over the Thames, his expression unreadable. He is flanked by a dwarf (he brought one with him to England), a throne, and parapets featuring Russian and English inscriptions, cannon, sea-monster heads, a mysterious triangle filled with balls, and depictions of food and drink. The singular look is the work of two Russians, architect Viacheslav Bikhaev and sculptor Mihail Chemiakin. Some of the unusual style of the work can be put down to Chemiakin’s interests in the playful and the grotesque …

Greenwich never disappoints.

I didn’t get to the Fan Museum as planned …

… maybe next time.

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‘Project a Black Planet’ at the Barbican.

In this exhibition the Barbican invites you to explore the impact of Pan-Africanism on artistic and cultural production from the 1920s to the present, through over 300 works – from paintings and installations to posters, journals and film.

The term Pan-Africanism refers to a broad spectrum of political and philosophical movements advocating anti-colonial resistance and transnational solidarity amongst peoples of African descent. While it has long been recognised as a galvanising force in 20th-century global history, Project a Black Planet is the first major exhibition to consider both its influence on visual art and culture, and the critical role of artists in shaping Pan-African visions.

You will find a very informative review of the exhibition here – it might be useful to read this first since my blog consists of many untitled images.

In Jamaica, a “bling funeral” is a lavish, extravagant ceremony that many poor Jamaicans plan for several years to leave in style an existence that would otherwise remain unnoticed. In 2014, Ebony G. Patterson created 50 splendidly decorated coffins on pedestals to celebrate the lives of working class people and, with the help of art students, she marched the coffins along the streets of Kingston during the Carnival parade …

Standing in front of the coffins, Kader Attia’s installation Asesinos! Asesinos! (Assassins! Assassins!) evokes another collective humble presence: the political protesters whose voices have been suppressed.

The doors, sawn in half and hinged together into A-frame formations, bear silent megaphones that fail to amplify the crowd’s demands. The title itself is deliberately ambiguous: “Murderers! Murderers!” could be the cry of the people—or Attia’s condemnation of the repression that has silenced them …

One of the recurring themes running through the exhibition is the use of collective symbols such as the Pan-African flag—red, black and green—created by Marcus Garvey’s Universal Negro Improvement Association. Red represents the blood of the African diaspora, black the sovereignty of peoples of African descent and green the fertility of the African soil. These flags evoke a globally dispersed people, a community without borders, united by memory and the struggle for self-determination.

Hanging in the exhibition are David Hammons’ African-American Flag 1990 and Chris Ofili’s Union Black 2003 …

I really liked these random, found pieces of wood turned into faces by El Anatsui

Some more images from the exhibition …

Some reviewers were very critical as to whether the exhibition achieved its objective, but I loved it just for the work on display. Highly recommended (and the gallery is air conditioned!).

In other news.

Tower 42 and 22 Bishopsgate at sunset …

I saw this sign on a train last week …

A man got on wearing a three-piece suit, a bow tie, a bowler hat and was carrying a briefcase. If that’s not unusual nowadays I don’t know what is but when I texted that number they weren’t interested!

RIP the wonderful David Hockney, CH, 1937-2026. Almost every day I walk past this poster in the Barbican reception area. It was designed by David for the opening of the Barbican Arts Centre on 3rd March 1982 and was signed by the artist for the Director Henry Wong, CBE …

Next week I’ll be writing about my recent excursion to Greenwich …

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